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Portrait of General Bonaparte
Portrait of General Bonaparte

Portrait of General Bonaparte

Located in Greenwich, CT

Général BONAPARTE by Pierre Jean David d'Angers (1788-1856) Description : medallion in gilt lead alloy cast , signed lower right and dated 1831 presented on a museum-mount display ...

Category

Early 19th Century French School Sculptures

Materials

Metal

Dancing Faun Bronze Sculpture, early 19th Century, 29.5" Tall
Dancing Faun Bronze Sculpture, early 19th Century, 29.5" Tall

Dancing Faun Bronze Sculpture, early 19th Century, 29.5" Tall

Located in Greenwich, CT

Very Fine cast and patina / Italian Bronze circa 1800's / Dancing Faun Note : its large size and high quality chiseling make it on of the best examples we have found

Category

Mid-19th Century Nude Sculptures

Materials

Bronze

Finely rendered Equestrian Model Sculpture
Finely rendered Equestrian Model Sculpture

Finely rendered Equestrian Model Sculpture

Located in Greenwich, CT

a very fine Model Sculpture of a standing horse , finely rendered in patinated plaster, signed ‘MMM’ and dated 30 , w. rich burnished patina. Its quality and elegance are reminiscent...

Category

Early 20th Century Figurative Sculptures

Materials

Plaster

Horse
Horse

Horse

Located in Greenwich, CT

Figure of a horse , French 1940's , on a marble base appears unsigned finely carved, beautiful rendering, nice patina

Category

1940s Figurative Sculptures

Materials

Bronze

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H 10.25 in W 9.25 in D 9.5 in

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Art Nouveau Relief Sculpture, Plaster, Signed, 1896, Woman in Mussel
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Art Nouveau Relief Sculpture, Plaster, Signed, 1896, Woman in Mussel

Located in Stockholm, SE

A wall-mounted Art Nouveau relief by the Swedish sculptor Johannes Collin, signed “JC 96”, represents one of his earliest known works. Executed in plaster, the oval composition features a stylistically mussel shaped base from which emerges the finely modelled face of a young woman with long flowing hair. Her eyes are closed, conveying a sense of calm introspection and timeless beauty. The softly curved forms and delicate modelling create a serene harmony between natural rhythm and sculptural precision. The work is mounted on a later black-painted wooden plaque (26 × 33 cm), while the sculpture itself measures 21 × 18.5 cm. It is an unusually early piece by the artist, displaying craftsmanship and sensitivity. Born in Stockholm in 1873, Johannes Collin trained as a sculptor during the final years of the 19th century, a period marked by the transition from academic historicism to the organic, nature-inspired forms of Art Nouveau (Jugendstil). His early works, such as this 1896 relief, already reveal a refined awareness of contour, proportion, and the poetic interplay between human expression and natural form. Collin studied at the Royal Swedish Academy of Fine Arts (Kungliga Akademien för de fria konsterna) in Stockholm, where he was influenced by sculptors such as John Börjeson and Christian Eriksson. Over the following decades, he developed a personal style that combined naturalistic modelling with decorative rhythm and symbolic depth. He participated in exhibitions at the Konstakademien in Stockholm, in shows organized by the Swedish Artists’ Association (Svenska konstnärernas förening), and at the Baltic Exhibition in Malmö (1914)—one of the era’s major showcases of Scandinavian art and design. Throughout his career, Collin produced portraits, allegorical figures, and architectural sculpture in plaster, bronze, marble, and terracotta. His works are represented in several Swedish collections, including the Nationalmuseum in Stockholm and the Göteborgs konstmuseum, as well as in regional museums and private collections. About Art Nouveau / Jugend Art Nouveau, known in Sweden and Germany as Jugendstil, was an international artistic movement (c. 1890–1910) that sought to unite the arts under the guiding principle of nature’s harmony. Characterized by flowing lines, floral motifs, and organic rhythms, it aimed to dissolve the boundaries between fine and decorative art, bringing art into everyday life. In sculpture, this often meant a focus on the human body, sensual form, and the beauty of natural curves. Within this aesthetic, Collin’s relief of a woman’s face emerging from a mussel-shaped base carries both mythological and symbolic resonance. The motif recalls the classical image of Venus rising from the sea...

Category

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Materials

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Located in Somerset West, WC

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Category

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$6,693Sale Price|20% Off

H 33.47 in Dm 17.72 in

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Located in Rome, IT

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Category

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Materials

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Category

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