Vatche Geuvdjelian Art

Mountains in Spain, Colourful Original Oil by 20th Century Spanish School Artist, G Munar Art measures 11 x 9 inches Frame measures 17 x 15 inches Presented in a period ornate f...

Abstract figurative work by Bruce Killiam (American, 20th Century). Figures are emerging from the mist, creating an ethereal, moody composition made up of subtle tones of tan, grey, ...

French Surrealist artist, circa 1960’s oil painting on canvas with stuck on magazine art, unframed canvas: 15 x 18 inches provenance: private collection, Paris condition: overall good

Sincronia Rosa - Abstract Oil on Canvas Paintng , Angelom Palazzini, Italy Angelo Palazzini was born in Lodi in 1953 where he still resides and has his own studio. His encounter wit...

Green, yellow, and blue abstract impressionist Western landscape by Texas artist Fred Darge. The painting depicts an arid desert with a huge desert sage bush against a mountainous landscape with overcast clouds. Signed by the artist at the bottom right corner. Unframed but framing options are available. Artist Biography: Friedrich Ernst (Fred) Darge was born in Rendsburg, Germany March 1, 1900, and died in Dallas, Texas April 10, 1978. He entered the U.S. at Port Arthur, Texas in 1923. By 1924 he was in Chicago painting...

Wesley Kimler (born 1953) an American artist based in Chicago, Illinois, is known for his colossal paintings, up to 15 feet high and 27 feet wide. According to critic Kevin Nance, th...

"Keeper's Concern" is a contemporary oil painting of a classic old lighthouse in Northeastern United States. Frame Dimensions 22.5 x 18.5in After growing up in the American South and receiving his BFA from Sam Houston State University, and an MFA from the University of Houston in Texas, Terry...

David Hare Summer Land, 1970 Acrylic or oil paint and collage on board Dimensions: 26 X 36 inches. Framed measuring 29 x 38 inches. Hand signed, dated and titled on tape to verso 'Summer Land 1970 Hare'. Provenance: Hamilton Gallery of Contemporary Art, New York David Hare (1917 – 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and oil painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942. Born March 10, 1917 in New York City, New York to father Meredith Hare, a lawyer and mother Elizabeth Sage Goodwin, an art collector. In the 1920s the family moved first to Santa Fe, New Mexico and later to Colorado Springs, Colorado, in hope that the fresh air would help heal Meredith Hare's tuberculosis. His mother founded the Fountain Valley School, where David attended high school. After high school Hare married and moved to Roxbury, Connecticut where he worked as a color photographer. He attended Bard College in Annandale-on-Hudson from 1936 to 1937, studying biology and chemistry. In the late 1930s, with no previous artistic training, he began to experiment with color photography. Using his previous education in chemistry Hare developed an automatist technique called "heatage" in which he heated the unfixed negative from an 8 by 10-inch plate, causing the image to ripple and distort. Hare's Surrealist experiments in photography were only one of his many projects. In 1938 he met Susanna Winslow Wilson and the couple soon married. Both David and Susanna pursued their interests in Surrealism and regularly attended Surrealist gatherings in New York Larre French restaurant on 56th street and at Breton's Greenwich Village apartment. In 1940 he received a commission from the American Museum of Natural History to document the Pueblo Indians of the American Southwest, for which he eventually produced 20 prints developed using Eastman Kodak's then-new dye transfer process (a time-consuming and complicated technique). In the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy Gallery. In the next few years, through his cousin the painter Kay Sage, he came into contact with a number of Surrealist artists who had fled their native Europe because of World War II. Hare became closely involved with the émigré Surrealist movement and collaborated closely with them on projects such as the Surrealist journal VVV, which he co founded and edited from 1941 to 1944 with André Breton, Max Ernst, and Marcel Duchamp. With numerous illustrations by Breton, Leonora Carrington, Marc Chagall, Roberto Matta, Giorgio de Chirico, MarcelDuchamp, Max Ernst, Andre Masson, Joan Miro, Enrico Donati, Dorothea Tanning, and others. Published in only four issues between 1942-44, VVV was an experimental New York-based magazine devoted to the dissemination of Surrealism. Edited by David Hare, the short-lived magazine featured contributions from some of the leading avant-garde artists of the period. David and Susanna divorce in 1945 and Breton’s wife Jacqueline Lamba...

Professionally known as Vignoli, was a Brazilian painter and sculptor. He began his career in 1982 creating canvases in oil on canvas, where he appli...

Kristians Tonny (French, born Holland; 1907-1977) Circus Oil on prepared board, 16 1/2 x 13 inches Framed: 22 x 19 inches (approx.) Inscribed on reverse: (in pencil) "cadre noir/ave...

Artist/ School: signed verso, dated 1999 Title: Carnival Figures Medium: signed oil painting on canvas, framed framed: 26.5 x 37 inches canvas: ...

Walking Creature, Contemporary Surreal Figurative Abstract by Michael William Eggleston Bold and imaginative contemporary figurative abstract by San Francisco artist Michael William...