Leather Andirons

1950's Stitched leather and métal fire screen by Jacques Adnet France

Andirons in brass and wrought iron. Two sizes available.

Beautiful detailed antique cast iron andirons.

A pair of sculptural patinated bronze andirons having simple diagonally cropped tapered blades projecting vertically from footed cast iron bases.

Pair of minimalist wrought iron by Jacques Adnet featuring a architectural base topped by an iron ball. Original patina and oxydation. Can be sanded upon request ($250 additional ch...

The Melisandre andirons by Jacques Jarrige are sculptural works that transcend their functional role, bringing a sense of presence, movement, and sensuality to the hearth. Cast in po...

Midcentury Italian modernist pair of wrought iron andirons.

Perfection.

1940s Modernist Wrought Iron and Brass Andirons - Jacques Adnet Style - France Very elegant pair of andirons made of wrought iron and brass. Typical design of the French Modernist ...

A handsome, two-sided leather door handle by French designer Jacques Adnet. Two iron levers are wrapped in black leather, with a connection rod attached to one. As with many pieces b...

Very decorative pair of andirons, circa 1950, France. Blackened wrought iron. Dimensions: 39 cm D, 27 cm W, 15 cm H. Original condition. All purchases are covered by our Buyer Protec...

A pair of unusual, modernist andirons by Wah Chang, signed. Made ca '1950 the bases are stamped Van Nuys, California. A note about the designer. " Wah Ming Chang (August 2, 1917 – December 22, 2003) was an American designer, sculptor, and artist. With the encouragement of his adoptive father, James Blanding Sloan, he began exhibiting his prints and watercolors at the age of seven to highly favorable reviews. Chang worked with Sloan on several theatre productions and in the 1940s, they briefly created their own studio to produce films. He is known later in life for his sculpture and the props he designed for Star Trek: The Original Series, including the tricorder and communicator. The Chang family moved from Honolulu, Hawaii to San Francisco, California and about 1920 opened the Ho-Ho Tea Room on Sutter Street, which became a favorite venue for the city's Bohemian artists. Wah-Ming's mother, Fai Sue Chang, was a graduate of Berkeley's California School of Arts and Crafts (today's California College of the Arts), where she specialized in fashion design and etching. After she died in 1927, her husband persuaded Wah Ming Chang's art teacher and family friends, the highly respected printmaker, puppeteer, and theatre designer, James Blanding Sloan and his wife Mildred Taylor, to become his son's legal guardians. Sloan exhibited Wah Ming's etchings and watercolors in public exhibitions as early as 1925 to favorable reviews in the San Francisco Bay Area and later in the largest art colony on the Pacific Coast, Carmel-by-the-Sea. The child became part of Sloan's family, traveled in 1926 to Taos, New Mexico, for the on-site study of American Indian culture, and in 1928 displayed his block prints in joint exhibitions with Sloan at the prestigious Philadelphia Print Club and in Pasadena, California. He became a valued assistant in several of Sloan's marionette theatres as well as in productions for the Hollywood Bowl Ballet and the "Cavalcade of Texas." In the mid-1940s Chang formed a joint studio business with Sloan, The East-West Film Company, and produced such memorable films as Pick a Bale of Cotton (an interview and performance with the legendary blues and folk singer Lead Belly in 1944) and the highly controversial anti-war short (1946–47), The Way of Peace, created in part with elaborate miniature sets and puppets in stop...