Thierry Noir Prints and Multiples

Artist: Dan May (American, 1955-) Title: "Cat with a Habit" *Signed and numbered by May in pencil lower left Year: 1995 Medium: Original Screenprint on unbranded white wove paper Lim...

Artist: Dan May (American, 1955-) Title: "Dogs and Bones" *Signed and numbered by May in pencil lower left Year: 1986 Medium: Original Screenprint on unbranded white wove paper Limited edition: 15/25 Printer: the artist May himself, Oakland, CA Publisher: the artist May himself, Oakland, CA Sheet size: 34.13" x 29.88" Image size: 25.88" x 24" Condition: Some moderate edge wear around, and heavy wear with a repaired tear at lower right corner. In otherwise good condition with strong colors and clean paper. Will look great once framed and with its marginal imperfections covered Notes: Titled and dated by May in pencil lower right. Biography: Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting. Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges drawing...

Artist: Dan May (American, 1955-) Title: "Chickens" *Signed and numbered by May in pencil lower left Year: 2003 Medium: Original Screenprint on unbranded soft-cream wove paper Limite...

Screenprint Edition 119 of 125 Signed on the accompanying COA and numbered on the back Excellent. Minor soft creasing in bottom left and right and top middle of print. Please note ...

Shepard Fairey Chaos Mandala 2 Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated and numbered by hand COA provided *Edition number may vary from the image shown. Chaos Mandala 2 is the follow-up to Shepard Fairey’s earlier Chaos Mandala print and continues his exploration of the tension between disorder and balance. In this composition, Fairey merges two seemingly opposing ideas—chaos and harmony—drawing inspiration from the layered visual environment of urban streets. Posters, graffiti, and fragments accumulate over time only to be torn, weathered, and reshaped by human intervention and natural forces. For Fairey, this evolving process reveals an unexpected beauty within impermanence and the countless variables that shape the urban landscape. The artist frequently attempts to recreate the textured layering of street surfaces within his studio practice, using patterns, collage, and distressed backgrounds that echo the aesthetic of urban walls. In contrast, the mandala functions as a symbol of harmony, wholeness, and cosmic order. The work reflects a philosophical duality rooted in Buddhist thought, where the pursuit of harmony coexists with the acceptance of impermanence. The tradition of Buddhist monks creating and then dismantling intricate sand mandalas serves as a poetic metaphor for this balance. As a complementary counterpart to the earlier Chaos Mandala, this print continues Fairey’s meditation on the coexistence of destruction, renewal, and visual equilibrium. Chaos Mandala 2 print, Shepard Fairey mandala...

Beautiful Serigraph print on paper by the Cuban artist Manuel Mendive. El Reposo, 2021 Lithograph 23,5 x 29 in Ed. 10 of 100 Signed and numbered by the artist. Manuel Mendive is an ...

Will Barnet The Book, from the 1776 USA 1976: Bicentennial Prints portfolio Silkscreen in colors on Arches paper Pencil signed, titled and numbered 65/75 on the front Printed by Fine...

Stephen Powers Invest in Love, 2019 5 Color screenprint on 335 GSM Coventry rag paper Hand signed and numbered 9/50 by Stephen Powers with his distinctive hat logo on the front 14 × ...

12 Colour Screenprint with a Varnish Overlay on Somerset Tub Sized 410gsm Paper. Limited edition of 125. Hand signed and numbered verso by David Shrigley.

Six color screen print hand stained and stenciled with spray paint. Hand signed by Mr. Brainwash on front, with his thumb print and dated on verso. Hand numbered 24/40 lower front....

Zebra I (2022), work on paper, hand painted multiple, animal and foliage, neo impressionist, botanical, pastels, aqua and lime green, black and white zebra "Zebra I," (2022) by arti...

Silkscreen in 9 colors on 320 gram Coventry Rag Dimensions: 29" x 29" Signed by the Artists in pencil An edition of 75 John “CRASH” Matos and Eric Orr met for the first time as high school students. Although the exact location is unclear, both agree that it would have been at either Fashion Moda or the Writers’ Bench at 149th Street and Grand Concourse. Founded by Stefan Eins in 1978, Fashion Moda began as a “cultural concept” whose principles revolved around the fact that art can be made by anyone, anywhere and art should be accessible to anyone, anywhere. Located in the South Bronx, Fashion Moda embraced new talent and encouraged creative production across all mediums. The gallery has been credited as a major force behind the recognition of graffiti writing as an art form and it played a pivotal role in a community where Hip Hop was rapidly emerging. CRASH was only 19 years old when he curated “Graffiti Art Success for America” at Fashion Moda and his varied experiences at the gallery would later inspire his founding of WALLWORKS. The 149th Street Writers’ Bench, located at the back of the uptown...