Val D'Osne Foundry Lighting

England, circa 1930 A pair of silver plated bronze floor lamps with reeded stems, each on three monopodia with paw feet interspersed with anthemia. Height of upright 130.00cm He...

Akari Model 20N light sculpture by Isamu Noguchi. The shade is made from handmade washi paper and bamboo ribs with Noguchi Akari manufacturer's stamp. ...

Akari model 1AG light sculpture by Isamu Noguchi. This table lamp has a shade made from handmade washi paper, ink and bamboo ribs with the original Noguc...

Akari model 7AD light sculpture by Isamu Noguchii. The shade is made from handmade washi paper, wood and bamboo ribs with authentic Noguchi Akari manufacturer's stamp. Akari light sculptures by Isamu...

A vintage Greco-Roman style bronze nude statue from the 20th century with verde patina and wooden pedestal base. Created with the traditional technique o...

Akari model XP1 light sculpture by Isamu Noguchi. The shade is made from handmade washi paper and bamboo ribs with Noguchi Akari manufacturer's stamp. Akari light sculptures by Isamu...

A beautifully cast matching pair of patinated bronze figural torcheres in the manner of Clodion modeled as classically draped young girls with garlands of flowers in their hair and h...

A pair of American painted concrete deer sculptures from the mid 20th century, with weathered patina. Made in the USA during the midcentury period, this ...

Fort makers' maple line light is made in Brooklyn by Noah Spencer. This sculptural LED light juxtaposes hard lines with soft reflected light and emits an am...

Fort Makers' Ladder Line Light is made in Brooklyn by Noah Spencer. This sculptural LED light juxtaposes hard lines with soft reflected light and emits an ambient aura. The lifespan ...

A superb quality and palatial pair of French 19th century lifesize cast-iron sculptures - torcheres of Native American Indians titled "L’ Indienne" designed by Jules Salmson (French, 1823-1902) and Cast by Le Fonderies d'Art du Val d'Osne, each standing figure representing a Native American Indian male and a female scantily dressed in their native robes, one arm raised holding a light-torch with an opaline glass globe, both wearing earrings, seashell necklaces and arm-braces, raised on cylindrical cast-iron stand. Signed/cast on each pedestal: “VAL D’OSNE”. (Electrified). Paris, circa 1870-1880. Overall hHeight: 127 inches (322.6 cm) Pedestal height: 39 inches (99.1 cm) Indian man's width: 22 inches (55.9 cm) Indian man's depth: 26 3/4 inches (68 cm) Indian woman's width: 28 inches (71.1 cm) Indian woman's depth: 25 inches (63.5 cm) These fantastic and impressive pair of cast-iron sculptures, most likely representing Hiawatha and Minnehaha, were probably comissioned to Le Fonderies d'Art du Val d'Osne for export to the America's to decorate governmental buildings and parks which makes these pair a rare find and now available for a private collection. Iron sculptures were preferred over bronze for outdoor park and building decorations for their long lasting resistance to all types of weather conditions. An identical pair of sculptures, also by Val d' Osne, are currently exhibited at the National Garden of Congress in Santiago, Chile. View Pages No. 87, 88, 89. Another identical pair are also currently exhibited at The Musée de la Ville - Indian Museum "O Indio do Museo da Cidade" in Rio de Janeiro, Brazil. Another identical pair decorate the front of the Ópera Teatro Amazonas, Manaús, Brazil. A single figure of the female Indian...

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...