Tecta Armchairs

Jean Prouve “Cite” lounge chair for Vitra Germany, 2007. Dimensions: 33” h x 26 3/4” w x 37 1/2” d Materials: enameled steel, natural leather, upholstery...

Vintage set of 2 MR10 dining chairs by Mies Van der Rohe. Chrome cantilevered frames with black original leather

A pair of armchair by unknown designer from 1960s, in style of Jean Prouvé. Arms and legs of dark stained wood with new linen cushions. A simple and fuctional design made comfortab...

Designed in 1930 for the Tugendhat house in Brno, Czechoslovakia, the Brno chair is in the Pantheon of modern design icons. The cantilevered frame is a single piece of tubular chrome...

Unique set off four sculptural and confortable black lacquered Bamboo dining chairs, seats reupholstered with sheep skin.

Set of four armchairs, model "MR10" 1980s reissue, equipped with leather instead of the textile used in the original 1930s edition. The reissued chairs are functional and can be use...

A P40 lounge chair designed by Osvaldo Borsani for Tecno in 1954. This iconic chair can be adjusted in numerous positions by puling the brass handles. A polished stainless steel base...

Set of eight all black Ward Bennett armchairs for Brickell Associates. Simple construction is all of solid wood. Newly lacquered frames, impeccably joined barrel-back and sloping arm...

Rare Set of 8 Mies van der Rohe for Knoll MR10 and MR20 Chairs This exceptional set of eight chairs by Ludwig Mies van der Rohe for Knoll represents the epitome of modernist design. Comprising six MR10 and twor MR20 chairs, this collection showcases Mies' commitment to simplicity, functionality, and elegance in both form and material. Style & Usage in Interior Design These chairs belong to the Bauhaus and International Style, characterized by clean lines, minimal ornamentation, and an emphasis on the use of modern materials. The MR10 chairs are armless, offering a sleek and unobtrusive silhouette perfect for dining or office spaces where a minimalist aesthetic is desired. The MR20 chairs, featuring a distinctive curved armrest, provide additional comfort and a more commanding presence, making them ideal as statement pieces in living rooms, lounges, or reading nooks. In interior design, these chairs are best used in spaces that celebrate the beauty of industrial materials like steel and leather. They complement open-plan layouts, where their airy structure can be fully appreciated, and they pair well with other iconic mid-century modern pieces. Key Differences: MR10 vs. MR20 MR10 Chairs: Armless design, characterized by a continuous steel frame that supports the seat and back. Their simplicity allows them to fit seamlessly into various spaces, from dining rooms to offices. MR20 Chairs: Include curved armrests, adding both aesthetic and functional value. These chairs provide more support and comfort, making them suitable for longer periods of sitting or as standalone accent pieces. Mies van der Rohe: A Brief History Ludwig Mies van der Rohe, born in Germany in 1886, was a pioneering figure in modern architecture and design. He began his career in his family's stone-carving business, later studying architecture and working under the influential architect Peter Behrens. Mies was a leading member of the Bauhaus movement, which emphasized the integration of art, craft, and technology. In 1938, Mies emigrated to the United States, where he became the head of the architecture school at the Illinois Institute of Technology (IIT). His work in America solidified his reputation as one of the most influential architects of the 20th century. Architectural Legacy Mies van der Rohe's architectural philosophy is encapsulated in his famous dictum, "Less is more." His buildings are renowned for their clarity of form, open spaces, and use of modern materials such as glass and steel. His approach sought to create structures that were both functional and aesthetically pleasing, stripping away unnecessary ornamentation to reveal the essence of the design. Notable Works: The Barcelona Pavilion (1929): A masterwork of modern architecture, showcasing Mies' minimalist approach with its flowing spaces and use of glass, marble, and steel. The Farnsworth House (1951): An iconic example of his philosophy, this glass and steel structure is celebrated for its simplicity and seamless integration with the surrounding landscape. The Seagram Building (1958): Located in New York City, this skyscraper is a landmark of the International Style, known for its clean lines, bronze facade, and innovative use of space. This rare set of MR10...

Ludwig Mies van der Rohe Mr. Longue Chair for Knoll 1960s

Afra & Tobia Scarpa for Gavina 'Bastiano' lounge chair, leather, wood, Italy, 1960 ___________________________________________________________ Beautiful architectural Tobia Scarpa Ba...

A fantastic set of four of the exceptional D 96 chairs from Tecta. The chairs, with their minimalist lines, are in very good condition. The chrome-plated tubular steel frames show on...