Vincente Romero Redondo Paintings

Elegant and graphic study of a figure of undetermined gender. It's executed with quick and confident brush strokes in the artist's signature color scheme of black and red. It's a fla...

Signed figurative pastel on canvas circa 1910 by French genre painter Pierre Carrier-Belleuse. The work depicts three ballerinas wearing white tutus, warming up in a studio. Carrier-Belleuse was a contemporary of Edgar Degas and they exhibited simultaneously at the major Salons in Paris. This classic example evokes the Belle Epoque period in french history and is superbly executed. Signature: Signed lower right Dimensions: Framed: 29"x24" Unframed: 26"x21" Provenance: Private French collection Pierre Carrier-Belleuse studied at the École des Beaux-Arts in Paris under Alexandre Cabanel and the interior decorative artist Pierre Victor Galland. He started out as an oil painter and produced genre compositions, such as his Final Rendezvous. From 1885, however, he opted to work exclusively in pastel, producing a large number of sketches and portraits but always remaining faithful to his earlier genre compositions. Examples include Pierrot, Harlequin, Woman with Cat. The periodical Figaro Illustré published a large number of his sketches of dancers, a recurrent theme throughout his work. From 1875, Pierre Carrier-Belleuse exhibited frequently at the Paris Salon, receiving an honourable mention in 1887 and being awarded a silver medal at the Exposition Universelle of 1889. Museum and Gallery Holdings: Dunkirk: Dancer Adjusting her Shoe (pastel) Gray: On the Dunes; In the Sun La Rochelle: Dancer Le Puy-en-Velay: Fantasy Mulhouse: Mule's Bonnet Paris (Municipal Collection): Tender Vow (pastel) Versailles...

Title: Fisherman Returning to Port Artist: Domingo Álvarez Gómez Technique: Pastel on paper Dimensions: 13 x 16 in (unframed) Year: c. 2000 Condition: Good conservation Description: ...

This charming pastel painting on paper was designed by Pio Santini (1908-1986) and named "nude with lace". The signature, Santini, can be found in the bottom left corner of the artwo...

Domingo Alvarez (Spain 1942) - sailor fisherman in his boat - Pastel Size 33x41 cm. Unframed.

Moises Zabludovsky (Mexican, 1959-) Bull Fight Mixed Media Work on paper, watercolor; ink and pastel on paper 1979 Hand signed and dated. Dimensions: Frame: 28.5 X 36.5. Image: 22.5 X 30 Abstract Modernist Mexican bullfighting image. Born in Mexico City. His first training in art was in 1969 when he started working with Silvia Gonzalez and later on in the Arcai Atelier in Paris. At 18, he held his first exhibition at the Museo de Arte Moderno of Mexico City and he went on to display his work at the International Biennale of the Bronx Museum in New York City. He grew up around the Mer Kup Gallery, run by his maternal grandmother, Merl de Kuper, where he presented his work in several group exhibitions and three solo shows (1979, 1981, and 1985). She was a champion of many important mexican modernist artists including artists like Pedro friedeberg, Feliciano Bejar, Mathias Goeritz, Diego Rivera, Sebastián, and José Luis Cuevas.Moises Zabludovsky exhibited at the National Center for the Arts in 2011 and at the Museo El Eco of the National Autonomous University of Mexico. He has exhibited paintings and sculptures at the Museum of Modern Art, the Jose Luis Cuevas Museum, Metropolitana in Mexico City. He has successful shows at prominent art galleries like the Miro Gallery in Monterrey, Palacio de Bellas Artes and Museo Carrillo Gil in Mexico City. He also had some international shows in Florida and Latin America. In 1982 he was awarded a degree in graphic design from Parsons University. He has received numerous awards and exhibited widely since the early 1990's. He is known both for his oil painting as well as for his ceramic and bronze bullfighting sculpture. In 1978, he received an honorable mention at the First Ibero-American Painting Biennial, where Carlos Merida and Rufino Tamayo were on the jury. He was part of the Emerging Decade generation whose members participated in the exhibitions bearing that name at the Museo Universitario del Chopo in 1984 and 1994, the latter titled An Emerging Decade, a Decade Later . He also participated in the Salón dès Aztecs, a renowned alternative space for Mexican art In the show Nuevas tendencias (New Trends) at the Museum of Modern Art in Mexico City. That same year, he also exhibited at the International Biennial at the Bronx Museum in New York. He continued his studies at the Metropolitan University of Mexico City and simultaneously exhibited at various galleries and museums: the Mer-Kup Gallery and the Miró Gallery in Monterrey, Nuevo León; the Palacio de Bellas Artes; the Carrillo Gil Art Museum; and, outside the country, in Florida and at the Traveling Young Art Exhibition organized by the Mexican Ministry of Foreign Affairs. as well as in art galleries in Mexico and the United States. His father was the famous professor and architect Abraham Zabludovsky known for his brutalist architecture masterpieces among them the iconic Museo Rufino Tamayo. His work is featured in two buildings designed by his father, Abraham Zabludovsky (1924-2003): the Byzantine mosaic mural 'The Applause' in the Guanajuato State Auditorium (1990) and the sculpture 'The Caravan' in the Poliforum, Auditorium and Convention Center in Tuxtla Gutiérrez, Chiapas (1993). Moises Zabludovsky has shown with Antonio Galvan Duque, Jose Sacal, Tomas Gomez Robledo, Renato Gonzalez, Fitzia, Luis Argudin, Luis Granda, Jose Antonio Gurtubay, Heriberto Mendez, Vlady, Omar Manueco, Jesus Urbieta, Miguel Angel Garrido, Carlos Nakatani, Miguel Castro Lenero, Jose Luis Serrano, Humberto Oramas, Gabriel Macotela, Nicolas Moreno, Luis Nishizawa, Gilberto Navarro, Fernando Castro Pacheco...

Artist Statement I've been working in pastel full-time for the last twenty-nine years and have been teaching workshops for the past fifteen. My artistic influences range from Paleol...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

English Village Countryside Scene - Original Pastel on Paper by British Artist Art measures 12 x 8 inches Frame measures 17 x 13 inches (approx.) British School – “Country Lane, No...

Artist Statement I've been working in pastel full-time for the last twenty-nine years and have been teaching workshops for the past fifteen. My artistic influences range from Paleol...

Paul César Helleu is regarded among the most sought-after society portraitists of his era, and his Belle Époque works rival those of his contemporaries John Singer Sargent and Giovanni Boldini. He is best remembered for capturing the era's most beautiful socialites, including Consuelo Vanderbilt, the Duchess of Marlborough, the Comtesse de Loriol Chandieu and the Comtesse Mathieu de Noailles, among others. This work, however, stands out in that it captures the charming likeness of one of his art world cohorts, Mathilde See, a Parisian-born decorator and painter of floral still lifes. She is the essence of the modern woman, captured in her fashionable dress as she strolls along the flower-lined streets of Paris. Commanding in size, Portrait de Mathilde See fully displays Helleu's mastery over the medium of pastel. The muted palette of greys and blues is typical of the artist, bringing a harmony and cohesiveness to the composition. Furthermore, Helleu cleverly alludes to See's own artistic output with a backdrop of vibrant floral blooms, enlivening the canvas and complementing the greens and blues of the peacock feather adorning her hat. The portrait is all the more significant thanks to its provenance. It was previously in the collection of A. Alfred Taubman, one of America's most successful entrepreneurs and one-time owner of Sotheby's. Considering Taubman encountered some of the most noteworthy and beautiful works of art ever made through his auction house, the fact that he chose this portrait by Helleu to grace his collection is a testament to its import. Born in Brittany in 1859, Helleu moved to Paris in 1876 in order to study at the École des Beaux-Arts. Like so many other artists of his generation, he was trained there under the Academic master Jean-Léon Gérôme. That same year, he also attended the Second Impressionist Exhibition...

Artist: Jose Canes (aka Dore) [Spanish, 1931 - ] Title: Woman in Red Medium: Acrylic and Pastel on Paper, signed "Dore" l.r. Year: circa 1980 Size: 19.5 x 25.5 inches