Coke Den Modern

Occasional table with round top supported by a criss-cross tripod base. Model no. 1742. By T.H. Robsjohn-Gibbings for Widdicomb. American, circa 1953. Very sculptural splayed tripod ...

A beautiful set of four luxurious dining chairs with curved lucite frames and brass detail. Chairs are upholstered in original navy blue fabric that shows some age and use related we...

Stunning vintage faux tortoise bamboo writing desk. Beautiful frame and detail. Features three drawers for storage.

Beautiful mid-century modern credenza designed by Jack Cartwright for Founders. Sleek and functional with ample storage. Amazing walnut wood grain throughout. Credenza has been profe...

Milo Baughman Chrome Cased Swivel Chair for Thayer Coggin, 1960s. Stunning pair of barrel chairs with mirror finish chrome backs and bases. Original hot pink upholstery. The coolest ...

Super cool and rare pair of leather club chairs designed by architect Norman Jaffe for US West Corporation in the 1980s. They are in their original two-tone neutral gray-blue soft an...

A unique studio made bench that feels like a piece of art itself. Beautifully crafted with forged iron detail along the top as well as the interesting shaped legs. The bench features...

Gorgeous vintage dresser features faux bamboo detailing and woven rattan basketweave in herringbone pattern. The dresser has striking brass hardware and corner accents. The uniqe rat...

Chi, low-profile swivel tub chairs designed by Milo Baughman for Thayer Coggin represent a timeless blend of mid-century modern aesthetics and functional design. Chairs feature warm ...

Pair of Mid-Century Modern Milo Baughman style swivel chairs in textured leopard upholstery with fabric-wrapped bases. Chairs are very comfortable and swivel nicely, heavy and and g...

Gorgeous split reed bamboo credenza in beautiful condition with chrome base circa 1970s. Credenza is finished on all sides allowing piece to stand freely in the room. An incredible p...

Baughman was inspired by the courageous young avant-garde designers known as the Memphis Group that burst on to the works stage in 1981 with a total disregard for the traditions and design tenants of restrained, idealized Modernism, Baughman designed a small collection of 11 colorful, post-modern pieces and convinced Coggin to put the collection into production by 1984. The unexpected designs made a splash upon their debut, with critics praising Baughman’s graceful and carefully considered take on the wild Italian ‘new design.’ The wider American audience and Coggin’s well-to-do yet conservative clientele did not take to Baughman’s experiment in exercising complete creative control. ''Only galleries bought it,'' Baughman told the NYT in the months after the collection’s release. Pieces from the 1984 Prisma collection are extremely difficult to come by. Literature: Oscar Fitzgerald, American furniture: 1650 to the Present , 2017. P 517; CH 19 Postmodern and AvantGarde Furniture...