Vera Lutter Art

"Moon Over", an abstract black & white photograph after Ansel Adams by Bill Clark (American, 20th Century). Signed "Bill Clark" and dated "1996" lower right. Titled "Moon Over" lower...

This silver gelatin print is signed in pencil on the front of the mount. Likely printed in the 1980s.

Gelatin Silver Print, signed, titled, and dated on verso in pencil. Great Condition. Matted to 16x20"

'Ramunės' London, United Kingdom 2022 Limited edition of 20. Photograph printed on heavyweight fine art paper. Photograph is shipped fast and flat in secure thick cardboard packa...

Black and white unique gelatin silver print, (chemical print on fiber-based paper), in white frame. There is no glass or acrylic covering the work to highlight the texture of the paper. Betsy Kenyon...

Signed and dated on the front of the mount. Limited edition of 35. Number 17 of 35. From the “Twenty Photographs, 1970-1977” Portfolio.

Gate Taught Version 1991. Large format silver gelatin photo. signed and dated. Zeke Berman’s still lifes are fabrications derived from the material of ordinary and intimate experience, reconstituted to satisfy the demands of improvised play, monocular vision, and the special characteristics of photographic description. They are concerned with the pictorial aspect of sculpture and the provisional nature of realistic indication. In the central tradition of still-life art, they aim to establish an unsuspected order in the congregation of unremarkable things. Since the late 1970's Zeke Berman has been making singular, studio-based photographs. These works reflect his long standing interest in visual cognition, optics and the intersection between sculpture, photography and drawing. The formal range of his work and his sculptural use of materials is varied, original and idiosyncratic. Berman’s work has been collected and exhibited in museums such as The Museum of Modern Art, The Metropolitan, Whitney, Art Institute of Chicago and LA County Museum. His work was featured in the first New Photography Exhibition, 1984, at MoMA. Awards include Guggenheim, NEA and NYFA Arts Fellowships. Berman lives and works in New York City. from MOMA A World of Its Own: Photographic Practices in the Studio examines the ways in which photographers and other artists using photography have worked and experimented within their studios, from photography’s inception to the present. Featuring both new acquisitions and works from the Museum’s collection that have not been on view in recent years, A World of Its Own brings together photographs, films, and videos by artists such as Berenice Abbott, Uta Barth, Zeke Berman, Karl Blossfeldt, Constantin Brancusi, Geta Brătescu, Harry Callahan, Robert Frank, Jan Groover, Barbara Kasten, Man Ray, Bruce Nauman, Paul Outerbridge, Irving Penn, Adrian Piper...

Signed and dated on the front of the mount. Limited edition of 35. Number 14 of 35. From the “Twenty Photographs, 1970-1977” Portfolio.

This is from the photogrpaher John A. Ferrari he shot work for Eva Hesse, Robert Mangold, Ronald Bladen and Sol Lewitt. It bears his stamp and label from Zabriskie Gallery. This is for the original vintage photograph. I believe the inscription is in the hand of Ibram Lassaw some also bear the photographers stamp. Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents, he went to the U.S. in 1921. His family settled in Brooklyn, New York. He became a US citizen in 1928. He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Tauber Arp...

His famous series that mimicked the abstract expressionist painters movement - but in photography. A great image and a striking work for any sophisticated or rustic environment. Ima...

This vintage silver gelatin print is signed in pencil on the front of the mount. This rare exhibition print in glossy paper (later prints of this image from Portfolio II were made on...

Hand printed photograph. Print Date 2013 Anne Larsen worked as a successful photographer for one of the largest commercial studios in Copenhagen, Denmark. In 1994 she moved to the United States to pursue a career in fine-art photography. Anne’s intimate still life images and delicate photographs of the natural environment, all made with a 4x5" view camera or medium format camera; share a common luminosity and elegance. Anne Larson hand made silver gelatin prints are distinguished by their impeccable execution and tonal subtlety. Anne has assisted and taught on workshops instructed by James Baker, Morley Baer, Ruth Bernhard, Charles Cramer, Philip Hyde, Ray McSavaney, and John Sexton. Her prints are in numerous private and public collections in North America and Europe. Her images have been included in exhibitions at the Susan Spiritus...