Yves Alix Art

'Melancholic Muses II', one of a poignant set of six signed artist proof lithographs by the celebrated Spanish artist from Barcelona, Vicenç Caraltó (circa 1960s). This collection of...

Benton Spruance, 'Havoc in Heaven', lithograph, 1948, edition 30-35, Fine and Looney 270. Signed, titled, and numbered 'Ed 35' in pencil. Initialed in the stone, lower right. A fine,...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. –- Marc Chagall (1887-1985) - They were in Forty Pairs, Thus Numbering Fourscore.., from Four Tales from the ...

La Negresse (The Negress) Etching & drypoint, 1909 Unsigned (as issued in the portfolio) From the album "Les Bars" (8 plates plus cover illustration) Editi...

French Vintage Exhibition Poster for Yves Brayer (1964). Newly framed, the poster announces an exhibition of the works of Yves Brayer at the Galerie Isy Brachot in Brussels, Belgium....

Watercolor on charcoal lines Signed L.V lower right Provenance: - Belgium, Private collection.

13BIS . Novembre 2022 collage et impression numérique jet d'encre pigmentaire sur papier coton 310g . numéroté 10/13. et signé au dos par 13bis . 13bis , street artiste collagiste ...

'Melancholic Muses', one of a poignant set of six signed artist proof lithographs by the celebrated Spanish artist from Barcelona, Vicenç Caraltó (circa 1960s). This collection of li...

'Melancholic Muses', one of a poignant set of six signed artist proof lithographs by the celebrated Spanish artist from Barcelona, Vicenç Caraltó (circa 1960s). This collection of li...

Initialed lower left Framed dimensions: 16 x 18 7/8 inches Provenance The artist; Collection of Henry Dubin, Philadelphia until 2018 Exhibitions Avery Galleries, Bryn Mawr, Pennsylvania, Living Color Modern Life: Hugh Henry Breckenridge and Arthur B. Carles, October 5-November 2, 2018. The Philadelphia modernist Arthur B. Carles was a brilliant colorist and an extraordinarily innovative painter. Though Carles trained initially at the Pennsylvania Academy of the Fine Arts, soaking up the more conservative teaching of William Merritt Chase and Thomas Anshutz, he was deeply influenced by the avant-garde art scene in Paris during his first trip there in 1905. In 1907, Carles won the prestigious Cresson Traveling Scholarship, which enabled him to return to Paris for several more years. This experience had a profound impact on Carles as an artist; he was extremely affected by modern French painting, especially the work of Cezanne and Matisse, and by the time Carles returned home to Philadelphia in 1912, he was a confirmed modernist. This small landscape sketch was probably painted early during Carles's career, and yet, it already reveals his strong interest in abstraction. Indeed, Landscape Abstraction demonstrates both his daring exploration of lyrical color harmonies as well as his interest in two-dimensional surface design. Painted loosely in the spontaneous medium of watercolor, Carles used thin washes and delicate pools of paint to suggest the foreground area and surrounding trees. His color palette is rich and expressive, ranging from pale greens and blues to deep red, yellow, and even purple. In addition to his remarkable career as an artist, Carles was also an incredibly gifted teacher. He taught at PAFA from 1917 to 1925 and had a very deep impact on a number of his students such as Morris Blackburn, Quita Brodhead, and Jane Piper...

THE DOOR OF JUSTICE is an original, hand drawn, limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor bes...

BRASS SECTION(Jamming at Minton's) is a limited edition color lithograph by the renowned African American artist Romare Bearden, printed on archival printmaking paper, 100% acid free, in an edition size of 175. Brass Section 1979 from Romare Bearden's colorful JAZZ series of musical imagery, is an abstract portrait that captures the LIVE brassy sounds and energy created by the a jazz horn trio portrayed with expressive fluid brushwork for the musician portrait outlines, complete with brass horns - namely trumpets and trombones thrusting forward toward the viewer. A harmonious complementary color palette consisting of gold ochre yellow, deep navy blue, yellow green, taupe gray, brown beige, hints of burgundy red with the white of the paper creating contrast. Superb and FRESH interpretation of live jazz music...