Tom Hunter Photography

This is a color photograph of a man hitting a golf ball while in a sand bunker on a golf course. The sand is erupting from where the golfer's club made contact with the sand and gold...

This is a black and white photograph of a fish being hooked in the mouth. You can only see the head of the fish as the line reels it in from the water. A fly is sticking out of its m...

Skindeep - 2018, 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signed on the back and with certificate. Artist inventory PL2018-4...

This is a vintage Marc Riboud photo of a Menashe Kadishman sculpture in the Billy Rose sculpture garden at the Israel Museum. Hand signed and editioned. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel – Benedictine nun, Mount of Olives. Micha Bar-Am – Via Dolorosa on Friday. Marc Riboud (French: 1923 – 2016) was a French photographer, best known for his extensive reports on the Far East: The Three Banners of China, Face of North Vietnam, Visions of China, and In China. Riboud was born in Saint-Genis-Laval and went to the lycée in Lyon. He photographed his first picture in 1937, using his father's Vest Pocket Kodak camera. As a young man during World War II, he was active in the French Resistance, from 1943 to 1945. After the war, he studied engineering at the École Centrale de Lyon from 1945 to 1948. He moved to Paris where he met Henri Cartier-Bresson, Robert Capa, and Chim, David Seymour, the founders of Magnum Photos. By 1953 he was a member of the organization. His ability to capture fleeting moments in life through powerful compositions was already apparent, and this skill was to serve him well for decades to come. Over the next several decades, Riboud traveled around the world. In 1957, he was one of the first European photographers to go to China, and in 1968, 1972, and 1976, Riboud made several reportages on North Vietnam. Later he traveled all over the world, but mostly in Asia, Africa, the U.S. and Japan. Riboud has been witness to the atrocities of war (photographing from both the Vietnam and the American sides of the Vietnam War), and the apparent degradation of a culture repressed from within (China during the years of Chairman Mao Zedong's Cultural Revolution). In contrast, he has captured the graces of daily life, set in sun-drenched facets of the globe (Fès, Angkor, Acapulco, Niger, Bénarès, Shaanxi), and the lyricism of child's play in everyday Paris. In 1979 Riboud left the Magnum agency. Riboud's photographs have appeared in numerous magazines, including Life, Géo, National Geographic, Paris Match, and Stern. He twice won the Overseas Press Club Award, received the Lifetime Achievement Award at the 2009 Sony World Photography Awards and has had major retrospective exhibitions at the Musée d'Art Moderne de la Ville de Paris and the International Center of Photography in New York. Riboud was made an Honorary Fellow of the Royal Photographic Society in 1998. One of Riboud's best known images is Eiffel Tower Painter, taken in Paris in 1953. It depicts a man painting the tower, posed like a dancer, perched between the metal armature of the tower. Below him, Paris emerges from the photographic haze. Lone figures appear frequently in Riboud's images. In Ankara, a central figure is silhouetted against an industrial background, whereas in France, a man lies in a field. The vertical composition emphasizes the landscape, the trees, sky, water and blowing grass, all of which surround but do not overpower the human element. An image taken by Riboud on 21 October 1967, entitled "The Ultimate Confrontation: The Flower and the Bayonet," is among the most celebrated anti-war pictures. Shot in Washington, D.C. where thousands of anti-war activists had gathered in front of the Pentagon to protest against America's involvement in Vietnam. Select Exhibitions 1958 Photographs From The Museum Collection (Museum of Modern Art, New York) 1959 30th Anniversary Special Installation - Towards the "New" Museum (Museum of Modern Art) 1960...

La Belle Femme in the Sun, Atlantic City photograph from Richard Heeps 2013 'Jersey Shore' series. This is one of Richard's photographic signature styles where he uses surreal twists...

"Daisy (blue center #2)" Print on Aluminum 43x43 in Ed. of 15 by Mick Fleetwood Digital print on aluminum - ready to hang Mick Fleetwood, the legendary drummer and founding member...

Salt Water Taffy in the Mist, Atlantic City your eye takes you past the Boardwalk Empire facade down the atmospherically misty boardwalk. Photograph from Richard Heeps' Jersey Shore ...

"Milla pink Uke" Photography 29" × 20" in Edition of 20 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Comes with COA issued by the artist Kate Garner: Seeker, Sage, and Preservationist of Identity A thoughtful selection of Kate Garner’s most pivotal work, showing the arc of identity, and her expression as one of the great masters of fine art photography today. In this collection of works, see rare and seldom viewed images of Kate Moss, Angelina Jolie, David Bowie, FKA Twigs, and more. Kate Garner evolved in the edgy pop-punk heyday of 1980’s London. By the time she was in her early 20s, she was well on her way to becoming one of the most enigmatic fine art photographers of our time. But it didn’t start that way. Until Kate was 19, she had spent most of her time in a tough mining town in the north of England. It was a practical place with practical people that studied practical vocations and couldn't afford to let themselves dream too much. Growing up, Kate had expected a similar existence, but it was never what she had envisioned. Like much of her class, she attended formal trade education at the local vocational college after graduating secondary school and spending a year hitch-hiking from England, through Europe, Afghanistan, Iran, Pakistan to India Garner came back from India and started to study commercial photography, and in Northern England, that meant--pots and pans. But, Kate knew she was different and would often take herself down into the thriving metropolis of London to see and experience the vibrant Mecca of arts and creatives. Her creative path took a pivotal point when her wanderings introduced her to the Blitz Kids. The art students and teenage squatters took her in, and It wasn’t long before she began shooting the streets with London’s party scene artisans and gender-bending pioneers. Working with John Galliano, Stephen Jones, Boy George, and later even David Bowie--Kate became fully immersed in the New Romantic...

Williamsburg Brooklyn New York Photograph: The historic Domino Sugar Factory in Williamsburg, Brooklyn photographed by celebrated New York street photographer Fernando Natalici. This work was shot just prior to this Williamsburg, Brooklyn landmark...

Girl Nude at Window - Bathtime III (29 Palms, CA) - 1999, 40x40cm, Edition 3/10. Archival C-Print, hand-printed by the artist, based on the original Polaroid. Signature label a...

Cups III (Suburbia) - 2004 50x60cm, Edition of 10, Archival C-Print based on the Polaroid, Signed on verso with Certificate, Artist inventory number: 2913. Not mounted. Stefa...

"Modernismo M25" Abstract Photography 48" x 48" in Ed. of 12 by Giuliano Bekor Not framed. Ships in a tube. Signed and numbered by the artist. Comes with COA issues by the artist. ...