Glenn Green Galleries

Spirit of the Wind, by Allan Houser, apache, abstract, sculpture, limited edition lifetime bronze casting excellent condition

Apache Lovers, bronze, sculpture, Allan Houser, figurative, limited edition

What was Your First Escape, oil, painting, by Rodney Forbes, humor, city, cat

I Am (Your Back Door Man), painting, by Rodney Forbes, house, yard, pink, blue Inspired by Howlin’ Wolf’s epic song (and Jim Morrison’s ravishing cover of it), it was part of a pro...

Wild is the Wind, painting, by Rodney Forbes, oil, canvas, dress, beach, blue Inspired partly by the ravishing David Bowie song and partly by a photo I saw of a team of men wrestlin...

Ferry with Paperboy and Swans, oil, canvas, painting, by Rodney Forbes, birds As a 15 year old, I sold newspapers on the Williamstown steam ferry which crossed the mouth of the Yarr...

Somersault, oil on canvas, painting, by Rodney Forbes, Australia, birds, cars

Raoul and Leo, oil painting, by Rodney Forbes, poodle, cat, pink, humor When I was a child, a very feisty tabby cat we owned was raising a litter of kittens in our garden shed. Our ...

Two Kachinas painting by Dan Namingha, Katsina, Hopi, large, canvas, original

Rain Bird, by, Glenn Green, Steel, Sculpture, Outdoor, Silver, Sandstone, Base

A Soul Consoled, Sculpture, by Khang Pham-New, Marble, White, Mother, Child "My childhood experiences growing up in Vietnam have paradoxically become a driving force in my artistic creations. I am impassioned with biomorphic abstract forms. As an artist, I am aware of and respect the art movements of my time, but to create, I remove myself from the influences of this time and retreat into a private space where I can experiment and explore the possibilities of each phase of my inner life." - Khang Pham-New Khang Pham was born in war-torn South Vietnam...

Deer Dance, painting by Tonita Pena, Santa Fe, Cochiti, Pueblo, male, female Tonita Peña (born 1893 in San Ildefonso, died 1949 in Kewa Pueblo, New Mexico) was born as Quah Ah (meaning white coral beads) but also used the name Tonita Vigil Peña and María Antonia Tonita Peña. Peña was a renowned Pueblo artist, specializing in pen and ink on paper embellished with watercolor. She was a well-known and influential Native American artist and art teacher of the early 1920s and 1930s. Tonita Peña was born on May 10, 1893, at San Ildefonso Pueblo, to Ascensión Vigil Peña and Natividad Peña of San Ildefonso Pueblo, New Mexico. When she was 12, her mother and younger sister died, as a result of complications due to the flu. Her father was unable to care for her and she was taken to Cochití Pueblo and was brought up by her aunt Martina Vigil Montoya, a prominent Cochití Pueblo potter. Peña attended St. Catherine Indian School in Santa Fe. Edgar Lee Hewett, an anthropologist involved in supervising the nearby Frijoles Canyon excavations (now Bandelier National Monument) was instrumental in developing the careers of several San Ildefonso “self-taught” artists including Tonita Peña. Hewett purchased Peña's paintings for the Museum of New Mexico and supplied her with quality paint and paper. Peña began gaining more notoriety by the end of the 1910s selling an increasing amount of her work to collectors and the La Fonda Hotel. Much of this early work was done of Pueblo cultural subject matter, in a style inspired by historic Native American works, however, her use of an artist's easel and Western painting mediums gained her acceptance among her European-American contemporaries in the art world. At the age of 25, she exhibited her work at museums and galleries in the Santa Fe and Albuquerque area. In the early 1920s, Tonita did not know how much her painting sold for at the Museum of New Mexico, so she wrote letters to the administrators because a local farmer was worried that she got paid too little. In the 1930s Peña was an instructor at the Santa Fe Indian School and at the Albuquerque Indian School and the only woman painter of the San Ildefonso Self-Taught Group, which included such noted artists as Alfonso Roybal, Julian Martinez, Abel Sánchez (Oqwa Pi), Crecencio Martinez, and Encarnación Peña. As children, these artists attended San Ildefonso day school which was part of the institution of the Dawes Act of 1887, designed to indoctrinate and assimilate Native American children into mainstream American society. In 1931, Tonita Peña exhibited at the Exposition of Indian Tribal Arts which was presented at the Grand Central Art Galleries in New York City. Works from this exhibition were shown at the 1932 Venice Biennial. That year is the only time Native American artists have shown in the official United States pavilion at that biennial, and Tonita Peña's paintings were part of that exhibition.[1 Her painting Basket Dance, that had shown in the Venice Biennial was acquired by the Whitney Museum of American Art in New York for $225. This was the highest price paid up to this time for a Pueblo painting...