Vatche Geuvdjelian Paintings

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Title: Caprice 3 Medium: Oil on canvas Size: 12 x 15 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2015 Artist: YiJian Wang...

Abstract figurative work by Bruce Killiam (American, 20th Century). Figures are emerging from the mist, creating an ethereal, moody composition made up of subtle tones of tan, grey, ...

Francis Almeida Luzzatto (American, 1935-1999) Untitled, 1959 Oil on canvas 40 x 48 1/2 in. Signed and dated lower right: Luzzatto 59 Partial label verso: The Art Rental Gallery, Wa...

Claire Burch (American, 1925-2009) Untitled, 20th century Oil on canvas 24 x 30 in. Framed: 31 2/3 x 37 3/4 x 1 1/2 in. Signed lower right: Claire Burch After attending grade school in Brooklyn, Burch completed a commercial art course at Washington Irving High School in Manhattan and received her B.A. in English from NYU. In the suburbs of Great Neck, New York, she first began writing poetry and articles which were published in Life magazine, The New Republic, Mademoiselle, McCall's, Saturday Review, Redbook, Good Housekeeping, and numerous literary quarterlies and anthologies.[1] Burch also developed a career as a psychiatric writer, publishing two books on the subject: Careers in Psychiatry and Stranger in the Family. In the early 1970s Burch became a playwright and painter. Her play Ten Cents a Dance was optioned to be directed by José Quintero, the famous O'Neill interpreter. Burch wrote a total of seven plays and several folk operas, but eventually moved on to filmmaking and video anthropology—she was an early adapter of video as a medium. In 1978, Burch moved to California with her longtime companion Mark Weiman, publisher and owner of Berkeley's Regent Press. She had endured a series of illnesses and wanted to escape the harsh climate of Manhattan. Burch gained insight and inspiration from insanity and the often unexpected behavior associated with it. She would often videotape homeless people in People's Park and Telegraph Avenue in Berkeley, which were collected in her film People's Park in Berkeley: Then and Now. The film documented the dispute between homeless activists and the University of California from the riots of 1969 through 1996 by interviewing park "regulars," and profiling the events surrounding the deaths of park supporters James Rector and Rosebud Denovo.[2] She also produced documentaries on noted cultural figures such as James Baldwin (whom she knew as a teenager), Timothy Leary and Country Joe McDonald. Also of note was Oracle Rising, a film about the legendary psychedelic newspaper The SF Oracle published in the Haight-Ashbury district during the Summer of Love. Her last completed film was Elegy for the Naked Guy...

Destiny's Path, Hawaii - Surreal Mid Century Hawaiian Figurative Abstract Symbolistic and romantic 1940s surreal figurative of pastel orange figure...

What About Death? is a visually arresting and emotionally layered work by Nigerian contemporary artist Bukola Orioye, known for fusing African spiritual heritage with provocative sym...

Marco Puccinelli (Italian) Paesaggio Toscano (Tuscan Landscape), 1986 Oil on canvas 15 3/4 x 19 in. Framed: 22 7/8 x 26 1/2 x 1 in. Signed and dated lower right Inscribed verso

Sloyer Untitled, 1976 Oil on canvas 36 1/4 x 24 x 1 3/8 in. Artist label verso (text slightly obscured) Signed on stretcher bar

Johanna Secor (American, 1920-1998) Waterfall, Late 20th Century Oil on canvas Framed: 35 3/8 x 29 1/8 x 1 7/8 in. Signed and inscribed verso: Johanna Secor "Waterfall" “Mrs. Seco...

Tristan Fabris 1970's, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, framed signed and dated 74' inscribed verso framed: 32.5 x 26 inches canvas: 32 x ...

French Surrealist artist, circa 1960’s oil painting on canvas with stuck on magazine art, unframed canvas: 15 x 18 inches provenance: private collection, Paris condition: overall good