Thomas Sandell Furniture

We are delighted to offer for sale this absolutely glorious Anglo-Indian Specimen wood occasional centre table A very fine and rare table, most likely Sri Lankan Galle district in...

Designed by Per Holland Bastrup in 1989, the Frama Triangolo Chair embodies a breathtakingly progressive, sculptural design. Defined by sleek lines an...

Rare set of 4 "Jamaica" wooden bar stools designed by Pepe Cortés and made by BD Barcelona. The ergonomic seat in the shape of a saddle is made of solid lacquered beech and is swivel...

marked min seat height: 51 cm max seat height: 71 cm.

Late 19th century very unique English side chair in solid oak with carved back in floral motif. Two long vertical open slats (one to each side of the back) add to the unique design o...

A carved mahogany, upholstered stool in the mid Georgian manner with shell carved knees, acanthus decoration and hairy paw feet. We are currently working to a 30-36 week lead time.

Fine antique 18th century Gustavian chair in great original condition. This type of chair is called the Swedish model. This particular ex...

Original, factory-marked pair of Lyra barstools – one of the purest, most timeless pieces of Italian minimalist design. The Lyra model belongs to Magis’ early, iconic line. Its shape...

A pair of solid wood stools designed and produced in Brazil, c. 1980s-1990s. Light scratching throughout stools. Dimensions: 17.75” H x 13.5” Diameter

We are delighted to offer for sale this exceptionally rare and important original circa 1900 Carlo Bugatti occasional table This table is special, designed by Carlo Bugatti, Italy around 1900, it’s a rectangular walnut occasional or centre table, partly ebonized, with floral inlays made of pewter, the legs partially covered with copper sheet, the tabletop covered with goatskin, this table was exhibited at the Musee d'Orsay, Paris, 2001 Carlo Bugatti (2 February 1856-April 1940) was an Italian decorator, designer and manufacturer of Art Nouveau furniture, models of jewelry, and musical instruments. Bugatti was born 2 February 1856 in Milan, in what would remain until 1859 the kingdom of Lombardy: he died in Molsheim, France. Biography: Son of Giovanni Luigi Bugatti, a specialist in interior decoration, Carlo studied firstly at the Brera Academy in Milan, and subsequently, from 1875, at the Académie des Beaux Arts in Paris. In 1880 he started to manufacture furniture in Milan, later transferring to France. From 1888 he began to be successful beyond Italy. Nevertheless, till 1904 he maintained a Milan workshop in the city's Via Castelfiardo 6. He was also, like his father, trained as an architect, but there is no evidence that any of his architectural designs were ever executed. He triumphed at the exhibition of decorative art in Turin in 1902 and returned to Paris in 1904. Father of sculptor Rembrandt Bugatti and automobile manufacturer Ettore Bugatti, he moved in 1910 to Pierrefonds where he established an atelier. From 1914-1918 he was nominated mayor of the village, and the outspoken anti-German industrialist Adolphe Clément-Bayard, who lived at the Domaine du Bois d'Aucourt, entrusted its upkeep to him. From then on, he devoted himself entirely to painting. After the suicide of his son Rembrandt in 1916, Bugatti, then 60, produced less, but he remained influential. In 1935, at the age of 79, he retired near his son Ettore's family in Alsace. He settled in a flat north of Château Saint-Jean, Dorlisheim, with his wife Teresa (who died shortly afterwards), at the domain of promotion of Bugatti property of his son Ettore. He spent his last months at his apartment at the Bugatti factory in Molsheim, where he frequented the workmen and the house of 'the Hardtmühle', living with Ettore and his family. In April 1940, he died at the hospital in Molsheim. He is buried in the Bugatti family cemetery at Dorlisheim. The Bugatti section of Molsheim's municipal Musée de la Chartreuse displays...

An elegant set of six “Anna” barstools by the renowned Italian manufacturer Crassevig, celebrated for its refined craftsmanship and enduring modern design vocabulary. These stools ex...

Exploring the boundaries between art and design, the 9.5° Chair is a result of studying Plato’s notion of the ideal chair. Subject to a creative process of experimentation, the 9.5° Chair transcends our expectations, becoming more than a simple form that follows function. Features – The sculptural chair is fully functional for seating – Featured as the museum chair...