Inman Gallery Art

David Aylsworth (born 1966, Tiffin, OH) earned a BFA from Kent State University in 1989 and was an artist resident at the Core Program, Museum of Fine Arts, Houston, from 1989-1991. ...

David Aylsworth (born 1966, Tiffin, OH) earned a BFA from Kent State University in 1989 and was an artist resident at the Core Program, Museum of Fine Arts, Houston, from 1989-1991. ...

David Aylsworth (born 1966, Tiffin, OH) earned a BFA from Kent State University in 1989 and was an artist resident at the Core Program, Museum of Fine Arts, Houston, from 1989-1991. ...

David Aylsworth (born 1966, Tiffin, OH) earned a BFA from Kent State University in 1989 and was an artist resident at the Core Program, Museum of Fine Arts, Houston, from 1989-1991. ...

David Aylsworth (born 1966, Tiffin, OH) earned a BFA from Kent State University in 1989 and was an artist resident at the Core Program, Museum of Fine Arts, Houston, from 1989-1991. ...

David Aylsworth (born 1966, Tiffin, OH) earned a BFA from Kent State University in 1989 and was an artist resident at the Core Program, Museum of Fine Arts, Houston, from 1989-1991. ...

David Aylsworth (born 1966, Tiffin, OH) earned a BFA from Kent State University in 1989 and was an artist resident at the Core Program, Museum of Fine Arts, Houston, from 1989-1991. ...

David Aylsworth (born 1966, Tiffin, OH) earned a BFA from Kent State University in 1989 and was an artist resident at the Core Program, Museum of Fine Arts, Houston, from 1989-1991. ...

David Aylsworth (born 1966, Tiffin, OH) earned a BFA from Kent State University in 1989 and was an artist resident at the Core Program, Museum of Fine Arts, Houston, from 1989-1991. ...

David Aylsworth (born 1966, Tiffin, OH) earned a BFA from Kent State University in 1989 and was an artist resident at the Core Program, Museum of Fine Arts, Houston, from 1989-1991. ...

David Aylsworth (born 1966, Tiffin, OH) earned a BFA from Kent State University in 1989 and was an artist resident at the Core Program, Museum of Fine Arts, Houston, from 1989-1991. ...

David Aylsworth (born 1966, Tiffin, OH) earned a BFA from Kent State University in 1989 and was an artist resident at the Core Program, Museum of Fine Arts, Houston, from 1989-1991. ...

Linarejos Moreno Art Forms in Mechanism XVll, 2016 archival digital print on Baryta paper, ed. 1/3 75-5/8 x 51-1/4 inches paper size The series “Art Forms in Mechanism” began when Linarejos Moreno discovered a collection of 19th century botanical models while researching at the Cabinet of Scientific...

Emily Joyce Pantomime, 2015 acrylic and mirror on canvas 59-1/2 x 47 inches

Angela Fraleigh Through the half-drowned stars, 2015 oil, ink, and synthetic resin on canvas 66 x 90 x 2 in (167.6 x 228.6 x 5.1 cm) Angela Fraleigh (born 1976, Beaufort, SC) earned...

Edgar Leciejewski Horizon VI, 2015 Edition 2 of 3 4 color prints on Alu-dibond with artist-designed framing with Museum Glass, ed 3 + 1 AP 30-1/4 x 44-1/2 inches overall installed dimension each individual framed photograph is 37.2 cm x 55.4 cm x 3 cm (12.87'' x 21.81'' x 1.18'' inch) In 2014 Edgar Leciejewski was an artist-in-residence at the Fogo Island...

Francesca Fuchs Green Crystal, 2018 acrylic on canvas over board 16 x 22 1/4 in (40.6 x 56.5 cm) This work is from a series called How to Tell the Trut...

Francesca Fuchs Desklamp, 2017 acrylic on canvas over board 16 x 22 1/4 in (40.6 x 56.5 cm) This work is from a series called How to Tell the Truth and Painting. In How to Tell the...

Francesca Fuchs Duck and Dolphin, 2018 acrylic on canvas over board 30 x 41 1/2 in (76.2 x 105.4 cm) This work is part of a series currently on view...

Francesca Fuchs Koala Bear, 2018 acrylic on canvas over board 30 x 41 1/2 in (76.2 x 105.4 cm) This work is part of a series currently on view at the Art ...

Jim Richard Yard Mood, 2017 Flashe on canvas 53 3/4 x 39 1/2 in (136.5 x 100.3 cm) This work is on view as part of the exhibition "I Know a Place", through July 7, 2018 For his fo...

Jim Richard That Yard, 2017 Flashe on canvas 42 x 56 in (106.7 x 142.2 cm) This work is on view as part of the exhibition "I Know a Place", through July 7, 2018 For his fourth sol...

Gilad Efrat Untitled, 2015 oil on canvas, 110 x 110 x 3.5 cm (43.3 x 43.3 x 1.4 in) This painting is part of new series of work by Israeli artist Gilad Efrat. The paintings present...

Gilad Efrat Untitled, 2015 oil on canvas, 110 x 110 x 3.5 cm (43.3 x 43.3 x 1.4 in) This painting is part of new series of work by Israeli artist Gilad Efrat. The paintings compris...

Gilad Efrat Untitled, 2016 oil on canvas, 175 x 250 x 5 cm (68.9 x 98.4 x 2 in) This painting is part of new series of work by Israeli artist Gilad Efrat. The paintings comprise th...

Jim Richard Modern Riff: Fresh Mambo, 2016 flashe on Yupo paper 26 x 20 in (66 x 50.8 cm) paper size, 21 x 17 image size Abstracted detail of a lush garden

Jim Richard Modern Riff: Purple Rush, 2016 flashe on Yupo paper 26 x 20 in (66 x 50.8 cm) paper size, 22 x 17 image size

Jim Richard Modern Riff: Uptown Green, 2016 flashe on Yupo 26 x 20 in (66 x 50.8 cm)

Linarejos Moreno Art Forms in Mechanism XXIV, 2016 Edition of 3 + 2 AP archival digital print on Baryta paper 75 5/8 x 46 in (192 x 117 cm) 77 3/4 x 48 x 3 1...

David Aylsworth Lovely Day-to-Day, 2017 oil on canvas, 42 x 42 in (106.7 x 106.7 cm) verso: LOVELY DAY-TO-DAY; signed D Aylsworth; 2017 David Aylsworth (born 1966, Tiffin, OH) live...

David Aylsworth Sing A Rondelay, 2017 oil on canvas 42 x 42 in (106.7 x 106.7 cm) verso: SING A RONDELAY; signed D Aylsworth; 2017 David Aylsworth (born 1966, Tiffin, OH) lives and...

Dana Frankfort In the middle of the road, 2017 oil on canvas over panel 48 x 48 x 1.75 inches For over two decades, Dana Frankfort has explored the vexing periphery between language and sight by painting words. Rather than laying claim to the paintings, controlling their semiotic pulse, her words serve as the formal armature; they prop up, ventilate, and allow the many layers of paint to breathe. Imperatives, allusions, evocations—the words dissolve into a palimpsest of obscured serifs and stems, into color and form. The title of the work is a phrase from a poem by Carlos Drummond de Andrade’s “In the Middle of Road.” Here it is, translated from the Portuguese by Elizabeth Bishop...

Shaun O’Dell More Love Four, 2017 gouache and ink on paper 30 x 22 in (76.2 x 55.9 cm) At once investigations of surface and depth, representation and reality, Shaun O'Dell's newes...

Shaun O’Dell More Love Seven, 2017 gouache and ink on paper 30 x 22 in (76.2 x 55.9 cm) 33 3/8 x 25 1/8 x 1 1/2 in (84.8 x 63.8 x 3.8 cm) framed $5,500 At once investigations of s...

Shaun O’Dell More Love Five, 2017 gouache and ink on paper 30 x 22 in (76.2 x 55.9 cm) 33 3/8 x 25 1/8 x 1 1/2 in (84.8 x 63.8 x 3.8 cm) framed $5,500 At once investigations of su...

Kristin Musgnug Moss-Topped Stump, 2016 oil on canvas, 30 x 30 inches From the press release for the current gallery exhibition: In the popular imagination, the forest is oft...

Jim Richard Art Stroll, 2017 Flashe on canvas 48 1/4 x 46 3/4 in (122.6 x 118.7 cm) This work is on view as part of the exhibition "I Know a Place", through July 7, 2018 For his f...

Jim Richard Afternoon, 2017 Flashe on canvas 41 1/2 x 56 in (105.4 x 142.2 cm) This work is on view as part of the exhibition "I Know a Place", through July 7, 2018 For his fourth...

Gilad Efrat Untitled, 2013 oil pastel on paper, 22 1/2 x 28 1/2 in (57.2 x 72.4 cm)

Gilad Efrat Untitled, 2013 oil pastel on paper, 22 1/2 x 28 1/2 in (57.2 x 72.4 cm)

Shaun O’Dell More Love Three, 2017 gouache and ink on paper 30 x 22 in (76.2 x 55.9 cm) At once investigations of surface and depth, representation and reality, Shaun O'Dell's newe...

Shaun O’Dell More Love Two, 2017 gouache and ink on paper 30 x 22 in (76.2 x 55.9 cm) At once investigations of surface and depth, representation and reality, Shaun O'Dell's newest...

Linarejos Moreno Art Forms in Mechanism XX, 2016 archival digital print on Baryta paper, ed. 1/3 75-5/8 x 51-1/4 inches “Art Forms in Mechanism” began when artist Linarejos Moreno discovered a collection of 19th century botanical models while researching at the Cabinet of Scientific Curiosities, a Spanish historical archive. Manufactured by a European company that specialized in scientific equipment, the models are made of papier-mâché, gears, clips, hooks, and printed numbers and labels, and they were designed for hands on, practical use. Moreno was initially attracted to the models because, as she notes, “they contained the tension between the industrial and the humanity/fragility that I often research in my work. On the one hand, they were machines, with all their gears, on the other hand, even if they were supposed to be neutral scientific objects...

Tamarisk, 2012 oil on linen, 31-1/2 x 31-1/2 inches Tamarisk is part of a series of recent paintings by Israeli artist Gilad Efrat of the Negev desert. Comprising over half of Isr...

Gilad Efrat Untitled, 2016 oil on canvas, 150 x 150 x 5 cm (59.1 x 59.1 x 2 in) This painting is part of new series of work by Israeli artist Gilad Efrat. The paintings comprise th...

Gilad Efrat Untitled, 2015 oil on canvas, 80 x 80 x 3.5 cm (31.5 x 31.5 x 1.4 in) This painting is part of new series of work by Israeli artist Gilad Efrat. The paintings comprise ...

Kristin Musgnug Fallen Trees, 2015 oil on paper, 22 x 30 inches unframed 25 x 33 framed (framed in white washed maple, with OP3 glazing)

Sigrid Sandström Untitled, 2012 acrylic on board, 84 x 60 inches

Robert Ruello Switch-It #9, 2016 graphite, watercolor, and colored pencil on paper 20 x 15 inches Energetic and charged with visual power, the Switch-It series is movement and transition visualized. Ruello’s formal investigation of how we move through and disrupt various environments (digital, analog, and in-between) is rendered through these graphic elements. As he notes, “As a result of this disruption, the array is no longer stable or predictable — visual illusions and shifting figure/ground relationships begin to emerge.” Ruello’s work stems from an enjoyment in the tension between the stable and the unpredictable. Though not figural, his work presents elements that are recognizable from our visual vernacular. Digital screens, popular science...

Marc Swanson I believe I have everything I need, 2017 graphite and collage on paper 17 x 14 in (43.2 x 35.6 cm) paper size 24 7/8 x 21 7/8 x 1 1/2 in (63.2 x 55.6 x 3.8 cm) frame s...

Marc Swanson The Theatre, 2017 graphite and collage on paper 17 x 14 in (43.2 x 35.6 cm) paper size 24 7/8 x 21 7/8 x 1 1/2 in (63.2 x 55.6 x 3.8 cm) frame size The duality betwee...

Marc Swanson In the Garden, 2017 graphite and collage on paper 17 x 14 in (43.2 x 35.6 cm) paper size 24 7/8 x 21 7/8 x 1 1/2 in (63.2 x 55.6 x 3.8 cm) frame size The duality betw...

Dana Frankfort SHE SELLS SEASHELLS (I), 2016 oil on paper 30.25 x 44 in (76.8 x 111.8 cm) paper size 32.75 x 46.5 x 1.75 in (83.2 x 118.1 x 4.4 cm) framed

Dana Frankfort SHE SELLS SEASHELLS (II), 2016 oil on paper 30.25 x 44 in (76.8 x 111.8 cm) paper size 32.75 x 46.5 x 1.75 in (83.2 x 118.1 x 4.4 cm) framed

Dana Frankfort FATI, 2016 oil on paper 30.25 x 44 in (76.8 x 111.8 cm) paper size 32.75 x 46.5 x 1.75 in (83.2 x 118.1 x 4.4 cm) framed

gouache on paper mounted on canvas mounted on panel, 30 x 22 inches

Robert Ruello Switch-It #7, 2016 graphite, watercolor, and colored pencil on paper 20 x 15 inches Energetic and charged with visual power, the Switch-It series is movement and transition visualized. Ruello’s formal investigation of how we move through and disrupt various environments (digital, analog, and in-between) is rendered through these graphic elements. As he notes, “As a result of this disruption, the array is no longer stable or predictable — visual illusions and shifting figure/ground relationships begin to emerge.” Ruello’s work stems from an enjoyment in the tension between the stable and the unpredictable. Though not figural, his work presents elements that are recognizable from our visual vernacular. Digital screens, popular science...

Rose, 2013 Chromogenic print, ed. 10, 12 x 12 inches image size, 16 x 20 inches paper size, 20 5/8 x 20 5/8 inches framed size. Amy Blakemore’s new photographs depict a variety o...

Marc Swanson Three Men, 2017 graphite and collage on paper 13 3/4 x 10 3/4 in (34.9 x 27.3 cm) paper size 16 3/4 x 13 3/4 x 1 1/2 in (42.5 x 34.9 x 3.8 cm...

Marc Swanson His & Hers, 2017 graphite and collage on paper 13 7/8 x 10 7/8 in (35.2 x 27.6 cm) paper size 20 7/8 x 17 7/8 x 1 1/2 in (53 x 45.4 x 3.8 cm) frame size