Questroyal Fine Art

Born in Russia and raised in the United States from age four, Bogdanove first visited Monhegan Island, Maine, in 1918, returning frequently and making it a central subject of his wor...

Bierstadt, a key figure of the Hudson River School, created large-scale landscapes of the American West. To capture these subjects, he joined several expeditions into the expanding f...

Bierstadt undertook multiple expeditions to the American West, where firsthand encounters with its dramatic terrain profoundly shaped his vision and provided the inspiration for his ...

Albert Bierstadt was a leading nineteenth-century American landscape painter whose grand, romantic vistas reflect the era’s cultural ambition and economic confidence. He additionally...

A leading figure of American Modern Regionalism and also a musician, Thomas Hart Benton conceived sound as a vital expressive force, embedding auditory resonance into the visual rhyt...

Blakelock’s composition in Evening Silhouettes creates a tunnel effect with forest interior that opens out into a wide expanse, reinforcing the scene’s mysterious atmosphere. A recur...

Ralph Albert Blakelock’s earlier work often depicts daylight or scenes of Native American life, camps, cabins, and working sites such as sawmills, shown in A Sawmill in the Woods. Th...

Richard Edward Miller is especially noted for his depictions of elegant young women in sunlit interiors and gardens, exemplified by Young Woman at Her Dressing Table. According to Mi...

John Fabian Carlson, celebrated for landscapes that capture the changing moods of light, weather, and season, exhibited The Source at major exhibitions in the 1920s—the National Acad...

In Landscape with Rider, visionary artist Ralph Albert Blakelock heightens the scene’s mysterious drama by filtering light through silhouetted trees and incorporating tall trees, dee...

Marsden Hartley painted still lifes throughout his career, using the genre as an arena to explore new ideas, styles, and motifs. In the 1910s and 1920s, influenced by Paul Cézanne, H...

In the early 1920s, Eric Sloane traveled throughout the Northeast, cultivating a deep appreciation for early American history and architecture, especially covered bridges, barns, and...

Eric Sloane was born in New York City in 1905 and was raised in the Northeast. He is best known as an artist, author, and authority on early American history. Sloane’s work is a rich...

Constantin Westchiloff was an American-Russian artist trained in St. Petersburg who later settled in New England. He is best known for his rugged New England seascapes, painted in oi...

Eric Sloane captures the nostalgia and beauty of the classic American autumn landscape in Autumn Colors. At the age of twenty, he traveled throughout the Northeast, absorbing its his...

Jasper Francis Cropsey, in the company of Frederic Edwin Church, Asher B. Durand, and John F. Kensett, was one of the most respected painters of the Hudson River School. He was famou...

The second-generation Hudson River School painter Sanford Robinson Gifford built a reputation as a master of light and atmosphere, developing a highly distinctive body of work of enc...

Robert Emmett Owen, best known for his New England landscapes featuring old farmhouses, winding roads, and covered bridges, began his career contributing pen-and-ink drawings to Life...

Régis François Gignoux, a French-born artist trained at the Académie des Beaux-Arts under Paul-Hippolyte Delaroche, settled in New York and by 1844 opened a studio in the city, becom...

Reginald Marsh, an urban Realist of the 1930s and 40s, chronicled New York’s working-class life with exuberant, documentary-style paintings that focused on crowds rather than individ...

At his teacher Robert Henri’s suggestion, Kent traveled to Monhegan Island, describing it as a “primordial universe”—a rugged, ancient landscape far removed from civilization. This e...

Ralph Albert Blakelock played a pivotal role in the evolution of twentieth-century American art, breaking from the conventions of the Hudson River School and moving beyond Impression...

John Williamson, a Scottish-born artist who settled in Brooklyn, became known for his landscapes during the height of the Hudson River School. He painted intimate, atmospheric views ...

Alfred S. Mira created intimate views of New York City’s most beloved landmarks during the mid-twentieth century. Inspired by the Realism and urban subject matter of earlier America...

Prominent Luminist Hudson River School painter

Signed lower right: Bradford

Recipient of the Judith McGregor Caldwell Purchase Prize—a prestigious award given by the Pennsylvania Academy for a uniquely significant artwork worthy of inclusion in their permanent collection, Ben Hazen is currently exhibiting his unique interior still life paintings at Questroyal Fine Art...

George Inness, considered among the foremost American landscape painters of the 19th century, developed a distinctive style blending elements of the Hudson River and Barbizon schools...

In his work, “Caribou in the Mountains,” Hermann Herzog depicts a line of caribou traveling down a snowy mountain pass.

Sanford Robinson Gifford paints a small mountain stream surrounded by rocks and a canopy of green trees in his oil painting, “Rocks and Brook in the Catskills.”

Ralph Albert Blakelock paints one of his celebrated and haunting forest landscapes during the fall in this work entitled, “Autumn Touches.”

Benjamin Hazen paints a tabletop from below cluttered with abstracted household items against a matte blue background in his oil painting, “Still Life #3, Blue, 2023.”

Hughson Hawley depicts a pathway lined with stone columns strung with patriotic garlands leading to an ornamented arch in his watercolor and pencil work...

In his oil painting, “Birches in Autumn,” Carl Wuermer paints abrook running through a meadow and bordered by evergreens and birches displaying autumn color.

John Whorf paints a ship anchored in a harbor from below, with its prow and rigging extending towards the viewer, in his watercolor painting “The Sloop Catherine, 1927.”

Ralph Albert Blakelock depicts a disoriented elderly man with a long white beard and hair on a forest path in his oil painting “Rip Van Winkle (The Hermit).”

In his oil painting, “Coastal Scene,” George Lafayette Clough depicts two children resting beside a seaside path, while figures in the backgrou...

Jane Peterson paints a vase of large yellow zinnias surrounded by dramatic green leaves against a blue background in her oil painting “Zinnias in ...

In his oil painting, “Gloucester,” Guy C. Wiggins paints a large sailing ship docked at the edge of harbor, its three masts reaching up towards a morose gray sky.

James Craig Nicoll paints figures obscured by tall grass on a small island off a coast lined with bare trees observing a flock of waterfowl in his oil painting, “Duck Hunting Scene.”

In his oil painting, “A Path in the Mountains,” Sanford Robinson Gifford paints a figure walking down a mountain trail lined with tall evergreens towards a forested bluff.

In his oil painting, “Water View of New York, 1911,” Max Kuehne paints the Hudson river from a vantage point atop the palisades. The New York skyline ris...

Levi Wells Prentice paints a rock-ringed pool surrounded by dense trees beginning to display autumn color in his oil painting, “Autumn Brook.”

Andrew Thomas Schwartz paints the icy waters running between two lines of steep cliffs topped with evergreen trees in his oil painting, “Palisades in Winter.”

Johann Berthelsen paints a nighttime view of The Brooklyn Bridge from underneath; Manhattan lights diffuse in the water, traffic passes overhead, and tugboats travel the river below ...

In his gouache painting, “Autumn Melancholy,” François Rivoire paints a dead songbird lying in a small clearing on the forest floor; the foliage surrounding it is beginning to displ...

Morton Constantine Ream paints a tabletop still life with a fruit bowl, a jade figurine, silver vessels, a jewel box, and two small yellow birds in his...

In his work, “Emile Levassor, 1895 Paris-Bordeaux Race,” Carlo Demand depicts a dramatic moment in an early automobile race.

Pointillist painter Alec Montroy depicts a crowd assembled beneath the marquee of the Broadway musical The Phantom of the Opera in his painting “No Sad Songs,” with theatergoers walk...

Alec Montroy’s painting “Johnny’s Italian Restaurant” is a characteristic example of his pointillist style and fascination with New York City scenes, depicting patrons huddling benea...

In his work, “Halloween, Bleeker Street,” Alec Montroy depicts costumed figures parading down Bleeker Street carrying various protest signs, including anti-Bush posters and signs pro...

In his work, “Halloween Madness, 1981,” Alec Montroy paints costumed figures on Halloween night parading past city storefronts.

Alec Montroy paints opera singers performing in a dimly lit restaurant, while patrons look on from tables and waiters hurry past in his oil painting, “Grand Opera at Grand Old Asti’s.”

In “Fiddler on the Roof,” Alec Montroy depicts a bird’s eye view of Times Square at night, with traffic hurtling below and illuminated advertisements rising to the top of the frame.

Alec Montroy, in his pointillist work, “Empire State Building,” paints the cupolas of the Empire State Building and other Manhattan skyscrapers illuminated by a breaking dawn.

In his oil painting, “Duffy-San Square,” Alec Montroy paints a view of Times Square on a snowy night while figures crowd the streets and illuminated advertisements tower above.

In his oil painting, “Cotton Club,” Alec Montroy depicts elegantly-dressed figures conversing in small groups on the sidewalk outside a nightclub with a brightly lit marquee.

Alec Montroy paints a lone figure walking down an empty city street between the marquees of Broadway theaters as gray pre-dawn light diffuses across the sky in his artwork entitled, ...

In his oil painting titled, “Broadway is Yesterday, 1995” Alec Montroy depicts an assortment of illuminated Broadway marquees arranged on a dark background.

In his oil painting titled, “Wooded Landscape with Boulders,” John Frederick Kensett depicts a rocky outcropping in a dense forest, with the slope of a mountain behind.