Daphne Alazraki

Herman Frederick Ten Kate 1822 - The Hague - 1891 Interior Scene Watercolor on paper 9 1/4 x 13 1/4 inches (23.4 x 33.6 cm) Framed: 17 x 21 ½ inches (43 x 54.6 cm) Signed lower right Provenance: Private Collection, USA Herman Ten Kate spent most of his life in The Hague although he did occasionally travel to Amsterdam and Haarlem. He was a member of the Royal Academy in Amsterdam in 1847. He was a student of Cornelis Krusemans from 1837 to 1841. Ten Kate generally depicted friendly genre scenes as well as scenes with soldiers inspired by the 80 years war. His work is generally of watercolor and lithographs. Our sheet offers a quiet scene in which two gentlemen are featured, each sporting the extravagant hats, vests and tall boots typical of the 19th century, inspired by the 17th century Guardroom scenes. One man rests against the back of a chair, his face marked with a serious expression, his left hand gesturing toward the other man seated at the table. The seated figure wears a rather bemused expression as he composes a letter, apparently taking delight in his endeavor. The two figures are surrounded by various objects cluttering the room, which Ten Kate employs for the specific means of compositional balance. The various interior elements -- a long wooden table...

Gene Davis 1920 – active in Washington DC - 1985 Untitled 1981 Colored felt tip on paper 17 ¾ x 12 ½ inches (49 x 32 cm) Framed dimensions: 24 x 14 inches (61x 35.5 cm) Signed and ...

Jules Hervé was born in Paris in 1837, a period marked by significant changes in French society and culture. His early life remains somewhat obscure, but it is known that he began hi...

Abraham Verveer was born in The Hague in 1885. Verveer was trained at the Royal Academy of Art in his hometown, where he received a solid foundation in both painting and drawing in t...

Camille Hilaire was a French painter whose work traversed the boundaries between classical training and modernist expression. Born in Metz, France, Hilaire grew up during a turbulent...

Hippolyte Camille Delpy was a landscape painter active in the late 19th century, well known today for his compositions representative of the Barbizon school. He was trained under Cor...

Nature morte au bouquet d’animones Circa 1960 Oil on canvas 26 x 20 inches (66 x 51 cm) Framed dimensions: 35 x 28 ½ inches (89 x 72.4 cm) Signed lower left: Martin Ferrieres Prove...

Andre Hambourg was born in Paris in 1909. At the age of 17, he entered the École Nationale Superieure des Arts Decoratifs where he studied sculpture under Paul Niclausse for four yea...

André Brasilier was born in France in 1929. His parents were painters and he showed artistic interest and talent at a young age. At the age of 20 Brasilier entered the École des Beau...

Maurice Brianchon was born at Fresnay-sur-Sarthe in January 1899. He first studied in Bordeaux at the École des Beaux-Arts under Paul Quinsac, a sculptor; in 1917 he moved to Paris a...

Leon RIchet Bejeweled woman within a Barbizon Landscape 1872 Oil on panel 24 x 18 inches (61 x 45.7 cm) Framed: 36 x 30 inches (91.4 x 76.2 cm) Signed: Léon Richet 72 Leon RIchet wa...

Leuus’s interest in art began at a young age, and he later moved to Guadalajara, where he attended the Escuela de Artes Plásticas. This formal training in the traditions of Mexican a...

Once dubbed “the Grandfather of L.A. Modernism,” the Chicago-born Emerson Seville Woelffer was active as an innovative painter, collagist, and educator throughout his long and prolif...

Provenance Estate of the artist David Bunim Perls Gallery, NY Private Collection, USA Literature This work will be inclued in the forthcoming supplement to the catalogue raisonne in...

Julian Schnabel was born in 1951 in Brooklyn, New York, to a father of Czechoslovakian descent and a mother from New York. After graduating from the University of Houston with a BFA, he began his artistic career in New York City. He was provided an artist’s studio through the Whitney Independent Study Program. He moved to Houston, Texas for a year, where he created his “first adult painting”, composed of oil, wax, and paste shaped on a canvas. This was the beginining of his signature artistic style, using pre-existing and unconventional materials to create his art. His first solo exhibition was at the Contemporary Arts Museum in Houston, Texas, in 1976. He moved back to New York City working as a cook, then spent time travelled in Europe, where he was fascinated by Caravaggio and Fra Angelico; these influences led lead to Schnabel’s creation of ten wax paintings in Milan. After another trip to Europe a few years later, he was inspired to create his now-famous plate paintings. The plate paintings incorporated smashed plates and later glass and porcelain to adhere onto a canvas, painting on top of them and thereby mixing objects with flat surfaces. Schnabel’s paintings often use unconventional materials, like velvet or putty. His work is featured in various US and international museums and galleries in New York City, including Switzerland, London, Los Angeles, Paris, Munich, and more. In 1990, Schnabel directed and wrote his first film, Basquiat, a biopic following the life of friend and fellow artist Jean-Michel Basquiat. He continued to create other films such as The Diving Bell and the Butterfly, At Eternity’s Gate...

Oil on board 9 1/4 x 13 inches (23.5 x 33 cm) Framed: 19 1/4 x 23 inches (48.9 x 58.4 cm) Signed lower right: Blommers Provenance: Jacques Goudstikker, The Netherlands Acquired from...

Oil on canvas 19 x 19 inches (48 x 48 cm) Framed: 21 x 21 inches (53 x 53 cm) Signed lower right: C.Venard Titled and Inscribed on verso: Les phares Provenance: The Artist Private c...

Albert Lebourg French, 1849 – 1928 Le Moulin a Vent sur le Canal a Rotterdam Oil on canvas 15 x 21 ½ inches (38.1 x 54.6 cm) Framed: 24 ½ x 31 ½ inches (62.5 x 80.3 cm) Signed and i...

Jane Peterson was born in Elgin, Illinois in 1876. Peterson attended the Pratt Institute and later she studied at the Art Students League in New York with Frank Vincent Dumond. Follo...

Caio Fonseca 1959 active New York City Pietrasanta Painting (P.95.122) 1995 Goauche and ink on paper 12 x 16 inches (30.5 x 40.6 cm) Framed dimensions: 18 x 22 inches (45.7 x 56 c...

John Little 1907 – active in New York - 1984 Whigmarleerie 1966 Oil on canvas 33 x 27 inches (84 x 69 cm) Framed dimensions: 35 x 29 inches (89 x 73.6 cm) Signed, titled and dated v...

Jan Olis was a master best known for his depiction of genre scenes while he also produced a number of portrait paintings. He worked in a style reminiscent of and was surely influence...

Giovanni Agostino Cassana Venice, c. 1658 – 1720 Genoa Two Tortoiseshell Guinea-Pigs Oil on canvas 10 1/2 x 12 1/2 inches (26.7 x 31.7 cm) Framed: 16 1/2 x 18 1/2 inches Giovan...

Edmond Petitjean French, 1844-1925 Etang devant une ville Oil on canvas 18.3 x 31.1 inches Framed: 27 ½ x 40 inches Signed lower left: E Petitjean Provenance: Private Collection,...

This painting is sold with a Certificate of Authenticity from the Estate of Michael Loew. In the late 1920s Michael Loew was enrolled at the Art Student’s League and later was in France where he studied with Fernand Leger. Loew was close and longtime friends with Wilem de Kooning who influenced his work. After Pearl Harbor, Loew joined the Navy...

Yosl Bergner is an Israeli painter who was born in Vienna in 1920 and grew up in Warsaw. With rampant anti-Semitism in Europe, the Freeland League for Jewish Territorial Colonization...

George Terzian and his unique Cubist style of painting is highly regarded and his oils are collected internationally. His subjects are presented as a symphony of various colors and s...

Camille Bombois was born in Vernarey-les-Laumes, Cotes d'Or in France in 1883. He left school to work on a farm at age twelve and began drawing four years later. In 1907, Bombois ful...

Jay Rosenblum was a native of the Bronx who studied at Bard College and the Cranbrook Academy of Fine Arts in Bloomfield Hills, Michigan. He also passionately studied music and was a...

Yvonne Canu French, 1921 - 2008 Collioure Oil on canvas 13 ¼ x 16 inches (33 x 40.6 cm) Framed: 20 ½ x 23 ½ inches (52 x 60 cm) Signed lower right: Y Canu Provenance: Private Collection, US Titled and with inventory number 1052 on verso Yvonne Canu was influenced by the Pointillists school and very strongly so by Georges Seurat and by Sunday Afternoon on the Island of Grande Jatte, in particular. She was actually born in Moracco but studied at the Ecoles des Arts Decoratifs in Paris, forced to interupt them due to the outbreak of WWII. She later spent time in Montmarte and met artists including Francois Gall and Foujita, who introduced her to not only drawing but also plein-air landscpae painting and basic Impressionist trends. It was not until 1955 when she had met Seurat did she gravitate toward Neo-Impressionism and Pointillism. The artist’s round brushstrokes of juxtaposed pure colors allowed the viewer to observe this fusing of these colors directly. She adopted the Pointillist technique and applied it to most of her work, primarily of seascapes and harbour scenes. She exhibited extensively after the War and for the rest of her life. Our painting, Collioure, is in Southern France at a known area in the Pyrenees-Orientales. It’s a charming and colorful depiction of one primary sailboat with its passengers aboard and other boats and hillsides behind it. The right side of the composition shows the Shoreline with small boats parked...

Narcisse Virgile Diaz de la Pena French, 1807-1876 Clairiere et Mare aux Viperes, Foret de Fontainebleau Oil on panel 7 1⁄4 x 10 1⁄2 inches (18.5 x 26.5 cm) 13 x 16 ½ inches (33 x...

Isidore Pils Paris 1813 – 1875 Douarnenez Portrait of a Man in his Study Oil on canvas 10 1/2 x 8 1/2 inches Framed: 16 x 14 inches Provenance: Private Collection, Florida Isi...

Jules Cavailles French, 1901-1977 View from a Parisian window 1937 Oil on canvas 24 ½ x 20 ¾ inches (62 x 53 cm) Framed: 27 x 23 inches (86 x 76 cm) Signed lower right and verso: J...

Once dubbed “the Grandfather of L.A. Modernism,” the Chicago-born Emerson Seville Woelffer was active as an innovative painter, collagist, and educator throughout his long and prolif...

As a teen, Paul Jenkins worked with ceramicist James Weldon which led to a fascination with glazes; Jenkins cultivated and eventually achieved a similar effect in his paintings by mixing oil and enamel on canvas in the 50s. In 1937, Jenkins attended classes at the Kansas City Art Institute where he painted his first series of watercolors he called interior landscapes inspired by caves in the Ozarks. After serving in the US Naval Air Corps for 2 years, Jenkins moved to New York to study with Yasuo Kuniyoshi and Morris Kantor at the Art Students League from 1948 to 1952. During those years, Jenkins met Mark Rothko, Jackson Pollock and Barnett Newman. In 1953 left for Paris where he discovered and was struck by the color density and luminosity in abstract oil works termed ébauches by Gustave Moreau and pastels by Odilon Redon. He began to experiment with poured paints in various thicknesses on canvas and paper and found this technique achieved luminosity of color which in its own way was comparable to that of Moreau and Redon. The next year, Jenkins added Winsor Newton pigments and chrysochrome, a viscous enamel paint, into his poured paintings, further enriching their color density and incandescence. The next major development in technique came in 1959 when he began using an ivory knife to guide the flow of paint. That same year, he also began to title his paintings Phenomena followed by a key word or phrase. A film on Jenkins' technique titled The Ivory Knife: Paul Jenkins at Work was shown at the Museum of Modern Art and received the Golden Eagle Award at the Venice Film Festival in 1966. In 1954 Jenkins had his first solo exhibition in Paris where he met Martha Jackson, whose New York gallery included Jenkins in a group show the following year. In 1956, Martha Jackson Gallery held a solo exhibition of Jenkins’ work at which Divining Rod...