William Stone Landscape Paintings

Mediterranean Villa with Flowers - Seascape in Oil on Canvas Bold landscape overlooking the sea by J. Davison (20th Century). The viewer stands on the balcony of a Mediterranean hou...

The strength of a great ship portrait lies with its overall striking composition blended with an attention to detail. Charles Sidney Raleigh was extremely skilled with both elements, and this is one of his finest works. An American full-rigged ship of large proportions, LUCY G. DOW is one of many ships owned by Maine interests, where the ship would be locally built and consortium owned. More Maine captains owned part of their ships than any other East Coast region, it appears through an informal survey of lists. Note the fine details of the captain and crew hard at work onboard off the coast. The numerous buildings are clustered on the peninsular stretch with a pier coming out near the lighthouse’s walkway. At the distance, ship masts...

A wonderful depiction of mountain lake landscape in the country side. For this beautiful depiction of the mountains, we find distinct elements that are unique to the earlier works of Marie Berger. Among other things, Marie Berger's art is notable for its surrealist elements. In Still Life with Figure in a Desert Landscape, for example, she combines the seemingly incongruous images of a foreground still life composition with the almost infinite lines of perspective of the desert environment. The final result is one of provoking imagery and emotion. With joyful colors, this piece is filled with bold brushstrokes and impressive marks. Comes housed in a gold tone wood frame decorated with finely carved botanical elements and it is ready to hang with wire on verso. Art measures 16 x 20 inches Framed measures 19 x 23 inches A native of Fort Worth, Marie Friedman Berger was born March 9, 1913, the daughter of Will and Minnie Cohen Friedman. She was a graduate of Central High School, now R. L. Paschal, and attended Washington University, St. Louis School of Art. Marie married Jack Henry Berger on June 21, 1939, in Dallas; a marriage that lasted nearly 61 years. Mr. Berger died in 2000. Marie was an internationally renowned artist. Her works have been published by the Metropolitan Art Gallery of New York and shown as one of America's only artists in Italian art galleries. She was a recipient of the annual Benedictine Art Award. For many years she worked along side her late husband operating the Fashion Furniture Gallery on Camp Bowie Blvd. Marie Berger was a longtime member of Beth-El Congregation and she was also a full member of the Texas Fine Arts Association (Regional Director) and the Texas Watercolor Society. Among the awards presented to her for her art were the Benedictine Award, New York, and the Texas Fine Arts Jurors Award. She also owned and managed the Marie Berger Gallery, Fort Worth, which promoted the works of many rising American and Mexican artists during the 1950's and 1960's. She studied at Texas Christian University, and then at the St. Louis School of Fine Art and at Washington University, Missouri, which was founded as the Saint Louis School and Museum of Fine Arts in 1879 as part of Washington University in St. Louis. Her most common media is the use of oil, acrylic, watercolor, etching, lithograph, collagraph. During her successful career, she exhibited internationally at such institutions as the Bateau Lavar Gallery, Rome, the Rassagna permanente d'arte contemporanea, Veterbo, Italy, the Laguna Gloria, Austin, Texas, the Oklahoma Art...

A wonderful depiction of cottages in a Marshland with a mountain view landscape in the country side. For this beautiful depiction of the mountains, we find distinct elements that are unique to the earlier works of Marie Berger. Among other things, Marie Berger's art is notable for its surrealist elements. In Still Life with Figure in a Desert Landscape, for example, she combines the seemingly incongruous images of a foreground still life composition with the almost infinite lines of perspective of the desert environment. The final result is one of provoking imagery and emotion. With joyful colors, this piece is filled with bold brushstrokes and impressive marks. Comes housed in a beautiful wood frame. Ready to hang with wire on verso. Art measures 18 x 24 inches Framed measures 23 x 29 inches A native of Fort Worth, Marie Friedman Berger was born March 9, 1913, the daughter of Will and Minnie Cohen Friedman. She was a graduate of Central High School, now R. L. Paschal, and attended Washington University, St. Louis School of Art. Marie married Jack Henry Berger on June 21, 1939, in Dallas; a marriage that lasted nearly 61 years. Mr. Berger died in 2000. Marie was an internationally renowned artist. Her works have been published by the Metropolitan Art Gallery of New York and shown as one of America's only artists in Italian art galleries. She was a recipient of the annual Benedictine Art Award. For many years she worked along side her late husband operating the Fashion Furniture Gallery on Camp Bowie Blvd. Marie Berger was a longtime member of Beth-El Congregation and she was also a full member of the Texas Fine Arts Association (Regional Director) and the Texas Watercolor Society. Among the awards presented to her for her art were the Benedictine Award, New York, and the Texas Fine Arts Jurors Award. She also owned and managed the Marie Berger Gallery, Fort Worth, which promoted the works of many rising American and Mexican artists during the 1950's and 1960's. She studied at Texas Christian University, and then at the St. Louis School of Fine Art and at Washington University, Missouri, which was founded as the Saint Louis School and Museum of Fine Arts in 1879 as part of Washington University in St. Louis. Her most common media is the use of oil, acrylic, watercolor, etching, lithograph, collagraph. During her successful career, she exhibited internationally at such institutions as the Bateau Lavar Gallery, Rome, the Rassagna permanente d'arte contemporanea, Veterbo, Italy, the Laguna Gloria, Austin, Texas, the Oklahoma Art...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

STEIN Georges (1864-1917) Paris street Views - Porte St Denis Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 70 X 92 cm - Dim ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In "Autumn Studio," John D Martin beckons viewers into a sere...

In his work, “In the Alleghenies,” William Lewis Sonntag depicts a mountain lake ringed with imposing peaks and autumn forest.

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

"Harvest" Working Women Hungarian European Modernism Expressionism 1926 WPA Era. 10 x 11 inches oil on board. Painted in Hungary. Stephen (Istvan) Csoka was born in Gárdony, Hungary on January 2, 1897 and died in New York in 1989. He is best remembered as a painter and etcher of portraits, nudes, landscapes, genre, and horses. Csoka studied at the Budapest Royal Academy of Art and his memberships include Associate of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the Society of Brooklyn Artists; and the Hungarian Etchers Association. Csoka's exhibitions and awards include a medal at the Barcelona International Exhibition in 1929; a prize at the City of Budapest Exhibit in 1930; prizes at the Society of American Etchers in 1942 and 1945; prizes at the Library of Congress in 1944 and 1946; a prize at the Society of Brooklyn Artists in 1944; a prize at the Philadelphia Watercolor Club in 1945; the Corcoran Gallery of Art in 1945; the Carnegie Institute in 1943, 1944, and 1945; the Art Institute of Chicago in 1944; the Los Angeles Museum of Art in 1945; the National Academy of Design from 1940 through 1945; one-artist shows at the Contemporary Artists in 1940, 1943, and 1945; and the Minneapolis State Fair in 1943. *Stephen continued to recieve awards and exhibit his work throughout his life. In 1997, Hofstra Museum sponsored a Retrospective/Centennial exhibition in honor of his birth. Collections representing Csoka's work are the Metropolitan Museum of Art, New York, NY; the Brooklyn Museum, Brooklyn, NY; the Museum of Fine Arts, Boston, MA; the British Museum, London, England; the Bezalel National Museum, Jerusalem, Israel; the Butler Institute of American Art, Youngstown, Ohio; Whistler House Museum of Art, Lowell, MA; the Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; the Sheldon Swope Art Museum, Terre Haute, IN; the Mobile Museum of Art, Mobile, AL; the Frederick R. Weisman Art Museum, Minneapolis, MN; the Museum of New Mexico, Santa Fe, NM; the Budapest Museum of Fine Arts, Budapest, Hungary; Hungarian National Gallery, Budapest, Hungary, the Museum of the City of Budapest, Budapest, Hungary; the Library of Congress, Washington, DC; Carnegie Museums of Pittsburgh, Pittsburgh, PA; the Chrysler Museum of Art, Norfolk, VA; Georgia Museum of Art, Athens, GA; Hofstra Museum, Hofstra University, Hempstead, NY; Holocaust Museum, Glen Cove, NY; National Academy of Art, New York, NY; New Orleans Museum of Art, New Orleans, LA; New York Historical Society, New York, NY;New York Public Library, New York, NY; National Gallery of Art, Washington, DC; Peabody Museum, Cambridge, MA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Reading Public Museum, Reading, PA; Livingston Arts Center, Mount Morris, NY; Ball State Teachers College, Muncie, IN; City College, New York, NY; Fashion Institute of Technology, New York, NY; Hungarian Consulate, New York, NY; Hungarian Heritage, New Brunswick, NJ; Hunter College, New York, NY; IBM Collections; Princeton Print Club...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 16 x 20 Frame Size: 25 x 28.75 Medium: Oil on Canvas Applied by Palette Knife "River Bend" Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...