Vincenzo De' Stefani Art

Mural Study for "History of Water" American Scene Modernism Social Realism WPA Thomas Hart Benton (American, 1889-1975) "Water Story" (Study for The History of Water) Tempera and o...

"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers Douglas Crockwell (1904-1968) "Paper Making" 19 x 39 inches Oil on board, c. 1936 Signed verso Framed: 28 x 47 Provenance: Estate of the Artist BIO Spencer Douglass Crockwell was born into a comfortable middle class household on April 29, 1904 in Columbus, Ohio. His father, Charles Roland Crockwell, was a mining engineer; his mother, Cora, was the daughter of an Iowa attorney. He became a commercial artist and experimental filmmaker who spent a good part of his career creating illustrations and advertisements for the Saturday Evening Post. In 1907 the Crockwell family moved to St. Louis, Missouri, where he graduated from high school and then attended from Washington University. Initially he studied engineering, but soon switched to business. While still an undergraduate, Crockwell took courses at the St. Louis School of Fine Arts and quickly realized that he wanted to be an artist. After graduating from Washington University in 1926, Crockwell continued to study at the St. Louis School of Fine Arts until 1929. The following year he relocated to Chicago and continued his studies at the American Academy of Art. In 1930 and 1931 he studied in Europe on a Traveling Fellowship. In 1932 Douglass Crockwell moved to Glens Falls, New York, which was to be his home for the remainder of his life. The following year he married Margaret Braman. They had three children, a son Douglass and two daughters, Johanna and Margaret. During the depression he created murals and posters for the Works Progress Administration including Post Office murals in White River junction, Vermont; Endicott, New York; and Macon, Mississippi. In 1934 he painted Paper Workers, Finch Pruyn & Co. (the leading Glens Falls, New York company) for the WPA. In the 1930s Crockwell developed an interest in experimental animated films that occupied him for the rest of his life. In 1936 and 1937, he collaborated with David Smith, a sculptor, to create surrealist films. Because of his interest in experimental films, his output of paintings was limited to just twenty to forty illustrations a year during this time. Crockwell painted his first of many Saturday Evening Post cover in 1933. He also worked for Life, Look, and Esquire, and numerous national advertisers including Friskies dog food, Welch’s Grape Juice, Republic Steel...

This original oil painting captures a girl running through puddles under a vibrant red umbrella. The artist's passion comes alive through bold strokes that create a beautiful contras...

A beautiful copy by an unknown artist, of the original painting "Wall Street - The Noon Hour" originally created in 1925 by the great American artist Felicie Waldo Howell (1897-1968)...

Woman reading after Henri Matisse by Claire Ragueneau Impressionist seated woman reading a book after Henri Matisse by San Francisco artist Claire Ragueneau (American, 1901-1971). Cl...

Private readings - Angelo Granati Italia 2013 This is his reinterpretation of a greatest old master painting "Comparisions"by Sir Lawrence Alma-Tadema. ...

Lindsey Kustusch's "London in Shades of Blue" is a compelling handmade original oil on wood panel artwork, measuring 12 x 12 inches. This 2025 piece is a primary market item, arrivin...

Roos van der Meijden Galerie Vivienne, Paris 30 x 25 cm ( framed 38 x 33 cm, frame is included in price ) Acrylic on canvas Dutch artist Roos van der Meijden is famous because of he...

Roos van der Meijden Belvès 80 x 80 cm ( framed 86 x 86 cm, frame is included in price ) Acrylic on panel Dutch artist Roos van der Meijden is famous because of her cityscapes. In h...

Three figures, bent forward with their hands over their heads, seem caught in an emotional storm. Their mirrored postures convey shame, fear, and helplessness—states central to grief...

This painting captures a moment of reckoning—the body collapsing toward the earth, fists clenched in a visceral acknowledgment of defeat. The figure’s surrender is both physical and ...

This painting captures a moment of reckoning—the body collapsing toward the earth, fists clenched in a visceral acknowledgment of defeat. The figure’s surrender is both physical and ...