Art Mûr

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instagram, the pixelated landscape...

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instagram, the pixelated landscape...

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instag...

La Métacrise was created as a prelude to the Metamonument project, which is a constellation of physical and virtual works to be presented in January 2026. Building on previous exhibi...

La Métacrise was created as a prelude to the Metamonument project, which is a constellation of physical and virtual works to be presented in January 2026. Building on previous exhibi...

La Métacrise was created as a prelude to the Metamonument project, which is a constellation of physical and virtual works to be presented in January 2026. Building on previous exhibi...

La Métacrise was created as a prelude to the Metamonument project, which is a constellation of physical and virtual works to be presented in January 2026. Building on previous exhibi...

La Métacrise was created as a prelude to the Metamonument project, which is a constellation of physical and virtual works to be presented in January 2026. Building on previous exhibi...

La Métacrise was created as a prelude to the Metamonument project, which is a constellation of physical and virtual works to be presented in January 2026. Building on previous exhibi...

La Métacrise was created as a prelude to the Metamonument project, which is a constellation of physical and virtual works to be presented in January 2026. Building on previous exhibi...

La Métacrise was created as a prelude to the Metamonument project, which is a constellation of physical and virtual works to be presented in January 2026. Building on previous exhibi...

La Métacrise was created as a prelude to the Metamonument project, which is a constellation of physical and virtual works to be presented in January 2026. Building on previous exhibi...

La Métacrise was created as a prelude to the Metamonument project, which is a constellation of physical and virtual works to be presented in January 2026. Building on previous exhibi...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

For her first solo exhibition at Art Mûr, Nova Scotia-based emerging artist Jazz Keillor presents Landscape(d), a body of work which evokes as well as subverts the visual language of...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...