William Anzalone Nude Paintings

THE EXPECTANT NUDE Size: 55.5 x 70.5cm (including frame) Oil on canvas A brilliantly executed and emotive mid-century modernist figurative portrait of a reclining pregnant nude...

Oil on canvas Signed in red, u.r. $3250.00 + $200.00 framing This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure in the modern art mo...

Wonderful figurative nude in bed of flowers of "Michel" by Berkeley artist Patricia Gren Hayes (American, 20th Century), circa 1990. Signed mid right and o...

With the subject covering his face, we, the viewer, are perplexed by the mystery of the moment. The warm light from the background in this painting titled, "Seer" suggest a fire. I...

Bay Area School figurative of a cowboy and hats by Berkeley artist Patricia Gren Hayes (American, b- 1932), circa 1983. Signed "Gren Hayes 1983" upper center and signed and titled "Cowboy Boots" on verso. Unframed. Size: 16"H x 20"W. Bay Area Figurative...

Mid Century figurative painting of a pensive sitting nude figure with moody, mid-century color palette in the background. Attributed to Elmer S. Albritton, unsigned (American, 1922-...

This painting is likely to be from the late 18th or early 19th century, and is likely inspired by Antonio Correggio's "Virtue of Vice" circa 1531. Frame dimensions: 30 x 49 inches. This painting has been in a private California collection for over 40 years. It was acquired from a high end antique...

Andrew S. Conklin Artist Statement—Motion Capture Studio Series Andrew S. Conklin, a native of Chicago, Illinois, is a figurative painter. Conklin's paintings are a product of his ...

Seven deadly sins are the seven vices that spur other sins and further immoral behavior. First enumerated by Pope Gregory I (the Great) in the 6th century and elaborated in the 13th ...

A study for a series of larger paintings based on motion capture studios, this painting combines classic technique with modern sensibility. Here the model balances next to a midcent...

The piece is based in the narrative poem Paradise Lost, written by John Milton in 1667. The author does a self-interpretation of Adam and Eve’s original sin and their later exile fro...

This classically painted figure study demonstrates the artists understanding of the human figure. A study for a series of larger paintings based on motion capture studios. Here the model is placed in a contrived position on a midcentury modern chair surrounded by props used in the motion capture process. Andrew S. Conklin Maro on Chrome & Yellow Vinyl Modern Side Chair, 2016 oil on panel 18h x 13w in 45.72h x 33.02w cm Motion Capture Paintings, Chicago My recent painting series describes the reality of motion capture environments by showing the interplay between female athletes and male technicians. These paintings are meant to explore conventions of female representation in Western figurative art and to contrast this past practice with the contemporary imagery of that subject via computer-based image technology. This project was instigated by a number of things: first, by my abiding interest in depicting the human form in paint, as I find its versatility in a design, its invitation to empathy, and its difficulty, to be something worth attempting to depict with success. In addition, my curiosity regarding the new ways to depict the form using electronic technology seem to challenge to the traditional methods I rely upon, and I wanted to comment on the similarities and differences between the studios of the painters and the technicians. In this way, I aim to continue my investigation into what I see as the contrasting quality of human nature, and symbolically represent opposites such as mind and body, analog and digital, realism and idealism, terrestrial and the transcendent. Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...