Three Centuries Shop

A very large and dramatic pair of French Empire style wall sconces in finely chased patinated and gilded bronze. A large winged Victory...

A magnificent early 20th Century French Louis XVI Style Mahogany and Gilt Bronze armoire in the manner of Francois Linke. The arched top is centred by a gilt bronze laurel wreath a...

A rare collection of about 130 pieces of Staffordshire-England - Crown Fine Bone China - Birds of Paradise Pattern - #592627 - white and very light blue grey background with purple...

A neoclassic cut crystal chandelier, the three circular brass frames of differing dimensions are all hung with long cut crystals and almond shaped drops and chains. The bottom sectio...

A fully restored and working Swiss cylinder music box enclosed in a box of polished fruitwood featuring a central floral inlaid medallion on the hinged lid which opens up to reveal ...

A pair of early 19 Century period framed and matted engravings of neoclassical urns from the copper plate catalogue of Giovanni Battista Piranesi (1720-1778) engraved posthumous...

An exceptional and rare leather covered wooden case the top with the embossed silver family initials BAB in monogram under a nine pointed crown cartouche; the case is lined with crim...

An early 19th century Russian chandelier having eight candle arms. The design is intended to represent waterfalls. The central stem of the chandelier is in four tiers each hung with ...

A pair of armorial Ormolu mounts and Turquin grey marble wall plaques presented in mahogany frames with gilded bronze mounts and banding.

A carved soapstone lamp base, unusual because of the color of the stone; reddish, brown and black. The carving is in the shape of a vase which i...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...

A sensuous looking modern bronze sculpture on a black marble base called "Listening to the Wind" by British Columbia born artist Lee Gass. Lee Gass has been carving as a hobby for ov...