William R. Leigh Art
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The Rescue
By William R. Leigh
Located in Fort Washington, PA
Exhibitions: It's a Man's World, Illustration Art by and for Men: November 14-17 2012, Illustration House NYC
Cover Illustration of Complete Northwest, April 1940
Category
1940s American Modern William R. Leigh Art
Materials
Canvas, Oil
Flamingos
By William R. Leigh
Located in Missouri, MO
Flamingos
By William Robinson Leigh (1866-1955)
Signed Lower Left
Unframed: 12" x 10"
Framed: 21" x 17.5"
Born near Falling Waters, West Virginia on a plantation a year after the Civil War, and raised in Baltimore, William Leigh became one of the foremost painters of the American West with a career of seventy-five years. Some people referred to him as the "Sagebrush Rembrandt".
He was the son of impoverished Southern aristocrats and took his first art training at age 14 from Hugh Newell (1830-1915) at the Maryland Institute where he was regarded as one of the best students in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama.
In 1896, he began working as a magazine illustrator in New York City for Scribner's and Collier's Weekly Magazine, and he also painted portraits, landscapes, and genre scenes. However, he was not a very successful artist in those years in New York.
Trips to the Southwest began in 1906 when he made an agreement with William Simpson, Santa Fe Railway advertising manager, to paint the Grand Canyon in exchange for free transportation West. In 1907, he completed his Grand Canyon painting...
Category
20th Century Naturalistic William R. Leigh Art
Materials
Ink, Pen
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Carl Friedrich Deiker's consummate ability to depict animals is already evident in this early work. He brought a whole new psychological dimension to animal painting, so that one could literally speak of animal portraits.
The naturalistic appearance of the fox alone makes it seem alive. Every strand of muscle, even every hair, is captured, which requires an intensive artistic study of animal anatomy and physiology. But the fox's real liveliness comes not from its natural appearance, but from its internal movement: Stretched out, it has been brought out of rest. It turns around and, with its ears pricked up, looks intently in the direction from which it has seen something. His mouth is slightly open and his pointed teeth are bared, as if he were growling. Tension gradually takes hold of his whole body. While the hind legs were still in a relaxed position, closely observed by Deiker, one front leg was already raised, ready to begin a rising movement. The fox seems so alarmed with all its senses that one gets the impression that, at any moment, its tail will move jerkily and the animal will jump up.
While wild animals have traditionally been portrayed as beasts or anthropomorphised, often for caricatural purposes, Deiker explores their inherent nature by attempting to capture their psychic impulses. The wild animal is neither bestial nor human, but a creature in its own right, valued by Deiker for its own sake. In this way, he brought the dignity of the animal into representation and raised animal painting to a whole new artistic level.
About the artist
Carl Friedrich Deiker was the son of the drawing teacher Christian Friedrich Deiker and the younger brother of the animal painter Johannes Deiker. In addition to the family art lessons, Christian Friedrich shared a studio with his brother Johannes at Braunfels Castle, Deiker attended the drawing academy in Hanau, and from 1858 he was a student at the Karlsruhe Art Academy, where he studied under the landscape painter Johann Wilhelm Schirmer. Carl Friedrich Deiker was already in demand as an artist during his first year: Grand Duke Frederick I of Baden, Margrave Max of Baden and Grand Duke Michael of Russia bought hunting scenes by him.
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"Deiker brought for the first time a truly great artistic quality to animal painting [...]".
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Carl Friedrich Deiker's life's work was honoured with a large posthumous memorial exhibition at the Düsseldorf Kunsthalle in 1892.
His son Carl Deiker, born in 1879, also became a painter.
Selection of art museums that own works by Carl Friedrich Deiker:
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Selected Bibliography
H. Schmidt: Johannes and...
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1850s Naturalistic William R. Leigh Art
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William R. Leigh art for sale on 1stDibs.
Find a wide variety of authentic William R. Leigh art available for sale on 1stDibs. You can also browse by medium to find art by William R. Leigh in canvas, fabric, ink and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large William R. Leigh art, so small editions measuring 10 inches across are available. Customers who are interested in this artist might also find the work of Marshall Goodman, Emil Bisttram, and William Zorach. William R. Leigh art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $18,500 and tops out at $18,500, while the average work can sell for $18,500.