William Guy Wall Art

Luminist, Hudson River School inspired landscape of Catskill mountains with moonlit blue sky "Moonrise in the Mountains", painted by Hudson Valley artist, Jane Bloodgood-Abrams in 20...

Hudson River School inspired landscape painting of sunset with orange glow “Evocation” painted by Jane Bloodgood-Abrams in 2014 oil on canvas 48 x 60 inches / 49.25 x 61.5 inches wi...

Nicely framed 19th century forest interior landscape painting. Oil on canvas. Ready to hang. Image size, 13"L by 17"H inches painting alone.

Tower of Babel, Colorado Canyon 12 ⅞" x 14 ½" 20 ¾" x 22 ¾" x 4 ¼" framed Verso sketch of fall trees on a hillside. Provenance: The estate of Samuel Colman. Purchased by private c...

1930's Figurative landscape oil painting of a woman walking down a path through a country farm by S.E George (American, 20th Century). Possibly a Wichita, Kansas artist...

Lovely genre scene by American impressionist Henry Bacon (1839-1912). The Beekeeper's Daughter (1881) Oil on canvas 35" x 36" 42.5" x 33" x 3" framed Signed and dated "Henry Bacon ...

Stunning figurative landscape of the Mission San Juan Capistrano by Warren Eliphalet Rollins (American, 1861-1962). Presented in a giltwood frame. "Capistrano" lower right, unsigned. This is a study for a larger painting of the same scene. Image size, 14.5"H x 21"W. For many years Warren Eliphalet Rollins was known as the "Dean of the Santa Fe art colony." He was the first artist to have a formal exhibition there; it was held in 1906 in the old Palace of the Governors. He was a close friend of Carlos Vierra, Gerald Cassidy, Kenneth Chapman, Sheldon Parsons and most of the other famous artists who assembled in the New Mexican capital during the first half of this century. Born in Carson City, Nevada, Rollins was raised in California and attended the San Francisco School of Design where he studied under Virgil Williams. At the completion of his studies, he was awarded the Avery Gold Medal and made Assistant Director of the school. Following his marriage in 1887, he and his wife settled in San Diego, and it was during this period that Rollins became interested in the Indian as subject matter. In search of material, Rollins, his wife, and their two daughters, Ramona and Ruth, traveled through every Western state from the Mexican to the Canadian borders. While in Montana, Rollins painted a portrait of Calamity Jane...

"Dusk Forest Scene, Catskills," 1875 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 7 inches. The work is signed by DeForest, and dated May 13, 1875 at lower right. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

Stunning New York City urban modernist watercolor titled "Summer Afternoon Stroll" by Society of Six artist Bernard Von Eichman (American, 1899-1990), 1...

Unknown White Mountain Artist White Mountain Landscape, 19th Century Oil on board 5 x 9 1/4 in. Framed: 7 3/4 x 11 3/4 in.

Mt Shasta Spring Stroll on the River Beneath the Mountain Original Oil on Linen A solitary hiker on a trail with Northern California's Mt. Shasta in the distance by Joseph John Engl...

G. Brundell Untitled, c. Early 20th Century Oil on canvas Sight: 10 x 18 in. Framed: 19 7/8 x 27 7/8 x 2 in. Signed lower left