Zane York Art

Pair of flower still lifes with various flowers (including a tulip) in a basket, oil on copper Flemisch school, second half 17th century. Dimensions excl. frame: 17 x 22 cm. Dimensions incl. frame: 23 x 28 cm. Still-life painting as an independent genre or specialty first flourished in the Netherlands during the early 1600s, although German and French painters (for example, Georg Flegel and Sebastian Stoskopff; 21.152.1, 2002.68) were also early participants in the development, and less continuous traditions of Italian and Spanish still-life painting date from the same period. Still-life motifs occur fairly frequently in manuscripts, books of hours, and panel paintings of the 1400s and 1500s, such as Robert Campin’s Annunciation Triptych (56.70) of about 1425, and in Petrus Christus‘ Goldsmith in his Shop of 1449 (1975.1.110). Many of the objects depicted in these early works are symbolic of some quality of the Virgin or another religious figure (for example, the lily stands for purity), while other objects may remind the viewer of an edifying concept such as worldly vanity or temperance (as in the case of the goldsmith’s mirror and scales). Moralizing meanings are also common in independent still-life paintings of the seventeenth century, which range from such obviously didactic works as Jacques de Gheyn...

Blue and white abstract contemporary concentric ombre shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement:...

The simplicity of "Bailer Shell" is deceptive. The upturned pale yellow shell sits upon a deep, rich brown table. The shell's reflection is seen in the highly polished surface. The background is delicate green moiré pattern to give an even more opulent feel while adding to the meditative quality of the painting. This artwork is unframed. Please contact the gallery for framing options. Helen Oh...

The simplicity of "Aqua Bailer Shell" is deceptive. The upturned pale yellow shell has a beautiful light emanating from its center revealing the delicacy of the shell. It sits upon a deep, rich brown table with its reflection seen in the highly polished surface. The background is delicate aqua colored moiré pattern to give an even more opulent feel while adding to the meditative quality of the painting. The bailer shell can be found in Southeast Asia, from Burma, Thailand and Malaysia, to the South China Sea and the Philippines. This large, prehistoric sea snail shell could traditionally be used by native fishermen to bail out their leaking fishing vessels. This artwork is framed in a simple walnut frame measuring 25 x 25 inches. Helen Oh...

Magenta and white abstract contemporary concentric shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: Th...

"Gnarly" is a stunning, elegant painting depicting a mystic olive tree in the center, surrounded by a rich golden background. Artist Anastasia Gklava is an expert at applying gold le...

Listen is inspired by the moment you put your ear to a shell and hear the sound f the sea. If you are silent and close your eyes and believe, you may hear it. The Painting is experi...

Black and white abstract contemporary concentric shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The ...

In 1607, the Delft city council decided to commission a portrait of Stadholder Maurits of Nassau for the town hall, with Michiel van Mierevelt as the chosen artist due to the passing...

Oil On Canvas On Panel, Mediterranean View With Sailboat And Cliffs Additional information about the work: Title: Mediterranean View Medium: oil ...

Magenta and white abstract contemporary concentric oval shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statemen...

Edward Chalmers Leavitt (1842 - 1904) Rhode Island Artist Image Size: 36 x 28 Frame Size: 42.5 x 34.5 Newcomb Macklin Frame. Medium: Oil Dated 1889 "Duck Hunt" Mergansers Edward Chalmers Leavitt (1842 - 1904) Edward Chalmers Leavitt, artist, was born in Providence, Rhode Island, March 9, 1842, the son of Rev. Jonathan and Charlotte Esther (Stearns) Leavitt. His paternal ancestor was John Leavitt, who came to Massachusetts Bay in the first ship and settled in Hingham. On the maternal side, he is descended from John Alden and Priscilla Mullens, who came to Plymouth in the Mayflower. Leavitt was educated in private schools in Providence, and at Kimball Union Academy, Meriden, New Hampshire. During the Civil War in 1862 and 1863, he served in the navy on the U.S.S. Galena. In his profession of artist, Mr. Leavitt is especially noted as a painter of fruit, flowers and still life. He exhibited in the National Academy for several years and has made many successful exhibitions in Providence and Boston. He was a member of the Boston and Providence art clubs, and the Providence Press Club. He was also a member of the Grand Army of the Republic. In politics his proclivities are mainly Republican. He has been twice married: first, May 19, 1877, to Ellen M. Fuller; and second, April 22, 1880, to Elizabeth S. Chace. Submitted November 2004 by Edward Bentley, Art Collector and Researcher from Lansing, Michigan. Source is the publication "Men of Progress: Biographical Sketches and Portraits of Leaders in Business and Professional Life from the State of Rhode Island." New England magazine. 1896. Edward C. Leavitt, born in 1842, has been described as "Providence, Rhode Island's leading still-life painter" in the late 19th Century. (Zellman 324) His teacher, James Morgan Lewin, was a prominent still-life painter in Fall River, Massachusetts, a neighboring town. Leavitt, a detailed, sharp-focused, realistic painter, was in love with texture and light, and was prolific and successful, painting a variety of still life subjects including flowers, fruit and even fish and dead game animals. His objects, including costly antiques and household decorative items, were often placed on ornamental, gleaming surfaces. He was a frequent exhibitor at the National Academy of Design in the 1870s and 1890s. The artist, who died in 1904, moved from a position of success and popularity to being ignored for many years until the publication of William H. Gerdts and Russell Burke's American Still-Life Painting in 1971. It is uncertain whether this disastrous loss of respect took place because Leavitt's work declined in quality during the last decade of his life, or because he was a victim of the periodic shifts in taste and fashion that afflict the arts. Sources: Michael David Zellman, 300 Years of American Art Peter Hastings Falk, Editor, Who Was Who in American Art Biography from Roger King Fine Art Edward Leavitt was one of the leading still life artists of nineteenth century New England. He lived and worked in Providence, and studied with James Morgan Lewin, a leading painter of the Fall River School, which, in the late 19th Century, was one of the most important centers of still life painting. While Lewin branched out into other types of painting, Leavitt remained devoted to the art of the still life. His paintings are sharply focused, realistic, and carefully finished. Ornate objects such as urns, ewers, platters, cut glassware...