Art

In this charcoal drawing, the artist wanted to explore a composition that juxtaposes the familiar hyper-masculine figurative sculpture with a playful counter on the “bro” mentality. Sometimes humans don’t have to be taken so seriously. Samantha Van Heest...

It’s Okay, Little Crab (Sensory Overload) in a way feels like a self portrait, with the vacuum acting as a personified vision of time and societal expectation. The vacuum may never reach the crab, but its loud and disturbing presence will. Samantha Van Heest...

Pull Shapes (Duet) is a diptych that subtly explores surrealism, focusing in on the intimacy of the bedroom space. Pillows are this central point of comfort in our day to day, and the artist wanted to play with scale, mystery, and the night table drawer. Samantha Van Heest...

Signed and dated. «Waited for someone, for something, for anything, for too long» was part of O. F. Hvidsten's first solo-exhibition «This will n...

Signed and dated. «It was you that put your foot into my habitat» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works com...

Signed and dated. «So far, so good, and then...» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremos...

Signed and dated. «Taking a chance on the dancefloor» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprisi...

Signed and dated. «This mask will last a lifetime» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and forem...

Signed and dated. «Packing right» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memo...

Signed and dated. «O Donald, where aren't thou?» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memory of two dramatic years since 2020 that have affected us all. Covid, and its consequences, have become a common point of reference that we will all talk about and bear remembrance to for a long time. But our memories are like life itself; dynamic and in constant change, often weakening with time, and can either ebb out or be reinforced. O.F. Hvidstens work in this period stand out as an anchor point for this common experience. Ole Fredrik Hvidsten...

Signed and dated. «Late night apiphany» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visua...

Signed and dated. «Doppler Modus» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memo...

Signed and dated. «Good sharks makes all the difference» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and...

Signed and dated. «Meg og deg» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memory ...

Signed and dated. «This is not a prison» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memory of two dramatic years since 2020 that have affected us all. Covid, and its consequences, have become a common point of reference that we will all talk about and bear remembrance to for a long time. But our memories are like life itself; dynamic and in constant change, often weakening with time, and can either ebb out or be reinforced. O.F. Hvidstens work in this period stand out as an anchor point for this common experience. Ole Fredrik Hvidsten...

Signed and dated. «Me and my girl» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual mem...

Signed and dated. «We aim high to keep them down» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibi...

Signed and dated. Nils Erichsen Martin's ceramics has a distinct style. He takes on a scientific approach with his artwork, researching into the different aspects of how form is per...

For Julia Kiryanova, her artwork is a dialogue – a dialogue which she beautifully facilitates, layering her work with various techniques. At the heart of much of her work an inherent fascination for people lies, intimately displaying abandoned figures seemingly floating in an abstract dream world, where time has stopped everything, but them. Julia Kiryanova has exhibited work at Amsterdam museum, Museum Op Solder and The Holocaust Museum...

Shit happens sometimes. In this piece, the artist wanted to create an unsettling and claustrophobic space where people feel most private and vulnerable. Inspired by artist Tala Madani, she created a cartoon figure to act as the voyeur, a bright and unwelcome disturbance that cannot be ignored. Samantha Van Heest...

This study takes inspiration from historical “reclining nude” paintings, most of which were painted through the perspective of the male gaze. The artist wanted to change the narrative and make the woman feel more empowered and dominant in her situation, aware of the power she holds. Samantha Van Heest...

Imported Goods is an exploration of environment, especially focusing on the wellness of the ocean and the consequences of human plastic consumption. There is beauty in appreciation and replication, but it becomes a tragedy when it fully devours natural creation. Samantha Van Heest...

This painting was inspired by the artists very first toy, a small blue giraffe, given to her as a day-old baby. It is something that has been around her whole life, and even though it is inanimate, there is a feeling of personification through the years of wear. Her brother as a baby would call giraffes “fa,” which is always a sweet memory she associate with this toy. Samantha Van Heest...

Ellipses plays with the nature of awkward interaction and subtle facial expressions. Is it all internal, or can awkwardness feel like a palpable and personified presence? Samantha Van Heest...

"Signed and dated" With his sculptures, Jim Darbu invites you into a universe where bizarre stories unfolds - a universe where colourful, strange creatures ...

In our society where everything runs so fast, stopping to consume a painting forces us to stop and reflect on an idea or a problem and consequently helps us develop a capacity for se...

Inspired by the crossroads of human nature and human technology, Dustin Cook makes abstraction look funny. At the core, his work represents playfulness, hi...

With his sculptures, Jim Darbu invites you into a universe where bizarre stories unfold - a universe where colourful, strange creatures reign and shadows liv...

«Golden» oil on canvas by Signe Solberg. On a square-shaped canvas, a series of golden, straight lines rush across a white canvas. Although quite simplistic, the golden lines comes...

Samantha Van Heest explores the intimacy of impermanence through her work, utilizing still life, found objects, and portraiture through minimalist r...

«Ta meg i mot» oil on canvas by Anastína Eyjólfsdóttir. A toppless woman equipped with blue boxing gloves poses by the shore. Behind her, the sky and small strip of sea create a bl...

Giorgi Qochiashvili's colourful world is impressive to say the least. Inspired by poetry, Japanese culture and films of Jim Jarmush, he creates massive paintings...

For Julia Kiryanova, painting is a dialogue – a dialogue which she beautifully facilitates, layering her work with various techniques. At the heart of much of her work an inherent fascination for people lies, intimately displaying abandoned figures seemingly floating in an abstract dream world, where time has stopped everything, but them. Julia Kiryanova has exhibited work at Amsterdam museum, Museum Op Solder and The Holocaust Museum...

Drawing on a wealth of resources, Benjamin Risk invites you to join an adventure of unconscious thought and imagination where everything seems familiar, yet surreal. With hi...

Inspired by the intersection between human nature and human technology, Dustin Cook makes abstraction look funny. At the core, his work represents playfuln...

Inspired by the intersection between human nature and human technology, Dustin Cook makes abstraction look funny. At the core, his work represents playfuln...

«Black swan» oil on canvas by Michael Andrew Phillips. A solitary black circle inhabits a white space layered on top of a dark yellow backgroun...

Digital print from drawing [2010] on 120 g paper, mounted on KAPAfix. Glass and solid ash frames. Approx. 60 x 90 cm / 23,62 x 35,43". Unique, 2012. Exhibited at Beers.Lambert Co...

Unique and large print titled CAN NOT BE PICTURED – OH NO OH NO! (The Sequoias) Digital collage from digital photography [2011]. Diptych, toner print on 90 g pink paper, mounted on...

Large and unique print titled Can Not Be Pictured – OH NO OH NO! (The Sequoias). Digital collage from digital photography [2011]. Diptych, toner print on 90 g pink paper, mounted o...

«Red on black» wall relief by Hanne Øverland. intriguing and highly decorative wall relief. A red rectangle balances on the edge of a standing, black rectangle.