Werner Epstein Art

Work : Original Drawing, Handmade Artwork, Unique Work. The work has been treated with UV-resistant varnish and it is not framed. Medium : Watercolour, Soft Pastel and Oil based col...

West Virginia native Grace Martin Taylor, artist for the brightly colored pastel (TownView), attended the Pennsylvania Academy of Fine Arts and the Art S...

French Impressionist pastel on paper of a Provençal lunch. Signed bottom right but as yet not deciphered. Presented in a white frame under perspex. A charming, highly colourful and ...

Leon Dolice Empire State Building Signed lower right Watercolor on paper 19 x 12 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon th...

Siebe Johannes Ten Cate (1858-1908) Bruges, windmill canal, 1894, Signed, located and dated 94 lower right Pastel on paper 27 x 41 cm in good condition, very fresh, Framed under g...

Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...

Leon Dolice Central Park Signed lower left Watercolor on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the young ma...

Siebe Johannes Ten Cate (1858-1908) A Garden in Zurich, 1898 Signed, located and dated "Zurich 98" lower right Pastel on paper 28.5 x 41.5 cm in good condition, trace of a small t...

Ida Bagoes Ketut Diding, Artist on bali 1937 Signed with initials, dated and titled, bottom centre Black chalk on paper, 29 x 31 cm Literature: Ernst Braches en J.F. Heijbroek, W....

Work : New Original Drawing, Handmade Artwork, Unique Work. The work has been treated with an anti-UV varnish and it is not framed. Medium : Soft Pastel on ARCHES paper 300Gsm, 100%...

Félix Ziem (1821-1911) Studies of landscapes and seascapes graphite on paper, 14 x 22 cm Stamp of the Ziem Estate bottom left Framed : 25 x 33 cm A rare exemple of mutiple studies ...

Jules Coignet (1798-1860) Lago di Guarda, 1837, Inscribed "Lago di Guarda 9 8bre 1837" Graphite on paper 24 x 35 cm Framed : 37 x 48 cm Provenance : Galerie Paul Prouté, Autumn 1...