Warren Edgar Lamm Figurative Paintings

SILHOUETTE - This artwork on paper captures a sense of understated glamour. The blending of a textile texture and delicate gold detailing around the waist creates a refined and elega...

In this vibrant oil painting, I've unleashed a wave of dynamic energy and emotion. The abstract forms blend with expressionist fervor, as the figures—a synthesis of impressionist and...

17th century French School circle of Nicolas Poussin (French 1594-1665) "Figures in Arcadia" oil on canvas, unframed canvas: 16 x 20 inches provenance: private collection, England condition: very good and sound condition Nicolas Poussin was a renowned French painter of the 17th century. He is considered one of the greatest figures of classical French Baroque art...

Surreal Dreamscape with Nudes French artist, mid 20th century signed oil on canvas, unframed dated 1958? Canvas : 30 x 37.5 inches Provenance: private collection, France Condition: v...

An original oil on canvas painting from the estate of George North Morris from the artist's "Lovers" series. This piece comes in its original wood frame presentation. George North Morris - painter, writer, teacher Born May 13, 1915 in East Liberty, PA Died Oct. 1, 1996 in Hudson, NY Studio locations over the years: varied from Hyannis (MA), Providence (RI), Oglethorp (GA), Montpelier (VT), Yonkers & Westchester Co. (NY) to the later years in Germantown (NY). Subject matter consisted mainly of seascapes and landscapes but in the 60's and 70's he experienced his abstract era. The later years, in fact most of his life was spent in New England and N.Y. state. Most of his more valuable paintings where along the Hudson River and Westchester County. His most frequent methods were oils and water colors, and in the 1940' his artistic expression was through the use of clay. Most of his pottery was made from local Cape Cod (Barnstable) clay which he and his family dug, washed and prepared. He wrote a part of the foreward, called "The Tradition", for a book "A Century and a Half of American Art 1825-1975". Published in 1975 by the "National Academy of Design". He was also an art critic and reporter for the Worcester Telegram and the Provincetown New Beacon. He was a person that felt time was by far better spent talking about and hearing ideas and thoughts. The following are some of his. George Morris's life was that of art and art critic as well as educator. "It was the two summers, 1938 and 1939" recalled Morris, "that I really learned how to paint". Though much of his work showed a strong Edward Hopper influence, at the same time it took many roads. It was, over the years, much too varied to categorize. He started with collage, moved to abstraction, and then to a period during the late 1960s and '70s when he completed what he called his "Lovers Series" - erotic paintings filled with large orchestrated flat color - that show him moving away from abstraction. Upon becoming bored with the concept of abstract painting, he looked for new challenges in pastels, acrylics and water colors, painting once again what he called "the world as it is recognizable by others". George firmly believed that all the best artists are good hucksters, too. Solo exhibitions as a painter were as follows: Columbia-Greene Community College - 1985 Barrett House - 1985 Smith Gallery - 1980, '81, '82 Swansborough Gallery, Wellfleet - 1983 Hopper House, Nyack, NY - 1981 Hudson River Museum, Yonkers Shepherd Gallery...

This artwork showcases an elegant dress on paper, seamlessly blending paint and colour pencil. Delicate detail and intuitive mark-making create an outcome both expressive and refined...

This work embodies the search for a unique rhythm in painting, where dynamic, expressive brushstrokes create a magical vibration of color. Contrasting hues fill the space with light ...

This piece is an abstract composition done with mixed media, oil and acrylic paints on linen. The artist explores an incredible world filled with color and expressive brush strokes. ...

This Fortuny style dress is an artwork on paper blending paint and color pencil. Composition, intuitive mark-making and delicate detail make for an...

Depiction of a male nude in diffuse architectural scenery. Signed lower right (Paul) Anton Kaulbach (1864 Hannover - 1930 Berlin). Oil on canvas, in gold-patinated frame. Image size:...

Nude Lady Posing for artist on green throw by Josine Vignon (French 1922-2022) ...

This dress painting features an interplay of paint and textile with an outcome both expressive and refined. Through the process of adding and subtracting, textures and tone on tone l...