Yunior Marino Furniture

Sotheby's Catalog: Magnificent English Furniture from the Collection of Theodore and Ruth Baum - New York - October 22 2004. First edition softcover catalog, 475 lots photographed in...

Chocolate brown midcentury modern sofa couch with tufted leather cushions. Brown tone leather, in the manner of Arne Norell. This leather couch is part of a sofa suite, please see m...

Black leather Italian Sofa couch. Gorgeous vintage piece!

Rustic pine table made by unknown Swedish designer in the first half of the 20th century. Original condition with beautiful patina.

The rosewood dining table, created by Danish design from the 1960s, is an iconic piece of furniture that encapsulates the era's elegant and modern aesthetics. The rosewood gives the...

Stunning vintage modern all glass dining table V double pedestal base with incised draped design and four polished brass plated aluminum connectors in the style of Pace. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear. There was a chip in the top corner of one of the glass bases that has been repaired. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, 1980’s. Wow!!! This vintage all-glass dining table is phenomenal!!! It is comprised of a rectangular shaped glass top with beveled edges and incised draped etching in the center of the tabletop and two V shaped pedestal bases with ground and polished relief draped designs and four polished brass plated aluminum connectors in the style of Pace. It’s simple, sleek, and it has the functionality to host many styles of dining chairs. It’s mostly modern...

a fine English pembroke table from the beginning of the 19th century. Very beautiful table top in solid mahogany with a beautiful flame which has a Fine inlay on the edges which r...

France / 1950s / table / oak wood / mid-century / rustic A stunning French mid-century dining table in blond oak, designed in the fifties. Its impressive sculptured base and robust ...

Vibo, or Société Franc-Comtoise des Bois Secs, was a wood manufacturer located in Vesoul, Franche-Comté, in Eastern France, in operation from the late 1920s until the 1970s. They pro...

5 Memphis Milano style chairs, newly upholstered with a beautiful blue-green color fabric. Black coated metal frame and wooden back.

Russian designer Maxim Scherbakov‘s new exhibition at Rome’s Contemporary Cluster gallery, he pushes that idea to the extreme: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we’re not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are. And the ornate backdrop of the gallery’s home, the 14th-century Palazzo Brancaccio, serves as a potent reminder that it’s possible we always have. Maxim Scherbakov, who works under the studio name Supaform, says that he developed the new collection “as a result of a careful visual search for the frontiers of comfort,” seeking to celebrate “beauty for no reason,” he says. His floor lamp has no bulb, his coffee table is too bumpy to hold a glass upright, and his desk has trick drawers and a gap in the middle where its writing surface should be. Yet his various seating elements look no less functional than, say, Rick Owens’s, and Scherbakov has a compelling raison d’etre: Also a longtime painter, he pulled all of the works directly from his canvases, making them a literal elision of the two-dimensional realm and the three. If he can celebrate fantasy and feeling in one of them, he wondered, then why not the other? This wooden sofa is a part of the 'Hidden Entourage...

  Introducing the Charles Hollis Jones Lucite & Brass Dining Table from the "Metric" Collection, Signed. This stunning piece of furniture is a true masterpiece, designed by the reno...