ESPACEMODERNE Chaise Longues

Prices vary dependent on the chosen material. Chaise lounge designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Manufactured by Cassina in Italy. Chaise lounge ...

The chaise lounge, known as Model LC4, is an iconic piece of furniture designed by the legendary architect and designer Le Corbusier in collaboration with Charlotte Perriand and Pier...

Vintage 1960's Italian circular rattan stool by Tito Agnoli. Original rattan with nice age and patina. Great as stool or table.

Elegant pair of chaise longues of Italian manufacture, dating from the mid-20th century attributed to Tito Agnoli for Bonacina. The frame is made entirely of steam-curved rattan cane...

Chaise longue/armchair made entirely of rattan mod. P3 by Tito Agnoli for Bonacina, 1960s. The structure is composed of a single component that "bends" to form the inclined backres...

Le Corbusier held that furniture should be “extensions of our limbs and adapted to human functions.” The LC4 Chaise Longue (1928) embodies this notion with a “floating” frame that mo...

A set of four Italian bamboo armchairs designed by Tito Agnoli for Pierantonio Bonacina. Majestic in size and with great sculptural shape. They are rare and elegant, although not roc...

Charles-Édouard Jeanneret, or simply Le Corbusier (1887-1965), was a rock star. Alongside Marcel Breuer and Ludwig Mies van der Rohe, Le Corbusier was one of the leading architects o...

Chaise Longue is an original decorative design furniture realized by Tito Agnoli in 1962. Rare example of P3S rattan chaise longue designed by Tito Agnoli for Bonacina in the 60s. ...

Black Fur LC4 Chaise Longue by Le Corbusier & Pierre Jeanneret for Cassina Designer Le Corbusier and Pierre Jeanneret Brand Cassina, Italy Era 1920’ Production date early 1970s ...

This pair of Italian rattan chaise lounges from the 1970s showcases a sculptural silhouette defined by fluid curves and hand-woven detailing. Crafted from warm-toned natural rattan, ...

Tito Agnoli’s designs are characterized by soft forms interrupted by dystonic pulses—a modernism with a baroque soul, perhaps influenced by the colonial architecture of South America...