Todros Geller Art
to
2
Overall Width
to
Overall Height
to
2
1
2
1
1
1
1
1
1
1
1
1
2
8,199
2,807
2,504
1,663
2
Artist: Todros Geller
'South-Western Landscape', Art Institute of Chicago, Whitney Museum, WPA, Odessa
By Todros Geller
Located in Santa Cruz, CA
Signed 'Todros Geller' (Russian-American, 1889-1949) and dated 1937
An elegant and painterly, southwestern landscape painted when the artist was 48 years old.
Born in Vinnytsia, now in the Ukraine, Todros Geller first studied in Odessa before moving to Canada. He continued his studies in Montreal (1906) and, subsequently, at the Art Institute of Chicago with George Bellows and John Norton. Geller exhibited widely and with success including, from 1925, at the Chicago Art Institute as well as at the Riverside Museum (New York, 1939), the New York World's Fair (1939) and at the Whitney Museum of American Art (1941) in addition to other national institutions.
Geller was the recipient of numerous prizes, medals and juried awards and his work may be found in private and public collections including the permanent collection of the Art Institute of Chicago. He was a member of professional associations including the Artist's Union, the Artist's Congress and the Chicago Society of Artists, which he also served as president. During the the 1930's, Geller was an active participant in the Federal Art Project (WPA) in Illinois and his large-scale murals and stained glass windows may be found in Chicago and Detroit as well as Tel-Aviv. We are pleased to offer this elegant, South-Western landscape painted when the artist was 45.
Reference:
Todros Geller Archives, Spertus Museum of Judaica, Chicago; Sparks, Esther. "A Biographical Dictionary of Painters and Sculptors in Illinois 1808-1945." Diss., Northwestern University, 1971, p. 390; Yochim, Louise Dunn. Role and Impact: The Chicago Society of Artists. Chicago: 1979, pp. 28, 44, 238; Mavigliano, George J. and Richard A. Lawson. The Federal Art Project in Illinois 1935-1943. Carbondale: Southern Illinois University Press, 1990, p. 120; Dijkstra, Bram. American Expressionism: Art and Social Change 1920-1950. New York: Harry N. Abrams, Inc., 2003, p. 155. Chicago Modern...
Category
1930s Modern Todros Geller Art
Materials
Watercolor, Gouache, Illustration Board
3 Jewish Men Judaica Woodblock Woodcut Engraving Print Chicago 1930s WPA Artist
By Todros Geller
Located in Surfside, FL
Todros Geller (1889 – 1949) was a Jewish American artist and teacher best known as a master printmaker and a leading artist among Chicago’s art community.Geller was born in Vinnytsia, the Russian Empire (now Ukraine) in 1889.[2] He studied art in Odessa and continued his studies after moving to Montreal in 1906 where he immigrated to Canada. He married and moved to Chicago in 1918, where he studied at the School of the Art Institute of Chicago until 1923.
Geller produced paintings, woodcuts, woodcarvings, and etchings. His work focused on Jewish tradition, often including moralistic themes and social commentary, shtetl, ghetto life, and the intersection of Jewish tradition with modern-day Chicago. He regarded art as a tool for social reform and he spent a large part of his career teaching art. His work was commissioned for stained glass windows, bookplates, community centers and Yiddish and English books. He was regarded as a leader in the field of synagogue and religious art. He designed stained glass window for synagogues in Omaha, Fort Worth, Dayton, Stamford, and Chicago Heights. Over the course of his career he illustrated more than 40 books.
In addition to conducting classes in his studio, Geller was head of art at the Jewish People’s Institute (JPI), supervisor of art for the Board of Jewish Education and director of art for the College of Jewish Studies (which became the Spertus Institute for Jewish Learning and Leadership) and taught at Hull House. Many prominent Chicago artists studied drawing and painting under Geller. Geller was a source of inspiration to Aaron Bohrod and Mitchell Siporin...
Category
Early 20th Century Modern Todros Geller Art
Materials
Paper, Woodcut
Related Items
Modern American Industrial Landscape
Located in Buffalo, NY
An original woodblock print dated 1965, titled "Our Town" but signed illegibly.
Category
1960s American Modern Todros Geller Art
Materials
Paper, Woodcut
Original Painting Steel Workers Fabric Design Industrial Deco American Modernism
By Antonio Petruccelli
Located in New York, NY
Original Painting Steel Workers Fabric Design Industrial Deco American Modernism
Antonio Petruccelli (1907 - 1994)
Steel Workers
Textile design
19 1/4 X ...
Category
1930s American Modern Todros Geller Art
Materials
Gouache, Board
Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco
By Antonio Petruccelli
Located in New York, NY
Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco
Antonio Petruccelli (1907 - 1994)
Play Ball
New Yorker cover proposal, c. 1939
12 x 8 inches (sight)
Framed 18 1/2 X 14 3/4 inches
Gouache on board
Estate sticker verso
BIOGRAPHY:
Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests.
In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s.
‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune.
Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category
1930s American Modern Todros Geller Art
Materials
Gouache, Board
American Scene Industrial Modern Lamp Magazine Illustration Mid-Century c. 1930s
By Antonio Petruccelli
Located in New York, NY
American Scene Industrial Modern Lamp Magazine Illustration Mid-Century
Antonio Petruccelli (1907 - 1994)
Oil Terminal
Lamp Magazine, published, c. 1930s.
15 3/4 X 12 inches (image)
18 X 14 inches board
Gouache on board
Signed lower right
unframed
BIOGRAPHY:
Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests.
In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s.
‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune.
Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
Category
1930s American Modern Todros Geller Art
Materials
Gouache, Board
Loading the Cargo Ship - Brittany France - Watercolor 19th Century
Located in Soquel, CA
French Coastal Scene in Brittany with a merchant ship onloading fish and people by an unknown artist. A sailing vessel is anchored at a beach. A r...
Category
Late 19th Century Impressionist Todros Geller Art
Materials
Watercolor, Postcard, Illustration Board
H 14.75 in W 18 in D 0.75 in
Wedding Party
Located in Buffalo, NY
An original mid century modern woodblock print.
This work is hand signed illegibly and titled "Wedding Party".
Category
1960s Modern Todros Geller Art
Materials
Paper, Woodcut
House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA
By Antonio Petruccelli
Located in New York, NY
House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA
Antonio Petruccelli (1907 – 1994)
Mixing Mortar
12 1/2 X 14 3/4 inche...
Category
1930s American Modern Todros Geller Art
Materials
Gouache, Board
Dickie (Child in High Chair)
By Will Barnet
Located in Buffalo, NY
An original woodcut on japan paper created by master American artist Will Barnet in 1942.
Category
1940s American Modern Todros Geller Art
Materials
Paper, Woodcut
Original Painting. Fortune Cover. Sept 1933 Illustration American Modern WPA Era
By Antonio Petruccelli
Located in New York, NY
Original Painting. Fortune Cover. Sept 1933 Illustration American Modern WPA Era
Antonio Petruccelli (1907 - 1994)
Wild Horses & Dynamo
Fortune cover published, September 1933
13 X ...
Category
1930s American Modern Todros Geller Art
Materials
Gouache, Board
"San Anton Palace Malta" Early 20th Cent. Garden and Fountain Watercolor Russian
Located in Soquel, CA
A significant early 20th century landscape watercolor of the paradisical gardens at San Anton Palace in Attard, Malta by Nicholas Krasnoff, 1920 (Russian, 1864-1939). This beautiful piece is a wonderful example of the renowned Russian architect's prized watercolors, created while he was exiled to Malta in the early 1920's. Depicting a lush garden full of blooming, colorful flowers and a stately fountain at the San Anton Palace in Malta, one can see the deft hand and attention to detail rendered by the proficient artist and architect's hand.
Signed "N. Krasnoff" lower right. Titled and dated "Malta, St. Antonio 1920".
Unframed.
Measures 10.25"H x 14.25"W.
Right corner has a crease from being bent.
Nikolay Petrovich Krasnov, also known as Nicholas Krasnoff or Peter Nicholas Krasnoff, was a Russian Serbian architect and painter. He served as Chief Architect of Yalta, Crimea (1887-1899). From 1922 he lived and worked in the Kingdom of Yugoslavia, and was a key figure in the architectural development of Belgrade. Attending the Moscow School of Painting, Sculpture and Architecture in 1876, aged 12. As a young artist he received patronage from Sergey Tretyakov, brother of the founder of Moscow's Tretyakov Gallery, and entrepreneur Petar Gubonyin.
In 1887 Krasnov became Chief Architect in Yalta. At the age of 23, Krasnov had large responsibility for the rapid growth of the city. He expanded the promenade, which by 1913 became the city's main street, before creating a new city plan in 1889 (including a new sewer system, planning regulations, new streets, prevention of unregulated construction, a school and children's hospital, and the construction of the Pushkin Boulevard). Two concrete bridges were built over the river, and the embankment strengthened. Krasnov also ran a private practice in Yalta until 1911. Among his most famous work is the Livadia Palace, later the location of the 1945 Yalta Conference. Designed over 60 buildings in Crimea, blending a modernist style with local traditions. Also of note: Dulber Palace, Koreiz (1895-97), Alexander Nevsky Cathedral, Yalta (1902), Yusupov Palace, Koreiz (1909), Kokkoz Jami Mosque, Sokolyne (1910).
In 1913, he presented a collection of illustrations he had produced of his works to the Saint Petersburg Academy of Arts, where he held the title of academician. An opponent of the Russian Revolution, he left Yalta with his family in 1919 for Malta, alongside the Dowager Empress Marie Feodorovna, sister of Queen Alexandra, and over 600 members of the Russian aristocracy. Nikolay was in a group housed in the empty Villa St Ignatius, which had been a Jesuit college and then a hospital during World War I. To earn money, Nikolay painted many scenes of Malta, signing his paintings as N. Krasnoff. He is known as Nicholas Krasnoff in Malta. In May 2016 MaltaPost issued a commemorative set of stamps in his honor.
In 1922 Krasnov moved to Belgrade, then part of the Kingdom of Yugoslavia, where he became head of the Department of Monumental Architectural Developments and Monuments. His building designs in Serbia number around 60, and were created under the name Nikola Krasnov, as a mark of respect to his adopted homeland.
His key works in Belgrade include: Ministry of Forestry building (now Ministry of Foreign Affairs) (1923) which bears a memorial plaque...
Category
1920s Impressionist Todros Geller Art
Materials
Paper, Watercolor, Illustration Board
H 10.25 in W 14.25 in D 0.13 in
Early Morning
By Will Barnet
Located in Buffalo, NY
A nice rare woodcut by the noted American Artist Will Barnet. This woodcut is from 1939 and is titled and pencil signed on the base "Early Morning", Will...
Category
1930s American Modern Todros Geller Art
Materials
Paper, Woodcut
Harvest Time The Hills of Mt Tamalpais near Lake Bon Tempe 1890s
Located in Soquel, CA
Harvest Time The Hills of Mt Tamalpais near Lake Bon Tempe 1890s
The Hills around San Rafael in the 19th century were a time of work and play as seen in this watercolor near Lake Bon...
Category
Late 19th Century American Impressionist Todros Geller Art
Materials
Watercolor, Illustration Board, Laid Paper
H 21.75 in W 11.5 in D 0.07 in
Previously Available Items
1939 Todros Geller 'Yemenite Beggar' Modernism Black & White Woodblock
By Todros Geller
Located in Brooklyn, NY
Paper Size: 9.25 x 9 inches ( 23.495 x 22.86 cm )
Image Size: 6 x 4.5 inches ( 15.24 x 11.43 cm )
Framed: No
Condition: A: Mint
Additional Details: This piece derives from the ...
Category
1930s Todros Geller Art
Materials
Woodcut
H 9.25 in W 9 in D 0.1 in
Hasidic Student Palestine 30s Judaica Woodblock Woodcut Print Chicago WPA Artist
By Todros Geller
Located in Surfside, FL
Picture of Hasidic Jewish peddler in the market at a stall.
18x15 overall with mat, 10.25x9 woodcut size
Todros Geller (1889 – 1949) was a Jewish American artist and teacher best known as a master printmaker and a leading artist among Chicago’s art community.Geller was born in Vinnytsia, the Russian Empire (now Ukraine) in 1889. He studied art in Odessa and continued his studies after moving to Montreal in 1906 where he immigrated to Canada. He married and moved to Chicago in 1918, where he studied at the School of the Art Institute of Chicago until 1923.
Geller produced paintings, woodcuts, woodcarvings, and etchings. His work focused on Jewish tradition, often including moralistic themes and social commentary, shtetl, ghetto life, and the intersection of Jewish tradition with modern-day Chicago. He regarded art as a tool for social reform and he spent a large part of his career teaching art. His work was commissioned for stained glass windows, bookplates, community centers and Yiddish and English books. He was regarded as a leader in the field of synagogue and religious art. He designed stained glass window for synagogues in Omaha, Fort Worth, Dayton, Stamford, and Chicago Heights. Over the course of his career he illustrated more than 40 books.
In addition to conducting classes in his studio, Geller was head of art at the Jewish People’s Institute (JPI), supervisor of art for the Board of Jewish Education and director of art for the College of Jewish Studies (which became the Spertus Institute for Jewish Learning and Leadership) and taught at Hull House. Many prominent Chicago artists studied drawing and painting under Geller. Geller was a source of inspiration to Aaron Bohrod and Mitchell Siporin, among others. Irene Gordon was also among his pupils.
In 1926, Geller formed what would become a lengthy working relationship with Chicago publisher and cultural activist L. M. Shteyn (a pseudonym for Yitshak Leyb Fradkin, anglicized as L.M. Stein in his English language correspondence). Shteyn and Geller shared a similar ideology, were both considered radical progressives, were part of the Chicago Jewish Left who worked to promote the Yiddish language and they both supported the Soviet Union for its commitment to the Yiddish language and to the Jewish settlement in Birobidzhan. Shteyn's Yiddish press, the L. M. Shteyn Farlag, published at least eight monographs illustrated by Geller and four art albums dedicated to his work.
Geller was one of the founding members of "Around the Palette" in Chicago in 1926, a club where artists shared their personal views of art and its role in society. The club became the "American Jewish Art Club", in 1940 and subsequently the "American Jewish Artists Club" in the early 1990s. Other founding members included Emil Armin, David Bekker...
Category
Early 20th Century Modern Todros Geller Art
Materials
Paper, Woodcut
Jewish Market Peddler Judaica Woodblock Woodcut Print Chicago 1930s WPA Artist
By Todros Geller
Located in Surfside, FL
Picture of Hasidic Jewish peddler in the market at a stall.
18x15 overall with mat, 10.25x9 woodcut size
Todros Geller (1889 – 1949) was a Jewish American artist and teacher best known as a master printmaker and a leading artist among Chicago’s art community.Geller was born in Vinnytsia, the Russian Empire (now Ukraine) in 1889. He studied art in Odessa and continued his studies after moving to Montreal in 1906 where he immigrated to Canada. He married and moved to Chicago in 1918, where he studied at the School of the Art Institute of Chicago until 1923.
Geller produced paintings, woodcuts, woodcarvings, and etchings. His work focused on Jewish tradition, often including moralistic themes and social commentary, shtetl, ghetto life, and the intersection of Jewish tradition with modern-day Chicago. He regarded art as a tool for social reform and he spent a large part of his career teaching art. His work was commissioned for stained glass windows, bookplates, community centers and Yiddish and English books. He was regarded as a leader in the field of synagogue and religious art. He designed stained glass window for synagogues in Omaha, Fort Worth, Dayton, Stamford, and Chicago Heights. Over the course of his career he illustrated more than 40 books.
In addition to conducting classes in his studio, Geller was head of art at the Jewish People’s Institute (JPI), supervisor of art for the Board of Jewish Education and director of art for the College of Jewish Studies (which became the Spertus Institute for Jewish Learning and Leadership) and taught at Hull House. Many prominent Chicago artists studied drawing and painting under Geller. Geller was a source of inspiration to Aaron Bohrod and Mitchell Siporin, among others. Irene Gordon was also among his pupils.
In 1926, Geller formed what would become a lengthy working relationship with Chicago publisher and cultural activist L. M. Shteyn (a pseudonym for Yitshak Leyb Fradkin, anglicized as L.M. Stein in his English language correspondence). Shteyn and Geller shared a similar ideology, were both considered radical progressives, were part of the Chicago Jewish Left who worked to promote the Yiddish language and they both supported the Soviet Union for its commitment to the Yiddish language and to the Jewish settlement in Birobidzhan. Shteyn's Yiddish press, the L. M. Shteyn Farlag, published at least eight monographs illustrated by Geller and four art albums dedicated to his work.
Geller was one of the founding members of "Around the Palette" in Chicago in 1926, a club where artists shared their personal views of art and its role in society. The club became the "American Jewish Art Club", in 1940 and subsequently the "American Jewish Artists Club" in the early 1990s. Other founding members included Emil Armin, David Bekker...
Category
Early 20th Century Modern Todros Geller Art
Materials
Paper, Woodcut
3 Jewish Men Judaica Woodblock Woodcut Engraving Print Chicago 1930s WPA Artist
By Todros Geller
Located in Surfside, FL
Todros Geller (1889 – 1949) was a Jewish American artist and teacher best known as a master printmaker and a leading artist among Chicago’s art community.Geller was born in Vinnytsia, the Russian Empire (now Ukraine) in 1889.[2] He studied art in Odessa and continued his studies after moving to Montreal in 1906 where he immigrated to Canada. He married and moved to Chicago in 1918, where he studied at the School of the Art Institute of Chicago until 1923.
Geller produced paintings, woodcuts, woodcarvings, and etchings. His work focused on Jewish tradition, often including moralistic themes and social commentary, shtetl, ghetto life, and the intersection of Jewish tradition with modern-day Chicago. He regarded art as a tool for social reform and he spent a large part of his career teaching art. His work was commissioned for stained glass windows, bookplates, community centers and Yiddish and English books. He was regarded as a leader in the field of synagogue and religious art. He designed stained glass window for synagogues in Omaha, Fort Worth, Dayton, Stamford, and Chicago Heights. Over the course of his career he illustrated more than 40 books.
In addition to conducting classes in his studio, Geller was head of art at the Jewish People’s Institute (JPI), supervisor of art for the Board of Jewish Education and director of art for the College of Jewish Studies (which became the Spertus Institute for Jewish Learning and Leadership) and taught at Hull House. Many prominent Chicago artists studied drawing and painting under Geller. Geller was a source of inspiration to Aaron Bohrod and Mitchell Siporin, among others. Irene Gordon was also among his pupils.
In 1926, Geller formed what would become a lengthy working relationship with Chicago publisher and cultural activist L. M. Shteyn (a pseudonym for Yitshak Leyb Fradkin, anglicized as L.M. Stein in his English language correspondence). Shteyn and Geller shared a similar ideology, were both considered radical progressives, were part of the Chicago Jewish Left who worked to promote the Yiddish language and they both supported the Soviet Union for its commitment to the Yiddish language and to the Jewish settlement in Birobidzhan. Shteyn's Yiddish press, the L. M. Shteyn Farlag, published at least eight monographs illustrated by Geller and four art albums dedicated to his work.
Geller was one of the founding members of "Around the Palette" in Chicago in 1926, a club where artists shared their personal views of art and its role in society. The club became the "American Jewish Art Club", in 1940 and subsequently the "American Jewish Artists Club" in the early 1990s. Other founding members included Emil Armin, David Bekker...
Category
Early 20th Century Modern Todros Geller Art
Materials
Paper, Woodcut
Todros Geller art for sale on 1stDibs.
Find a wide variety of authentic Todros Geller art available for sale on 1stDibs. You can also browse by medium to find art by Todros Geller in board, gouache, illustration board and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Todros Geller art, so small editions measuring 13 inches across are available. Customers who are interested in this artist might also find the work of Adriaan Lubbers, Robert Hallowell, and Gordon Grant. Todros Geller art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $550 and tops out at $3,500, while the average work can sell for $2,025.