KENT FINE ART

An early drawing by this unique visionary artist, post Harvard Graduate School and concurrent with his apprenticeship to Frederick Kiesler

From pure abstraction, her style evolved into semi-abstracted, Japanese-inflected landscapes. Crisscrossing and crescent-shape gestures stood in for grasses, clouds, snow, and poppie...

An early drawing by this unique visionary artist, post Harvard Graduate School and concurrent with his apprenticeship to Frederick Kiesler

Subject: The Source of All Power in the Pluriverse Symbol Evocation: A three-dimensional section of the hypersphere that demonstrates pulsating energy. Energy emanates both from th...

Yokoi immigrated first from Japan to San Francisco (1952), followed by New York (1954), to Paris with Sam Francis (1960) and finally Bern (1962) where she would exhibit frequently un...

Yokoi immigrated first from Japan to San Francisco (1952), followed by New York (1954), to Paris with Sam Francis (1960) and finally Bern (1962) where she would exhibit frequently un...

Yokoi immigrated first from Japan to San Francisco (1952), followed by New York (1954), to Paris with Sam Francis (1960) and finally Bern (1962) where she would exhibit frequently un...

Trained at the Pennsylvania Academy of Fine Art, Cockrill's approach addresses imagery from Golden children's books with a sense of contemporary irony and humor. Published in "The A...

Formally, Yokoi’s work combines elements of American modern abstraction with traditional elements of Japanese figuration and poetry. Her earliest abstract works created during her ti...

Based in the Bay Area following studies at Stanford University, Pinkusevich works as a painter and multidisciplinary artist. Born and raised in the USSR, her understanding of rules, ...

Muntadas addresses through his works social, political and communications issues, the relationship between public and private space within social frameworks, and investigations of ch...

From his series "Sentences", Muntadas addresses through his works social, political and communications issues, the relationship between public and private space within social framewo...

In the 1980's, working alongside Lucy Lippard in relationsip to an important political advocacy group, Kerns has been deemed one of the most perceptive political artist of his time. ...

Pablo Helguera is a visual and performance artist whose work weaves together personal and historical narratives in the context of socially engaged art and language. Previous itineran...

Pablo Helguera is a visual and performance artist whose work weaves together personal and historical narratives in the context of socially engaged art and language. Previous itineran...

Formally trained at the Pennsylvania Academy of Art, Cockrill is well know and respected for his use of the watercolor medium. Watercolor lends itself to melting, fluid brush stroke...

I’m telling stories. And the story and iconography support a framework that says – growing up in middle-class America. We lived this way. In a world of sentimental family portraits d...

I’m telling stories. And the story and iconography support a framework that says – growing up in middle-class America. We lived this way. In a world of sentimental family portraits d...

Regarded as an early exponent of politically committed realism in Spain, he left Francoist Spain for Paris at age 21. He dominated the major post-Franco exhibition of Spanish Art at...

In 2012, along with Adams’ completion of his 42 minute video Malraux’s Shoes, he was simultaneously referencing his own extensive library and archive documenting the intellectual climate of the 1960s. Entitled Tagging the Archive, this suite of 24 text pieces are montaged over revolutionary ephemera from the 60s as well as book covers such as Abbie Hoffman’s Steal this Book (1971), Franz Erhard Walther’s Objekte, benutzen (1968), Jean Luc Godard’s Le Petit Soldat, Claude Levi Strauss’s Tristes Tropiques, Henry Miller’s Black Spring, and others. This was Adams’ opportunity to formulate a critical dialogue filled with ambiguous clues. Juxtaposed against forerunners such as Broodthaer’s Departement des Aigles (1968-72), or Aby Warburg’s Mnemosyne Atlas (1866-1929), or Malraux’s Le Musee Imaginaire, or Richard Prince’s extensive personal library of vintage pulp...

In 2012, along with Adams’ completion of his 42 minute video Malraux’s Shoes, he was simultaneously referencing his own extensive library and archive documenting the intellectual climate of the 1960s. Entitled Tagging the Archive, this suite of 24 text pieces are montaged over revolutionary ephemera from the 60s as well as book covers such as Abbie Hoffman’s Steal this Book (1971), Franz Erhard Walther’s Objekte, benutzen (1968), Jean Luc Godard’s Le Petit Soldat, Claude Levi Strauss’s Tristes Tropiques, Henry Miller’s Black Spring, and others. This was Adams’ opportunity to formulate a critical dialogue filled with ambiguous clues. Juxtaposed against forerunners such as Broodthaer’s Departement des Aigles (1968-72), or Aby Warburg’s Mnemosyne Atlas (1866-1929), or Malraux’s Le Musee Imaginaire, or Richard Prince’s extensive personal library of vintage pulp...