Thomas Whittaker Kidd Art

This large figurative oil painting is a reinterpretation of two paintings by John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728. A unique oil p...

Artus WOLFAERTS (1581-1641) Study of a head Oil on paper, transferred on panel. 39,5 x 29 cm Unsigned Provenance Private collection, France Firstly thought to be from Rubens’s S...

This large figurative oil painting is a reinterpretation of a painting by Francisco de Goya, Retrato ecuestre de Fernando VII, 1808. A unique oil painting on the finest quality Belgi...

This large figurative oil painting is a reinterpretation of a painting by Francisco de Goya, Retrato ecuestre de Fernando VII, 1808. A unique oil painting on the finest quality Belgi...

Mariusz Zdybal (born in 1955) He was awarded with "Golden Palm" at the international painting competition in Cannes and his works has been shown in Cannes, Warsaw, Gdansk and Berli...

The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...

A gorgeous oil painting of surfers paddling out in the warm pink, late afternoon light waiting for the last waves of the day. It's a social piece about friends, the good things in li...

CHARLES LEVIER – "[MÉLODIE COSMIQUE]" ⚜ Oil on board ⚜ Hand signed lower right ⚜ Custom frame SURREALIST-INFLECTED MID-CENTURY ABSTRACTION In [Mélodie cosmique], Charles Levier depa...

Joel Tomlin (b. 1969) Cinder, 2004 Oil on linen Signed and titled verso 183 x 157 cm. Provenance: Joel Tomlin; MW Projects, London, 2004; Permanent Collection, Saatchi Gallery; Chri...

ROBERT KENNETH WHITE – "THE ARTICULATED FORM" ⚜ Oil on canvas ⚜ Hand signed on verso ⚜ Frameless display MECHANICS OF HUMANITY In “The Articulated Form,” Robert Kenneth White presen...

“Growing” is 40”x30” The impasto surface stages a predominance of bold greens in the shadowy figure. Frank Arnold’s paintings exhibit the highest quality materials for a truly archiv...

"Forgot 7" Oil on Canvas features an abstract form surrounded by characters and a surreal landscape. The canvas is painted with shades of green, blue, yellow, and white. Frank Arnold is viewed as one of the foremost abstract figurative painters and sculptors of our time. He is a living master guided by a personal mission to “turn on a light in the human soul,” through his passionate creation of “Messengers” from his deeper mind connection with Carl Jung's archetypal images, the collective unconscious, and Jungian Synchronicity. These unconscious forms from his deeper mind resonate as personal messages of universal acceptance, reaching out to the viewer. Arnold has been honored as IAD Artist of the year 2018 by International Artist Day, and 2013 FAC Horizon Artist Award. He has exhibited his artwork in numerous galleries and museums and is in collections worldwide. Arnold divides his working days between oil painting in San Jose del Cabo, Baja Sur...