Walter Bastianetto Art

Created in 1963, ceramic Visage de face (Full-face Face) A.R. 508 is a round plate of red earthenware clay from the edition of 100. This work is stamped with the 'MADOURA PLEIN FEU' ...

This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertil...

Created in 1965, this terre de faïence sculpture with white slip is inscribed on the sculptural base with the atelier stamps ‘EDITION PICASSO’ and ‘MADOURA...

Bezalel Schatz, (1912-1978), Yaad Studio Workshop Mid century modern The standing part is 6 X 5 inches. The copper sheet is 10 X 5 inches each. This is for a pair. they are copper w...

This elegant terracotta head is a memorial portrait (nsodie) of an Akan nobleman from the part of Africa which is today southern Ghana and southeastern Cô...

Pablo Picasso Visage d’homme (Man’s Head), 1968-1969 A.R. 570 showcases the artist’s unrivaled ability to illustrate human nuance. Each aspect of the man’s face, from his furrowed brow to his side gaze is carefully illustrated. The crowding of horizontal lines on his brow and vertical lines on his nose bring a sense of tension to his face, which compounds the furrowed brow.There are only two colors on the plaque, black and red, but the semi circle of hair atop the mans head...

Created in 1947, this early Picasso ceramic is the second that artist ever produced. It is in wonderful condition and presented in a fine black wood fra...

(14) Blue Bird Sculptures (nails on back for installation).

Pablo Picasso ceramic Visage de femme (Woman's Face), 1953 is a vibrantly colored pitcher decorated with contrasting saturated greens against chestnut ...

Midsize colorful ceramic totem in peach, lavendar blue and chartruce give a sweet n peaceful feeling to a garden or interior space. Please note: The base is not included. We will gui...

Created in 1959, Pablo Picasso (Málaga, 1881 – Mougins, 1973) Paseo A.R. 416 is numbered from the edition of 50 on the reverse and stamped with the 'MADOURA PLEIN FEU' and ‘EMPREINTE ORIGINALE DE PICASSO' pottery stamps on the reverse. Pablo Picasso was an avid fan of bullfighting his entire life, attending his first corridas when he was a child in Spain and gaining a renewed interest in the events when he settled in the South of France after World War II. Undoubtedly the theatrical drama and flashy machismo of the matadors appealed greatly to Picasso's sensibilities and resonated with his Spanish roots. In 1959, Picasso produced an 8-piece plate series, each featuring a different bullfighting scene suggested through lively stipple lines. Paseo A.R. 416 depicts a line of bullfighters highlighted by a streak of yellow. The strokes of blue above and below the figures contrast with the warm of the yellow, creating visual tension that anticipates the drama of the fight. Catalogue Raisonné & COA: Pablo Picasso Paseo...

Created in 1956, this Madoura small convex wall plaque of white earthenware clay with engraving accentuated with oxidized paraffin in a glaze bath (ivory, brown) is from the edition ...