Wesley Johnson Art

Abstract Geometric Composition Date: Second half of the 20th century Medium: Gouache on paper Dimensions: H 50 cm x W 65 cm approx. Description: Modular geometric structure with ove...

Hyper Cube Series. 1978. Gouache on Acrylic on Canvas.

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

to confront the arts, to merge them, to mix writing and brush, such is the challenge of the artist. Table of a library with collage of fabric allowing the painting to vibrate more. C...

Choose the color of thr frame Sophie Dumont's work "Geometric Balance" deftly explores the interplay of shapes and colors in a space governed by a subtle tension between order and di...

This item is in excellent condition and has only been displayed in a gallery setting. Jose Cortez is one of the principal professors at the Escuela Nacional de Bellas Artes del Pe...

Cuban-American artist Frankie Alfonso creates interwoven paintings using lively colors and spontaneous, well-balanced compositions. His work is best described as a style of automatic writing where he manipulates simple lines to make complex arrangements of balance and harmony. His style is a mix of cubism, cartoon animation, surrealism, graffiti, and abstract expressionism. This large original graffiti-inspired artwork is 57 inches high by 80 inches wide. The sides of the artwork are painted as a continuation of the front and it does not require framing. This painting is signed by the artist on the front. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping is available. A certificate of authenticity issued by the art gallery is included. Alfonso began drawing at an early age. He first found inspiration in comic books and enjoyed drawing his favorite superheroes from an unconventional perspective. As a teenager, he started to experiment with oils, and acrylics and took his passion for art to the canvas. Even after painting for over 20 years, he still pushes the boundaries while experimenting with mixed media, including oil, acrylic, gouache, and spray paint. Alfonso attended art school in Tampa, Florida, and traveled Europe for several years in search of inspiration and his own unique voice in art. Alfonso used his in-depth studies of European Masters and was inspired by Picasso, Braque, Klee, Dali, Basquiat, De Kooning, and Matisse. The joyful expressions of his artworks resonate in a positive light and inspire creative thinking and innovation. His works are represented by Artspace Warehouse, Los Angeles, and have been exhibited in Florida and California. They have been collected throughout the United States and Europe. Exhibitions 2018 Artspace Warehouse, Los Angeles, CA 2016 Artspace Warehouse, Los Angeles, CA 2014 Artspace Warehouse, Los Angeles, CA 2014 Axiom Contemporary...

Abstract expressionist library with colorful books. Worked in oil and with a knife, the subject ends up disappearing in favor of abstraction, the colors are soft but vibrate a lot. S...

This contemporary abstract oil painting on paper, titled "A Sea Breeze", was created by French artist Natalya Mougenot in 2023. It is part of her abstract series, where she explores...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Rolph Scarlett (1889 - 1984) A major exponent of non-objective painting, Rolph Scarlett's career and art...

In "Mémoire d'Atelier", Sophie Dumont encapsulates the spirit of artistic creation, drawing the viewer into the intimate environment of the artist's workspace. Through the use of abs...