Tricia Strickfaden Art

Abstract Geometric Composition with Handmade Paper, Fibers and Acrylic on Canvas (Red) Whimsical abstract composition by an unknown artist (20th Century). Red acrylic paint makes up...

This large abstract contemporary statement painting by Roger Mudre features many light circle shapes, layered over one another in a concentric fashion and a cool blue and silver pale...

Larry Zox Jean Jean, 1964 Signed, dated, and titled on the stretcher Liquitex on canvas 58 x 62 inches Provenance: Solomon & Co., New York Private Collection, NJ Estate of the above, 2023 Committed to abstraction throughout his career, Larry Zox played a central role in the Color Field discourse of the 1960s and 1970s. His work of the time, consisting of brilliantly colored geometric shapes in dynamic juxtapositions, demonstrated that hard-edge painting was neither cold nor formalistic. He reused certain motifs, but he did so less to explore their aspects than to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his essay for Zox’s solo exhibition at the Whitney Museum of American Art in 1973. By the 1970s, Zox was using a freer, more emotive method, while maintaining the autonomy of color, which increasingly became more important to him than structure in his late years. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler for the Gallery of Modern Art, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, Zox was represented in the inaugural exhibition of the Hirshhorn Museum, which owns fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University. While studying at the Des Moines Art Center, he was mentored by George Grosz, who despite his own figurative approach encouraged Zox’s forays into abstraction. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with the visiting fighters. He later established a studio in East Hampton, where he painted and fished including using a helicopter to spot fish. In the 1950s and early 1960s, Zox’s works were collages consisting of painted pieces of paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of intense hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. From 1962 to 1965, he produced his Rotation Series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Abstract Geometric Composition with Bottles in Acrylic on Canvas Bold geometric abstract by an unknown artist (20th Century). Rectilinear shapes are overlapping each other, creating...

Red, white, and black abstract geometric wooden sculpture by Houston, TX artist Scott Woodard. Signed, titled, and dated by the artist at the back of the piece. Artist Biography: S...

A graduate of The Art Center College of Design and The Claremont Graduate School, Couwenberg worked under the guidance of Karl Benjamin, one of the leading figures in the Southern Ca...

"Ab-scrap" - Abstract Geometric Composition in Acrylic on Wood Panel Dynamic abstract composition by Sam Dantone (American, b. 1971). This piece was created as a part of the "Ab-scrap" series, where Dantone uses excess paint from his sign painting business to create new compositions. Whenever there is a little extra paint on a brush, Dantone would add it to a panel, slowly creating a new composition out of the leftovers from his other work. Thus, each piece contains a wide variety of colors and brushstrokes, and the echoes of other compositions. Signed "Sam Dantone" on verso. No frame. Board size: 20.75"H x 8.75"W Sam Dantone (American, b. 1971) is an artist from Oregon who works as a sign painter, designer, and sculptor. Artist’s Statement: “Not once in my life do I know a time when I have not been an artist. My father tells that I once copied the Kleenex logo from the side of the box, at age three. I tribute my abilities to naïve confidence and other’s positive attention. As a kid, drawing was magical . . . Though my art stylings vary widely, one thread stitches all of my work together, (my art) is my critique on man’s apparent love for life and his constant destruction of it.” Exhibitions: 2015 - FoundSpace, Jackson, WY 2013 - Pacific Park Gallery, Coos Bay...

Artist/ School: Modern British contemporary Title: Geometric Abstract composition Medium: acrylic on canvas , unframed Canvas : 15.5 x 15.5 inches ...

This work by Aurélie Nemours is unique. Provenance: Galerie Schlégl, Zürich, where this work was exhibited in 2001.

This 2006 work by Luc Hoekx is, both sides, painted on plexiglass.

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, E...