Zoran Šimunović Paintings

Mother & Child, 2016 By Christopher Mudgett This powerful and emotive original oil painting from the artist's 2016 "Mother & Child" series encapsulates a profound moment of ...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Kirstyn Wright is a wildlife and Western artist focusing on Texas and Southwestern imagery. She grew up an hour northwest of Fort Worth in the ranching and rodeo community of Wise Co...

Woman and Dog Christopher Mudgett Oil on canvas 2023 48 x 36 in (121.9 x 91.4 cm) Signed by the artist Certificate of authenticity included Available from the artist’s studio In W...

Valley House Gallery presented our first exhibition for Houston artist Otis Huband in the summer of 2014. After a hiatus of over 20 years from regular exhibitions, his work was re-in...

This painting exemplifies Bruno Surdo’s synthesis of Renaissance figuration, Northern allegory, and psychological symbolism. Female figures twist and overlap beneath a lattice of tree branches, while animals—a lamb, fox, squirrel, hummingbird—inhabit the same compressed pictorial space. The interlocking limbs and diagonals recall High Renaissance and Mannerist strategies of sculptural composition, and Surdo’s atelier training is evident in the anatomical precision and volumetric modeling of flesh. Yet the scene feels intentionally dense and claustrophobic. Rather than a pastoral idyll, the forest becomes charged—alive with tension, concealment, and layered meaning. The symbolic animals situate the work within a long art historical lineage. The lamb evokes innocence or sacrifice; the fox suggests cunning and instinct; birds often signify fragility or spirit; the spider embedded in the branches recalls vanitas traditions of the Dutch Golden Age, where small creatures signal mortality and hidden threat. However, the background introduces an additional, more psychological register: the partially obscured eye and the numbers 3, 5, and 7. These are not naturalistic elements; they intrude like fragments from another realm. Their presence subtly aligns with Jungian thought—an area of interest for Surdo—where numbers function as archetypal structures of order within the psyche. In Jungian symbolism, such numbers carry qualitative meaning rather than mere quantity, suggesting stages, wholeness, embodiment, or cycles of psychic development. Their appearance within the forest—traditionally a metaphor for the unconscious—suggests the mind’s attempt to map or structure instinctual terrain. The eye, half-hidden behind branches, intensifies this reading. It can be understood as a symbol of awareness or consciousness emerging from within the thicket of instinct. Rather than divine omniscience, it feels psychological—an archetypal “watcher” embedded in the natural world. The forest thus becomes more than environment; it reads as psychic landscape. Surdo collapses civilization and instinct, rational structure and animal impulse, into a single visual field. Within his broader oeuvre—often concerned with the tension between performance and authenticity, order and chaos—this work becomes a contemporary myth of the psyche. Renaissance form provides authority and structure, while allegorical animals and Jungian symbols suggest the layered architecture of the unconscious. The result is a painting that feels timeless yet inwardly modern: a meditation on innocence, predation, awareness, and the hidden numerical and symbolic frameworks through which the human mind seeks to understand its own wilderness. Bruno Surdo Nature's Web of Dependency oil on canvas 64h x 66.50w in 162.56h x 168.91w cm BRS082 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2021 Ethos + Truth, Gallery Victor Armendariz, Chicago, IL 2020 Realities, Gallery Victor Armendariz, Chicago, IL 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

This is a beautiful oil painting by Alexis Portilla, using a palette of jewel colors, bold brushwork and pictographs to create an atmospheric piece. Color, lines and shapes that resemble pictographs and vessels convey symbolism. Vessels are a recurring theme in Portilla's work as symbolic of the potential for the ability to hold and receive. Influenced by the emotion of artistic expression in music, poetry and literature, the artist finds bold expression in color, lines and shapes that resemble pictographs, and texture. Oregon 47 x 65 in. Oil on Canvas Signed on verso Ready to hang: Yes Frame: Not applicable Materials: Oil paint, canvas, wood stretchers Alexis Portilla holds an MFA from Columbia University (1990) and a BFA from Pratt Institute. His work is in more than 250 private collections worldwide and in many international public and corporate collections including The New York Public Library, Harvard University, Pepsi Co., Warner Music Group, PricewaterhouseCoopers, Penn State University, Norwest Venture Partners, and Mikasa Corporation. He has exhibited internationally at venues from New York to Hong Kong, including the Grand Rapids Art Museum in Michigan, Hofstra University Museum in New York, and Monmouth Museum in New Jersey. Alexis Portilla's large scale pieces like Anemone, Black Elk, Thor Twins, Tokyo, Chromatic Fantasy are spectacular pieces in terms of the atmospheric brushwork, colors and textures. His bold linear lines, use of symbols, pictographs and strong colors create atmospheric abstracts. “Alexis is a poet in space and a painter of original feeling… He conveys a constant sense of expansion.” Artist Will Barnet (1911-2012), June 2007 “Using simple forms and creating swathes of rich texture, Alexis Portilla builds atmospheric abstract paintings that convey a sense of time having passed. Brushy areas of color suggest the indeterminacy of memory, while bold linear forms speak for the present." - Meredith Mendelsohn, Art News magazine review The artist Alexis Portilla obtained his Masters of Fine Arts at Columbia University in 1990, and his BFA at the noted Pratt Institute. The artist has shown in group and solo exhibitions. His works have been commissioned by major corporations, universities and for private collections. These pieces and others are available for viewing in Los Angeles. Instruction 1993-1994 Faculty /Adjunct Instructor Department of Printmaking Columbia University New York, NY Awards 1983 – 1994 HEOP/SEOG Full scholarship To attend Pratt Institute, Brooklyn, NY 1984-85 Charles A. Dana Internship and Grant, Pratt Institute, Brooklyn, NY Public Commissions: - April 2007 Penn State University -State College, PA Department of Chemistry Public Collections: - 1996 The New York Public Library, New York, NY Department of Prints and Drawings Roberta Waddell Selected Corporate Collections Harvard Club Cambridge, MA Meredith and Grew Boston, MA Farley White Boston, MA Edwards and Angell Providence, RI Acadian Asset Management Boston, MA Proskauer Rose Boston, MA Mikasa Corporation, Tokyo, Japan First Atlantic Capital, New York, NY Warner Brothers, New York, NY —- SELECTED PUBLIC COLLECTIONS Bryant University, Smithfield, RI Harvard University, Cambridge, MA The New York Public Library, New York, NY Penn State University, State College, PA (commissioned work) SELECTED PRIVATE AND CORPORATE COLLECTIONS Collection of Padma Lakshmi Mikasa Corporation, Tokyo, Japan Pepsi Co., Purchase, NY PricewaterhouseCoopers, Boston (commissioned work) Norwest Venture Partners, Palo Alto, CA Warner Brothers, New York, NY First Atlantic Capital, New York, NY Excel, Bermuda Edwards and Angell, Providence, RI Meredith and Grew, Boston, MA Farley White, Boston, MA Acadian Asset Management, Boston, MA Proskauer Rose, Boston, MA New Star Financial, Boston, MA Cross Harbor Capital, Boston, MA Weil Gotshal & Manges, Providence, RI Partner Reinsurance, Pembroke, Bermuda Hale & Dorr, Washington, DC Bingham Dana & Gould, Boston, MA Total System Services, Columbus, OH Biogen Inc., Cambridge, MA Millennia, Boston, MA Renaissance Worldwide, Waltham, MA Goodwin Proctor & Hoar, Boston, MA and New York, NY X.L. Pembroke, Bermuda Odyssey America RE, New York, NY Greystone Realty Corp., Westport, CT Limerock Partners, Westport, CT Michael Page...

Oil on canvas The artwork is discreetly hand-signed by the artist on the bottom left corner as 'Corvengi 2017'. See images (first detailed image) or ask us for more pictures! “Ever...

Standing Watch (the Jackal) Oil on canvas 60 x 72 in 152 x 183 cm Michele Mikesell’s Standing Watch (the Jackal) presents a mesmerizing anthropomorphic figure — a jackal-headed bei...

Fishermen of Mola di Bari represents a deeply personal turn within Bruno Surdo’s practice, grounding his classical training and allegorical sensibility in lived history and ancestral...