Tal R Furniture

This beautiful silk screen litho is signed and numbered 209 of 250. Frame is original to period. Psychedelic patterns that emerge from early computational experiments parallel Optica...

Josef Albers Formulations - Articulations I & II Edition 974/ 1000 1972 screenprint on paper Embossed with Josef Albers initials, portfolio and folde...

Josef Albers, Formulations - Articulations I & II Edition 974/ 1000 1972 screen-print on paper Embossed with Josef Albers initials, portfolio and folder number. This work is publi...

New York City born Kathi Robinson Frank began painting at an early age. While in high school, she studied at The Art Students League and pursued her passion at Bard College where she...

After Pablo Picasso (Spanish/ French, 1881-1973), Buste de Femme au Chapeau Bleu, serigraph on silk. A hand-colored and hand pulled scarf in 12 color...

The Skateroom w/ ©Keith Haring Foundation Set of 3 skateboard decks 7-Ply Canadian Maplewood with screen-print Measures: 31 H x 8 inches, each Mounting hardware included Open ed...

This piece is titled Smile Through The Chaos, painted in 2021 during lockdown and using an abandoned car park sign as the medium. Measuring 183cm wide x 93cm Height Drew is an 'Outsider' artist based on the Romney Marsh in Kent.Painting from his self built studio in the rural village of Lydd, Drew's creativity sees the use of found and salvaged materials and media throughout his work. This sustainable creativity sees the recycling of abandoned paints, varnishes and substitute base materials such as metal and wooden panelling...

Large oil on canvas by Los Angeles artist Andrew Shachat. Represented by Patricia Correia Gallery, Venice, CA. Patricia Correia Gallery (PCG) was first established in Venice, Cali...

Large Gumdrop Mirror by Courtney Kinnare 2025 Resin, Acrylic, & Ink on Mirror Dia 30" The Gumdrop Mirror features vibrant, candy-like orbs in rich cherry and blush tones, adding ...

Large oil on canvas by Los Angeles artist Andrew Shachat. Represented by Patricia Correia Gallery, Venice, CA. Patricia Correia Gallery (PCG) was first established in Venice, Califo...

Media consists of fiber, paint, shellac on a linen canvas. Beautiful wood frame. Frank Faulkner by Philip Herrera, 2006: Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany. Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban. What a viewer first notices is the sheer elegance of the pieces, no matter what materials Faulkner uses—metal, wood and fabric as well as canvas and paper. Obvious, too, is the artist’s originality. Faulkner belongs to no school. His work is patterned but is far too intellectual to qualify as so-called “pattern art,” which mainly strives to be merely pretty. Rather, he paints in his own highly organized way, filling the surface without being excessive or boring. Faulkner sets up a system, say, of dots or dashes, then subtly changes the visual rhythms in order to add life and surprise—what he calls “the gymnastics of seeing.” He works and reworks the surfaces of his canvases, often laying down one thin layer of slightly reflective gold, silver or bronze paint upon another until the final work seems to glow with inner light. John Ashbery, a leading critic and poet, has likened Faulkner’s art to minimalist music, which achieves both simplicity and beauty from its obsessive repetitions. The critic Carter Ratcliff describes it more simply as “brilliant artifice.” Faulkner’s current work, a series of paintings on paper, continues and deepens this exploration of the relationship between wrought surface and changing light. Another striking aspect of the work is the influence of the decorative arts. Faulkner has made some paintings on wood that stand independently and fold open like screens. Other pieces resemble large tapestries, and yet others take their inspiration from Art Nouveau inlays...

Silkscreened fabric work by Giò Pomodoro, 1950s-60s. Later frame. Patina due to age. Measurements include the frame.