William-Adolphe Bouguereau Art

French faience plate Quimper, circa 1920 Border with flowers, representing a woman with the traditional costume of Brittany.

French Oyster Plate Porcelain Flowers Limoges circa 1900.

English Majolica Geranium plate, circa 1880.

French Oyster Plate Porcelain Flowers Limoges circa 1900.

Title: Virgin Mary and Child Jesus Artist: Francisco Ribera Gómez (1907-1990) Technique: Oil on canvas Dimensions: 31.9 x 25.6 inches (unframed) Date of creation: 1942 Style: Classical Academicism with Renaissance influences Description of the Artwork The painting depicts the Virgin Mary holding the Child Jesus in a tender and intimate moment. Warm colors, primarily reds, greens, and soft flesh tones, enhance the devotional nature of the scene. The use of golden halos, symbolizing sanctity, along with serene and realistic expressions, directly connects with the Renaissance pictorial tradition. The style belongs to classical academicism, characterized by a balanced composition, meticulous drawing, and a masterful use of chiaroscuro to give volume and depth to the figures. The detailed rendering of the flesh tones and draperies amplifies the spirituality and solemnity of the piece, evoking the works of great masters such as Raphael and Murillo. Artist's Biography Francisco Ribera Gómez (1907-1990) was a prominent 20th-century Spanish painter known for his depictions of religious scenes, female portraits, and costumbrist works. Trained at the Royal Academy of Fine Arts of San Fernando, Ribera Gómez received numerous accolades and was regarded as one of the great exponents of Spanish academicism. His work combines a rigorous technical foundation with luminous sensitivity and an idealized sense of beauty. Influences and Comparisons Francisco Ribera Gómez's work can be compared to other academic and religious artists who share a similar aesthetic: Bartolomé Esteban Murillo: In the emotional and approachable treatment of religious themes. William-Adolphe Bouguereau: For the idealization of human figures and technical mastery. Raphael (Raffaello Sanzio): For harmonious composition and the depiction of the Virgin Mary. Within the Spanish tradition, his style recalls Eduardo Rosales...

The acclaimed French bronze foundry, Delafontaine, created this remarkable mantel clock. At the time this piece was crafted, in c.1860, the company was directed by Auguste-Maximilien Delafontaine (1813-1892). The firm was famous for its high-quality artistic bronzes, which can today be viewed in major art collections, such as the Louvre in Paris. Shaped like an upside down ‘T’, this gilt bronze...

French Porcelain Oyster Plate Limoges Circa 1900.

Classical style allegorical painting with puti and monarchy type figures floating within the clouds. The canvas is framed in a decorative gold frame. Dimensions Without Frame: H 43.5...

Majolica oyster plate Sarreguemines, circa 1930.

Beautifully painted sunset on the river with a single figure in a punt and cattle crossing by the American artist, George Riecke. Most likely a New Orlea...

This three-piece set—composed of a clock and a pair of flanking candelabra—is a truly unique and delightful piece of decorative art. The clock is modelled in the image of an 18th century sedan chair – that is, a covered chair sat in by a member of the social elite, which was carried on poles by two people. This chair-shaped clock case is crafted from gilt bronze (ormolu) and decorated with festoons and a flower finial. At its centre, there is a circular white enamel dial, which features Arabic Numbers, colorful swag paintings, and the manufacturer’s name, 'Fd Gervais / Ft du Bronzes / A Paris'. The lower part of the case is glazed, allowing one to see the clock’s sun-burst pendulum. Like a sedan chair, the clock case is carried by two patinated bronze putti...

German majolica aqua plate with birds swallow & insect circa 1900.