AMC - Antique & Modern Collective

Zevs (b. 1977) Liquidated Louis Vuitton (Multicolore), 2011 Screenprint in colors on Arches 88 300gsm paper. Signed and numbered in pencil along the lower edge. Published by Lazaride...

Bäst, 'Revolucion De Papel', 2003, Urban Art Print Published by P.O.W. (Pictures on Walls), London, who also published works by Banksy during the same period. Numbered in pencil w...

Chryssa, 'Electric Sky', 1980, Serigraph, signed and numbered in pencil from an edition of 75. This print is part of a portfolio of 8 original serigraphs, executed under the supervision of the artist at Atelier Arcay in Paris. Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture, known for her neon, steel, aluminium and acrylic glass installations, she always used the mononym Chryssa professionally. After studying at the Académie de la Grande Chaumière in Paris in 1953-1954 (where she met André Breton, Edgar Varèse, and Max Ernst) and at the California School of Fine Arts in San Francisco in 1954-1955, she settled in New York, where she lived and worked until 1992, before returning to Greece. She became a pioneering artist on the New York art scene, alongside Jasper Johns and Robert Rauschenberg, within the “new realist...

Chryssa, 'Electric Sky', 1980, Serigraph, signed and numbered in pencil from an edition of 75. This print is part of a portfolio of 8 original serigraphs, executed under the supervision of the artist at Atelier Arcay in Paris. Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture, known for her neon, steel, aluminium and acrylic glass installations, she always used the mononym Chryssa professionally. After studying at the Académie de la Grande Chaumière in Paris in 1953-1954 (where she met André Breton, Edgar Varèse, and Max Ernst) and at the California School of Fine Arts in San Francisco in 1954-1955, she settled in New York, where she lived and worked until 1992, before returning to Greece. She became a pioneering artist on the New York art scene, alongside Jasper Johns and Robert Rauschenberg, within the “new realist...

Chryssa, 'Electric Sky', 1980, Serigraph, signed and numbered in pencil from an edition of 75. This print is part of a portfolio of 8 original serigraphs, executed under the supervision of the artist at Atelier Arcay in Paris. Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture, known for her neon, steel, aluminium and acrylic glass installations, she always used the mononym Chryssa professionally. After studying at the Académie de la Grande Chaumière in Paris in 1953-1954 (where she met André Breton, Edgar Varèse, and Max Ernst) and at the California School of Fine Arts in San Francisco in 1954-1955, she settled in New York, where she lived and worked until 1992, before returning to Greece. She became a pioneering artist on the New York art scene, alongside Jasper Johns and Robert Rauschenberg, within the “new realist...

Chryssa, 'Electric Sky', 1980, Serigraph, signed and numbered in pencil from an edition of 75. This print is part of a portfolio of 8 original serigraphs, executed under the supervision of the artist at Atelier Arcay in Paris. Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture, known for her neon, steel, aluminium and acrylic glass installations, she always used the mononym Chryssa professionally. After studying at the Académie de la Grande Chaumière in Paris in 1953-1954 (where she met André Breton, Edgar Varèse, and Max Ernst) and at the California School of Fine Arts in San Francisco in 1954-1955, she settled in New York, where she lived and worked until 1992, before returning to Greece. She became a pioneering artist on the New York art scene, alongside Jasper Johns and Robert Rauschenberg, within the “new realist...

An original 1960s L'atelier console table designed by Jorge Zalszupin, Brazil. This versatile console table also works as a small desk. It has his iconic patchwork pattern Imbuia wo...

A finely thin potted white glazed bowl, with incised lotus blossom pattern decoration from the Joseon period, Korea, circa 1400. It has an old colle...

Number 180 from an edition of 200 plus one prototype. Essays by Carlos Fuentes and John Berger; translations by Professor Alfred MacAdam and photographs by Ferdinando Scianna...

1950s Pierre Jeanneret 'Kangourou' 'Kangaroo' Chandigarh Lounge Low Chair model PJ-SI-59-A. This chair is made of Indian rosewood which was used in the earliest productions of Pierr...

This is a great example of a Lucie Rie iconic hand-thrown, footed bowl with manganese glaze. It is thinly potted and slightly pulled into an ovoid shape with an undulating rim. The running glaze is subtle whilst adding an individual element to the decoration of the bowl. The bowl bears the artist's monogram seal mark under. Lucie Rie was an Austrian-born British ceramics artist. Rie’s works, usually consisting of hand-thrown pots, bottles, and bowl forms, are noteworthy for their Modernist forms. Born in 1902 in Vienna, Austria, she studied pottery at the Vienna Kunstgewerbeschule, a school of arts and crafts. In 1937, she won a silver medal at the Paris International Exhibition and by the following year, Rie moved to London to flee Nazi Austria. Once settled in the British capital, she maintained a small studio and continued to produce pottery and small clay objects, including ceramic buttons and jewellery which she sold to support herself. She was later joined by Hans Coper, a young artist who soon became a partner in her studio. She taught at the Camberwell School of Art from 1960...

A large Chinese Ming Dynasty polychrome porcelain dish, circa 1620. Late Ming Dynasty. Painted in turquoise, black and red enamels with a central 'Split Pagoda' pattern scene, the cavetto with four landscape vignettes alternating with stylised seals. Many Mid-Century studio potters were inspired by the shapes and designs of ancient Chinese and Ming pottery. We believe this dish is a good example of this, which is why it will fit with both antique and modern interiors, making it the perfect cross-collecting piece. See Bonhams Lot 168 from Asian Art sale...