Tommaso Salini was an Italian master of the Baroque period, active in Rome. He specialized in genre scenes and still life paintings. Salini was influenced by the works of Caravaggio.
Orpheus - Original Oil on Canvas Attr. to Tommaso Salini - Early 17th Century
By Tommaso Salini
Located in Roma, IT
Orpheus is an original artwork realized in the first decades of the XVII century and attributed to the Italian master Tommaso Salini. Oil painting on canvas. A golden wood frame is...
Oil
$2,603
H 13.78 in W 10.63 in
Circle Teniers, Flemish Art, Peasants smoking and drinking in a Tavern Interior
By David Teniers the Younger
Located in Greven, DE
Circle or Follower of David Teniers, Peasant in a Tavern Inn, drinking and smoking. Oil on canvas, Framed: 39 x 47 cm. Typical Flemish Baroque Interior...
Canvas, Oil
$1,417Sale Price|20% Off
H 14.26 in W 9.85 in
After Heemskerck, Two Old Men siiting in an Inn, Drinking Scene, Old Master
By Egbert Van Heemskerck the Elder
Located in Greven, DE
After Heemskerck, Painting in the style of Heemskerck and Dutch Master, probably painted in the 19th Century.
Canvas, Oil
$3,550Sale Price|25% Off
H 13 in W 17.33 in
Circle of David Teniers, Landscape with Peasants by an Inn and a River, Dutch
By David Teniers the Younger
Located in Greven, DE
Circle of Teniers, Peasants in a Landscape passing by a river and an Inn.
Oil, Panel
$4,260Sale Price|20% Off
H 7.68 in W 11.82 in
Circle Wouwerman, Horseman by a Tent, Riders Playing Cards, Dutch Old Master
By Philips Wouwerman
Located in Greven, DE
Circle Wouwerman, Horseman by a Tent, Riders Playing Cards (?), Old Master Dutch Art, Travellers or Riders resting by a tent and gambling
Canvas, Oil
$14,950
H 23.5 in W 29.63 in D 3.5 in
A Fine Austrian/Russian Oil on Board "Charging Cossack Warriors on Horseback"
Located in LA, CA
Adolf Constantin Baumgartner Stoiloff (Austrian/Russian, 1850-1924) a fine oil on board "Charging Cossack Warriors on Horseback" ...
Gold Leaf
$3,432
H 14.57 in W 18.31 in D 1.97 in
17th Century Italian Religious Painting Credited to Luciano Borzone
Located in Roma, IT
This important oil painting on canvas, although it is not signed as is almost always the case with this artist's paintings, is attributed to the great Genoese painter Luciano Borzone...
Oil, Canvas
$30,718
H 37.41 in W 29.53 in D 3.94 in
17th Century Onorio Marinari Italian Religious Painting
By Onorio Marinari
Located in Roma, IT
A very important painting by the great artist of the Florentine school, Onorio Marinari. Dr. Silvia Benassai has confirmed Marinari’s authorship of the Saint Margaret of Antioch; ava...
Canvas, Oil
$32,490
H 50.79 in W 40.95 in D 1.97 in
Oil On Canvas Family Portrait After Sir Anthony Van Dyck ca 1870
By Anthony van Dyck
Located in Gavere, BE
"Oil On Canvas Family Portrait After Sir Anthony Van Dyck" After Sir Anthony van Dyck (Flemish painter, 1599-1641), Group of three young girls with a bust of Mercury Oil on canvas (doubled), probably end 19th century, with French wax seal...
Gold Leaf
$22,191
H 45.28 in W 33.08 in D 0.79 in
Oil paining on canvas "Cupid" circa 1900 after Anthony van Dyck
By (After) Anthony Van Dyck
Located in Gavere, BE
Oil on canvas "Cupid" circa 1900 after Anthony van Dyck additional info: Title: cupid Style: baroque Medium: oil on canvas Signature: unsigned Provenance: private collection Canvas...
Canvas, Oil
$28,405Sale Price|25% Off
H 12.21 in W 8.08 in
Fenzoni, Painting AND preparatorial Drawing, John the Baptist, Italy Renaissance
By Ferrau Fenzoni
Located in Greven, DE
The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...
Canvas, Oil, Handmade Paper
$26,630
H 31.5 in W 54.34 in
Rinaldo and Armida in Armida's Enchanted Garden Baroque Italy 1700 Mythology
Located in Eltville am Rhein, DE
Domenichino, actually Domenico Zampieri (after) Bologna 1581 – 1641 Naples Rinaldo and Armida in Armida's Enchanted Garden, circa 1700 Oil on canvas (doubled) Size: 80 x 138 cm ...
Oil
$5,671
H 22.25 in W 13.39 in D 0.12 in
17th Century Antoon van Dyck Follower Religious Painting
By Anthony van Dyck
Located in Roma, IT
17th Century Antoon van Dyck Follower Religious Painting A very important not signed painting from the Flemish school, attributed to an artist from the circle of the great painter A...
Oil, Canvas