William M. Lemos Art

Artist/ School: British School, 20th century Title: Huntsman on horseback, wintery landscape behind. Medium: oil painting on canvas, oak wooden framed Framed: 14 x 17.5 inches C...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Clarence Raymond Johnson (1894 - 1981). Clarence Johnson was an important New Hope School Impressionist painter who was active from 1917 until 1935. Born in Ohio, Johnson began his studies at the Columbus Art School. He then came to the Pennsylvania Academy of the Fine Arts where he studied under Daniel Garber, Emil Carlsen, and Cecilia Beaux...

An impressionistic depiction of people walking about near the Metropolitan Museum on a rainy day. A man walks quickly holding a briefcase, a group of woman huddled together under one umbrella; this painting goes back in time as the artist captures the style and trend of the early 20th Century with old cars parked in the distance and fashion of the people. A wonderful piece evoking an emotion bringing us into the past with this whimsical scene. This painting is signed lower left and it comes framed in gold tone frame with hanging wire on verso ready to be displayed. Art measures 16 x 20 inches Frame measures 19.5 x 23.5 inches Inspired by whimsey and purity of the feminine form, Cindy Shaoul is known for her impressionistic and abstract style. She is best recognized for her series ‘Brides’, ‘Dripping Dots’ and ‘Hearts’, as well as her ‘Plein-Air’ street scenes of quintessential New York locations. Shaoul’s works can be found in hundreds of private and corporate collections worldwide. Since her first group show at Parsons School of Design in 2009, her work has been showcased internationally – from Italy to South Korea – and has been shown at various art fairs nationwide including Miami, Palm Beach, Dallas, and New York. Shaoul has had numerous solo exhibitions and has garnered the attention of notable celebrities such as Emma Roberts, Lily Collins, Ashley Park, Catherine Deneuve and John Malkovich. Her love of painting began at the age of 18 when she was on Thanksgiving break from college. She painted a 9-foot colorful, abstract mural in her mother’s art...

Farmyard Friends French artist, late 19th century oil on canvas, unframed canvas: 10.75 x 11.75 inches provenance: private collection, Paris condition: very good and sound condition

The Highland Loch (Loch Lomond) signed by Prudence Turner, British b. 1930, signed. oil painting on canvas, framed. framed: 29.5 x 41 inches canvas: 24 x 36 inches Provenance: pri...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 59, plate #069. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph B...

"Touch it if you dare!" English artist, signed and dated 1927 oil on canvas, framed framed: 25 x 31 inches canvas: 18 x 24 inches provenance: private collection, England condition: v...

A printmaker, painter, and commercial artist, Marion Huse created work that ranged from realism to abstraction and included portraits, figure subjects, landscapes, and floral still l...

Tranquil Pastures by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on canvas, unframed canvas: 18 x 22 inches very good condition provenance: from the artis...

The Horse Race French artist, circa 1960's signed oil on canvas, framed framed: 23 x 28.5 inches canvas: 20 x 26 inches provenance: private collection, Paris condition: very good and...

The Village Duck Pond by R. Fenson, British signed and dated 1896 oil on canvas, unframed canvas: 20 x 30 inches provenance: private collection, England condition: very good and soun...

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...