Vadim Androusov Furniture

Signed and dated. Our plaster is likely a study for a terracotta panel depicting a hunter riding a horse, which adorned the cabinet André Arbus showed at the Salon des artistes déco...

This plaster relief depicts a pair of entwined nudes, one holding a lyre. Signed.

A fine French Mid-Century Mahogany two door armoire by Andre Arbus (1903-1969) adorned with bronze decorations by Vadim Androusov (1895-1975); Diane Chasseresse and Apollon on doors,...

French mid-century dark mahogany settee with gilt bronze sabot feet and armrest supported by gilt bronze eagles with brown upholstery. Signed Jean Pascaud, by Vadim Androusov (ref: Les Decorateurs des annee 40, pg 172). Jean Pascaud was born in Rouen in 1903. He took a degree in engineering from the Ecole Centrale des Arts et Manufactures, but his passion for furniture and décor, and the influence of his father in law, Auguste Bluysen, (then President of the Société des Architectes Modernes), led Pascaud to abandon a more traditional career and take up furniture design instead. By the late 1920s Pascaud regularly at the Salon des Tuileries, at the Salon d'Automne, the Salon des Artistes Décorateurs, and the Arts Ménagers.  His work is simple, yet technically ambitious and brilliant; his pieces are impressively large, but aesthetically balanced. Vadim Androusov was born in St. Petersburg in 1895. He was a grandson of the archeologist Schliemann. He arrived in Paris in 1920 and took classes at La Grande Chaumière academy; Bourdelle was one of his professors. His first sculptures date from 1925 and depict female figures and characters drawn from classical antiquity. He rarely used bronze, preferring terracotta, plaster, wood, and stone. He showed his creations at the Salon des Tuileries and the Salon des Indépendants. While a sculptor, he also collaborated with interior decorators and created wall-mounted light fixtures, furniture pulls...

This pair of glazed earthenware sconces is a marvelous example of the work of the unique Russian-born sculptor and designer Vadim Androusov, who studied in France as Art Deco reached...

Vadim Androusov (1895-1975) sculpture of the head of a boy on a stained black wood plinth, signed and dated 3.9.47 Provenance: From an apartment in Toulouse decorated by Andre Arbu...

French mid-century light mahogany armchair with gilt bronze sabot feet and armrest supported by gilt bronze eagles with brown upholstery. Signed by Vadim Androusov for Jean Pascaud (ref: Les Decorateurs des annee 40, pg 172). Jean Pascaud was born in Rouen in 1903. He took a degree in engineering from the Ecole Centrale des Arts et Manufactures, but his passion for furniture and décor, and the influence of his father in law, Auguste Bluysen, (then President of the Société des Architectes Modernes), led Pascaud to abandon a more traditional career and take up furniture design instead. By the late 1920s Pascaud regularly at the Salon des Tuileries, at the Salon d'Automne, the Salon des Artistes Décorateurs, and the Arts Ménagers. His work is simple, yet technically ambitious and brilliant; his pieces are impressively large, but aesthetically balanced. Vadim Androusov was born in St. Petersburg in 1895. He was a grandson of the archeologist Schliemann. He arrived in Paris in 1920 and took classes at La Grande Chaumière academy; Bourdelle was one of his professors. His first sculptures date from 1925 and depict female figures and characters drawn from classical antiquity. He rarely used bronze, preferring terracotta, plaster, wood, and stone. He showed his creations at the Salon des Tuileries and the Salon des Indépendants. While a sculptor, he also collaborated with interior decorators and created wall-mounted light fixtures, furniture pulls...