Tamaoki Yasuo Decorative Objects

A beautiful Japanese Satsuma pottery studio vase featuring multiple kesa-clad enlightened Buddhist monks on each side of the vase. The piece is finely detailed with rich raised gilt highlights throughout and beautifully decorated in gold and various hand painted other colors. From the Meiji period (1868-1912). This piece has the all-important Shimazu Family crest mark (red circle with a cross inside) on the base authenticating the work as an old and original Satsumaware work. The mark shows the pottery was made under the rule of the Shimazu clan. From a Los Angeles Collection...

An absolutely stunning Bizen ware stoneware vase/jar/vessel - produced sometime during the late Momoyama period (1568-1600) / Early Edo Period (1603-1867). Bizen yaki...

A beautiful, perfectly shaped and balanced antique Bizen ware shibui sake bottle (tokkuri) vase by renowned Japanese master potter/artist Kaneshige Toyo (1896-1967) featuring a unique natural, wonderfully textured organic forming ash glaze. Kaneshige is universally considered to be the founder of modern Bizen pottery. In 1956, Kaneshige was certified as a Living National Treasure (Important Intangible Cultural Heritage) for his work in Bizen Ware pottery/ceramics. Bizen Ware is a type of Japanese pottery traditionally from the Bizen province, presently a part of the Okayama prefecture. It is considered one of the Six Ancient Japanese Kilns (along with Echizen ware, Seto ware, Shigaraki ware, Tamba ware, and Tokoname ware). The piece is signed/ sealed on the base with one of Kaneshige's traditional incised marks. A rather striking and engaging work. One of the best Kaneshige works we have come across. Scarce and hard to find in such an excellent condition. Would be a fantastic addition to any Japanese/Asian pottery or Bizen Ware collection or eye-catching stand-alone work in about any setting. Kaneshige's work can be found in numerous prominent collections and museums including: Aichi Prefectural Ceramic Museum, Seto, Japan Brooklyn Museum, NY Hagi Uragami Museum, Yamaguchi, Japan Honolulu Art Museum, HI Ibaraki Ceramic Art Museum, Kasama, Japan Indiana Art...

An absolutely stunning Tokoname ware stoneware vase/jar/vessel - produced sometime during the late Muromachi period (1336-1573 to early Edo Period (1603-1867). Tokoname-yaki ware is ...

A fantastic, wonderfully glaze stoneware Banko ware vase with beautifully detailed craftsmanship. Banko ware pottery is thought to have originate...

A good and unusual pair antique Japanese Satsuma Meiji diamond shaped pottery vases decorated with monk figures with a scrolling dragon dating from the 1...

Large Awaji pottery vase with sprigged chrysanthemums and green and white glazes, circa 1930. Measures: 18 1/4" high, 9 1/2" diameter. Excellent condition.

A wonderful, unique, and handcrafted piece of ancient Japanese Sueki Sue ware pottery dating back to the 500-600s (6th-7th century). Sueki/ Sue pottery was a ...

A really large and wonderful piece. Clearly, the maker was a fan of Shoji Hamada's work. Could be a Mashiko Ware pottery vase. Signed on the base along with a sticker on the insi...

Contemporary Japanese decorative porcelain vase, hand painted in green, red and blue, showcasing phoenixes in vivid red and blue, set against a beloved dice- shaped porcelain body in...

An exquisite, beautifully crafted, and designed gourd vase by master Japanese potter Shoji Hamada, which features a fine example of his famed rich Kaki or persimmon glaze. The original Hamada stamped/sealed and signed box is included. Rare to find such a beautiful piece in such impeccable condition with its original signed box. Hamada named this vase Kaki-Yu-Kabin (flower vase with Kakiyu glaze). A very rare form. One Japanese ceramic dealer whom we know said he had only seen one or two other examples like this by Hamada before. This work is sure to shine in any Japanese pottery/art collection or setting. Shoji Hamada was designated a Living National Treasure in Japan in 1955. In 1968 he received Japan's highest artistic award the Order of Culture. His work can be found in collections and museums worldwide including Tokyo’s Japan Folk Art Museum and The Tate Museum...

A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases distinguished "moon flask" form with shoulder loops. The moon flask form was widely recorded first in Tang Dynasty China, most likely arrived from the Mideast countries via the silk road. It was originally used as drink vessel for the nomads and the loops were used to tie it to the horse-centered owner. The exotic form persisted in Chinese ceramic production through Ming to Qing dynasty. The form is unusual in Ken Matsuzaki's work. The artist covered the vase with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery in Tang Dynasty when green glaze was prominently used to drip and splash onto the pottery. Viewing the vase, one can see in this harmonious piece, the innovative reinterpretation of ancient aesthetics that cross the cultures, geology and time. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 8.6"h x 7"w x 2"d. Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...