Sculptures and Carvings

The Buddha statue was made from a copper alloy in a standing position with hands in double Abhaya mudra. This mudra symbolizes the act of dispelling fear in the face of adversity. In Laos and Thailand where this mudra are used as one of the most iconic gestures, with its origin was pre-Buddhism era, when it was a symbol of good intentions and friendship when approaching strangers. In contrast to Indian iconography, it was often shown with both hands raised to the level of the shoulder in Southeast Asia. The statue was made in the classic Lopburi style, which historically was heavily influenced by Khmer art...

Discover this antique Burmese Kammavaca manuscript, an extraordinary 19th-century artifact showcasing Burma’s rich Buddhist heritage. Crafted from la...

1262 Japanese gilt wood panel deer at the base of mount Fuji.

This hand-carved mask originates from the island of Bali and depicts Rangda, the Demon Queen of Balinese Hindu Mythology. This mask would've been used in ceremonies and/or dance perf...

A beautiful and serene Chinese Ming dynasty carved wood figure of the Buddha Amitayus, the Buddha of long life, and a form of Amitabha Buddha. He is seated in dhyanassana, dressed in...

Material: bronze 34,5 cm high 21,5 cm wide and 12,5 cm deep Weight: 3.718 kgs Gilded with 24 krt. gold Dhyana mudra Originating from Thailand 19th century - Rattanakosin period

A Caitao type Chinese scholar stone presented on a carved confirming wood stand circa 1990s. Caitao, which means colored pottery in Chinese, was a newly discovered scholar stone type...

Antique Thai Buddhist Temple Pediment. An architectural remnant of an assembled teak triangular gable carved with elaborate and symmetrical “kanok” veget...

Pair of 19th Century Chinese bronze fu dog censers: hollow vessels with a hinge at the front of the neck.

A finely modeled Chinese porcelain figure of the Chinese God of Longevity, Shouxing, Republic Period, early 20th century, China. The God of Longevity, called Shouxing or Shoulao, stands upright holding a dragon staff in one hand, a peach (a symbol of immortality), in the other. He is dressed in a long yellow robe...

A nice hand-carved antique, a Large and Heavy Chinese Hetain White- Light Gray Jade of 3 Rams resting on the fitted wooden stand., 360° carving. There is a meaning behind this artwor...

This unusual carved Chinese wooden stool is from the Qing dynasty (circa 1820). The stool is finely carved from the center of a northern elm (Yumu...

Foo Dogs, or Guardian Lions, are a Chinese symbol of protection, often placed at entrances to ward off evil spirits and attract luck and wealth. This antique wooden pair, with gilt d...

This large exquisite A-grade jadeite seal presents a masterful carving of a scaly dragon, rendered in a delicate shade of pale lavender. The dragon, a symbol of power, strength, an...

Andrianna Shamaris temple doors in teak wood. We added the shell inlay by hand for that special finish. Great as a headboard or accent piece. Can also be used as a tabletop. We curre...

A magnificent natural Tiger's Eye sculpture depicting the compassionate Bodhisattva Water Moon Guan Yin, Avalokiteshvara. Backed by a lotus leaf and on top of water wavers, Avalokiteshvara is shown seated in rajalilasana, the ‘posture of royal ease...

Material: wood 76 cm high 31 cm diameter Weight: 4 kgs Shan (Tai Yai) style Originating from Burma Late 19th / early 20th century.

Life-size 16th century Thai stone head. The face is absolutely classic for this type--powerful, kind, and calm. The condition is very good, as can be seen in the photos. Large Buddhas...

A stunning hand carved 2.2 lb tiger's eye sculpture depicting dragon chasing a pearl in the late Qing dynasty style. The four-clawed dragon under the auspicious clouds has one front ...

A rare handsome Chinese Heavenly jade Bi disk carved in a rarely found combination of mutton fat yellow and green jade with patches of brown accents in the stone that depict a green ...

Japan, an old early 20th century hand-carved stone image of Ebisu one of Japan's seven lucky gods signifying prosperity, good business, and patron of fishermen, circa 1920. He sits ...

Japan, a handsome and large natural organic shaped stone water basin planter -tsukubai- created from a natural granite mountain boulder and sourced from...

Beautiful petrified wood black and white toned slab. This can also be used to elevate a wooden side table by placing it on top. As with a diamo...

A pair of Chinese Qing Dynasty period hand-carved temple corbels from the 19th century, mounted on black bases. Created in China during the Qing Dynasty...

A fine early Thai Lopburi figure of a crowned and adorned Buddha, cast bronze, mid-13th century. The unusual figure of the Buddha sits in virasana upon a stylized lotus pedestal. He is dressed in the traditional monastic robes, but also adorned with a crown and jewelry, including earrings, a necklace, and jeweled belt. His hands in an atypical combination of mudras. His right hand in bhumisparsha mudra, reaching down to touch the earth, while his left hand held somewhat outwards, seemingly in varada mudra, the gesture of granting favours or wishes. The palm of his outstretched hand marked with the dharmachakra, the Wheel of the Law, representing Buddhist teaching. The bronze with a beautiful silvery patina. Lopburi was an independent Mon kingdom with strong ties to the Khmer Angkor...

Japan, an excellent pair/set of two (2) shoji "Birds and Dragonfly" bamboo doors or screens recently acquired from a Japanese private collector. The hand carved boards are artisti...

Great Pair (2) Of Large Round Stone Bowls/Planters From our recent Japanese Acquisition Travels- comes this unusual pair of large round garden stone vessels with inset carved handl...

Description: A singular example of Guanyin. Deviating from the Bodhisattva’s conventional pose of ‘royal ease’, the figure is instead seated in the meditative padmasana, or ‘lotus position’, rendering this Guanyin something of a rarity. An Apana more typically associated with depictions of Buddhas, Guanyin assuming this pose immediately signifies this figure as one of particular spiritual reverence. Both feet are revealed crossed upon one another from beneath fabric which spills before her, her left palm turned upward with her hand resting upon her left knee and her right raised in a relaxed gesture. Adorned with a diadem housing a depiction of Amitabha Buddha, her own spiritual guide, she exudes an air of tranquil regality, further characterised by her numerous strings of beads and elaborately fastened dhoti, attire traditionally reserved for Indian princes. Though the figure’s dress is Indian her face is undoubtedly exemplifying artistic Chinese beauty standards. Her face is soft and rounded, full in both the lips and cheeks, with eyes that restfully peer down, as though she is watching over the worries of mankind with compassion. Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

China Monumental Pair (2) Antique Stone “Spirit Pathway” Tigers, middle Qing period 1750-1850. Please view our video. Dimensions: 115cm, 46” high and 60cm, 24” in width. Likely utilized as spirit pathway tomb markers, these powerful, benign carved sitting effigies perched on haunches and front paws with round heads and faces exposing defined eye sockets, ears and two fangs a top bases that feature curled tails on side each whole atop a block shaped base and hand-carved from limestone whose surfaces show considerable weatherization from exposure and good age. Reference: 35 Years Collecting 35 Treasures, Schneible Fine Arts catalog Number 30, p. 66. Provenance: originally found in Fujian Province. Fujian has the distinction of being home to China’s last remaining wild tigers and famous “tiger” mountain. No wonder then that these early stone works...

Unique one-of-a-kind Studio Creation- an unusual opportunity Tall, old and all handmade and hand painted rabbit sculpture handcrafted and hand paint...

A beautiful, hand carved, rare sculpture depicting five tigers in the forest. The sculpture is made of an entire block of natural rock crystal. It is naturally transparent with natur...

This is a pair of antique Oriental dog bookends. A Chinese, soapstone decorative 'Dog of Fo' book rest, dating to the late Victorian period, circa 1900. Delightfully tactile dogs wi...

Presenting a beautiful large vintage Japanese bronzed sculpture of Toba on his Mule. Some might say ‘Monumental’ .. being 34 inches tall ...

This wooden statue is a relic from Japan's Edo period, and within it lies a deep history that transcends time. Originally, it was part of a more intricate statue, likely adorned with...

Hand-carved wooden sculptures representing a traditional guardian or deity figure, often referred to as the "Lady of Popa," originating from Vietnam or Southeast Asia. These striking...

An elegant and superbly sculpted pottery statue of standing civil official, Tang dynasty 618-907, come with oxford authentication TL test certificate. Oxford TL Test...

A small, Prehistoric Anatolian marble head of the kiliya type. Of highly stylized geometric form, the marble head is elliptical, with a faintly defined nos...

A large 7.15 lb Republic era silver bronze statue of the Goddess of Compassion Guan Yin. Seated on lotus throne, Bodhisattva Avalokiteshvara is depicted in the most traditional fashi...

A vintage Penasar mask from Indonesia, circa 1975-1980. Hand-carved teak, polychromed in white and black. Mounted on a black metal stand. This type of mask is used at Indonesian ...

A wonderful, beautifully crafted Japanese festival Shishi Lion Dance (Shishi Mai) mask (Gashira). The shishi mask represents a mythical lion that prote...

A truly beautiful, wonderfully crafted, alluring female mask made for the Japanese Noh theatre. This mask is handcrafted and carved from natural wood and lacquer. Omi-Onna's (...

PRESENTING A GORGEOUS Early 20C Thai Seated Boy Emperor Rama VIII Polychrome Statue. Made in Thailand in the early 20th Century, circa 1935 – 40. Hand carved wooden statue which ha...

This is a wooden kokeshi doll made around 1980s in Showa era. It was made in Nagano prefecture in Japan. The wood is a white birch. Betula platyphylla, the Asian white birch or Jap...

Used in Thailand as temple roof finials or in pairs at entrances to guard against evil spirits and natural disasters, the powerful, mystical naga ar...

Presenting a famous netsuke artist, Yoshitoshi from Japanese, a carved netsuke "The Pig" dated around the late 19th to early 20th century.         

Japanese dolls called Kokeshi of the early 20th century. Provenance from the northern Japan. Set of 2. Measures: 24.5 x 7 cm 25 x 6.5 cm Handmade by Japanese artisants...

Chinese Interior-Painted Glass Snuff Bottle, signed with calligraphy, C. 1864, very well painted inside of glass depicting figures and landscaping on both sides in colors.  

Armchair model "Leda" Structure in polished cast brass varnish. Salvador Dali Taken from “Femme à tête de roses" (1935)” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece, remaining faithful to every detail in Dalí’s painting. Dalí affirmed: “A chair can be used even to sit on, but only on one condition: That we sit uncomfortably.” We can sit on the Leda, but due to the fact that it only has three legs and that the chair is heavy, it being made of solid brass, is more a work of art than a functional piece of furniture. © Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2022 Artworks by Salvador Dalí: © Salvador Dalí, Fundació Gala-Salvador Dalí, VEGAP, Barcelona, 2022 Salvador Dalí is the most versatile and prolific artists of the 20th century and the most famous Surrealist. Though chiefly remembered for his painterly output, in the course of his long career he successfully turned to sculpture, printmaking, fashion, advertising, writing, filmmaking and design. Born in Figueres, Catalonia, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. In the Paris of the 1930s, Dalí surrounded himself with a circle of friends working in the application of art to a number of varied disciplines, beyond the study of purely pictorial art. One of these, Jean-Michel Frank, an acclaimed furniture designer and decorator in Paris at that time, got on extremely well with Dalí, and together they developed a number of ideas. One example of this is the Bracelli lamp, a classic design in Jean-Michel’s manner of designing and working that Dalí adopted for his home in Portlligat. Among Dalí’s projects, which add to his CV as a designer, are the garden furniture for his home in Portlligat, the complete architecture of the Night Club (in the shape of a hedgehog) for the Hotel Presidente in Acapulco (1957) and a project for a bar in California in the 1940s. His creations were not limited to traditional furniture elements, but included taps, handles, knobs, prints and objects of indeterminate use. In 1933, Dalí even registered the patent for the design of a bench as an outdoor seat. In the 1990s, a team of experts led by Oscar Tusquets set out to bring to life the furniture that Dalí had sketched for Jean-Michel Frank, including the Leda chair and low table taken from the 1935 painting “Femme...

Best Quality, Hard To Find, complete with antique wooden collector box tomobako A fine pair (2) of Japanese antique hand cast gilt bronze Mandarin Duck screen holders with highly d...

Vintage Buddhist protector deity statue bronze heavy, ornate, symbolic, fertility symbol door handle from old temple Heavy bronze door handle in the ...

Japanese dolls called Kokeshi of the early 20th century. Provenance from the northern Japan. Set of 5. Measures: 25.5 x 7 cm 30.5 x 9 cm 30.5 x 8.5 cm 46 x 12 cm 30.5 x ...

This magnificent vintage Chinese Jade sculpture is all hand made and hand carved Grape vine climbing on the stone. In Chinese folks, Grapes have many fruits in clusters, which means ...

Introducing an exquisite Hand-Blown Glass Sculpture representing a bonsai tree, masterfully crafted by the renowned Italian artist Simone Crestani. This stunning sculpture encapsulates the delicate beauty and profound symbolism of a bonsai, capturing the essence of nature in a timeless work of art. "The bonsai is the symbol of my work; it is the art of giving form, with respect and full understanding of what I am taking care of. The bonsai is a concentration of life, it overcomes the barrier of size and expresses strength and energy; it is a work of art that is never finished, in which nature continues to develop and evolve. I shape the material, but the end result has an identity of its own. I help it to grow and wait until it gives me an indication of the equilibrium that will allow it to express itself. With the bonsai, I am always ready to start work again, to reach a new limit, to follow a new branch of thought. It is my work that grows, slowly, with exertion and wisdom, and each day gives me life and emotions." This hand-blown glass bonsai tree...

We kindly invite you to read the entire description carefully, as we aim to provide detailed technical and historical information to ensure the authenticity of our items. This extrao...

3-716 Chinese diorama made of vintage glass and lacquered wood. Careful delicate work of miniature sculpture representing a Chinese landscape view, a ...

Armchair model "Leda" Structure in polished cast brass varnish. Salvador Dali Taken from “Femme à tête de roses" (1935)” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece, remaining faithful to every detail in Dalí’s painting. Dalí affirmed: “A chair can be used even to sit on, but only on one condition: That we sit uncomfortably.” We can sit on the Leda, but due to the fact that it only has three legs and that the chair is heavy, it being made of solid brass, is more a work of art than a functional piece of furniture. © Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2022 Artworks by Salvador Dalí: © Salvador Dalí, Fundació Gala-Salvador Dalí, VEGAP, Barcelona, 2022 Salvador Dalí is the most versatile and prolific artists of the 20th century and the most famous Surrealist. Though chiefly remembered for his painterly output, in the course of his long career he successfully turned to sculpture, printmaking, fashion, advertising, writing, filmmaking and design. Born in Figueres, Catalonia, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. In the Paris of the 1930s, Dalí surrounded himself with a circle of friends working in the application of art to a number of varied disciplines, beyond the study of purely pictorial art. One of these, Jean-Michel Frank, an acclaimed furniture designer and decorator in Paris at that time, got on extremely well with Dalí, and together they developed a number of ideas. One example of this is the Bracelli lamp, a classic design in Jean-Michel’s manner of designing and working that Dalí adopted for his home in Portlligat. Among Dalí’s projects, which add to his CV as a designer, are the garden furniture for his home in Portlligat, the complete architecture of the Night Club (in the shape of a hedgehog) for the Hotel Presidente in Acapulco (1957) and a project for a bar in California in the 1940s. His creations were not limited to traditional furniture elements, but included taps, handles, knobs, prints and objects of indeterminate use. In 1933, Dalí even registered the patent for the design of a bench as an outdoor seat. In the 1990s, a team of experts led by Oscar Tusquets set out to bring to life the furniture that Dalí had sketched for Jean-Michel Frank, including the Leda chair and low table taken from the 1935 painting “Femme...

This is a very rare carved wooden statue of a sacred horse that was dedicated to a Japanese shrine. It was produced during the Edo period (1800s-1860s), and the main material used is...

A large and impressive Chinese caved jade vase, Republic Period, circa 1930. Carved from one massive piece of jade. The vase carved with the He He Er Xian...

Isamu Noguchi Akari 10A floor lamp. The shade is made from handmade washi paper and bamboo ribs with Noguchi Akari manufacturer's stamp. Highly c...

A beautiful, wonderfully crafted, alluring mask made for Japanese Noh theater. This mask is handcrafted and hand-carved from natural wood and signed/sealed by the maker on the underside. This mask is the mask of Waka-Onna - or young beautiful woman. It may be that of Ko-omote. Ko-omote translates as "little mask" or sometimes "small face...