Driftwood Decorative Boxes

Circa 1800 large rectangular tea caddy box, English. George III period. Mahogany. Interior with two hinged tea canisters & a sugar well. Nautilus shell inlaid top, paterae oval inlai...

This large antique hand-carved and hand-painted box bears no maker's signature, but presumed to have originated from the Netherlands and dating to approximately 1920 and done in a Fo...

An antique decorative wooden box from the early 20th century, with carved front. Born during the early years of the 20th century, this charming a...

1920s Antique Moroccan Silver Plated Footed Tea Caddy with hinged lid. This authentic Moroccan brass silver plated box has a beautiful etched geometri...

Set of two vintage toleware painted tin tea caddy boxes with paw feet. Yellow one marked “Made in Italy 71.”. Circa 1970s after styles from Italy and...

A wonderful organically shaped Mid-Century hand-carved wooden lidded storage or jewelry box, crafted in France during the 1950s. It is in very good original, unrestored condition. Th...

Fantastic vintage box featuring a burl walnut inlay with a silver-tone knob on the lid as well as the ornate feet. Perfect decorative jewelry, trinket or caddy box standing alone on ...

Vintage French jewellery containers with decorative ceramic lids by Mithé Espelt (circa 1970s). Flower and Bird motifs decorate these five delightful, diminutive wooden boxes. Two of the ceramic lids have golden craqueleur boundaries encircling the inner decoration. The containers would be an attractive grouping on the surface of a vanity or dressing table. Alternatively, they might simply be suitable as a splendid decorative display in the home. The pieces are in good overall condition with some minor natural differences in the colour of the woods. The overall charm is undeniable and they are real collector's items. Please enjoy the many photos accompanying the listing. Upon request, a video will be provided. About the artist: Born in 1923 in Lunel, in the South of France, Mithé Espelt grew up in a family of affluent winegrowers and was very close to her grandfather who passed on his love for the arts and brought her into contact with major intellectuals and artists of the time. She rubbed shoulders with Jean Hugo, Jean Cocteau, Pablo Picasso, Christian Bérard and many others. She graduated from the Beaux-Arts school in Montpellier in 1942, and then studied at the Fontcarrade school where she took a special interest in ceramics. She began by designing buttons for fashion houses in Paris, before managing the entire production of buttons and jewellery at the Lydia Chartier workshop and collaborating with Line Vautrin, amongst others. At the end of the war, she returned to her native south, opened her studio and took advantage of the growing excitement around ceramics, particularly those from the town of Vallauris. To stand out and sustain the workshop business, she started designing gilded jewellery...

Inlaid with Twin Conch Shells From our Tea Caddy collection, we are delighted to offer this beautiful antique Georgian Burr Yew wood Tea Caddy. The Tea Caddy of rectangular form wit...

Jewellery box with decorative ceramic lid by Mithé Espelt (circa 1960s). Quaint raised sunflower motif with pink, green and white over a neutral dark base backdrop. The decorative surround is in Espelt's trademark gold crackle. The lid tops a small, simple wooden black box with which can be used for small jewellery items or simply as decor for display. The decorative lid is in very good overall condition. The small box reveals some characterful blemishing attesting to its age and usage. It's underside is in Espelt's trademark green felt. The overall charm is undeniable. The work, as is the case for all of the artist's pieces, is unsigned. Please enjoy the many photos accompanying this listing. Upon request, a video will be provided. About the artist: Born in Lunel in the South of France, Mithé Espelt (1923-2020) grew up in a family of affluent winegrowers and was very close to her grandfather who passed on his love for the arts and brought her into contact with major intellectuals and artists of the time. She rubbed shoulders with Jean Hugo, Jean Cocteau, Pablo Picasso, Christian Bérard and many others. She graduated from the Beaux-Arts school in Montpellier in 1942, and then studied at the Fontcarrade school where she took a special interest in ceramics. She began by designing buttons for fashion houses in Paris, before managing the entire production of buttons and jewellery at the Lydia Chartier workshop and collaborating with Line Vautrin, amongst others. At the end of the war, she returned to her native south, opened her studio and took advantage of the growing excitement around ceramics, particularly those from the town of Vallauris. To stand out and sustain the workshop business she started designing gilded jewellery...

a delightful little silver box, heavily patinated. The interior is wood and while the box used to be hinged, it still closes and opens as a lidded box. A compliment to any desk o...

Charming hand carved box with metal detail.