Driftwood Decorative Boxes

Acquired in Paris France, a very unique and well made box. The rounded ribbed sides and pull on the lid are very well thought out, with an aluminum detail on the sides. A complimen...

Vintage Geometrtic Tesselated Bone Box. This beautiful decorative box is the perfect accessory for a coffee table, dressing area or bookcase.

Fantastic vintage box featuring a burl walnut inlay with a silver-tone knob on the lid as well as the ornate feet. Perfect decorative jewelry, trinket or caddy box standing alone on ...

Rectangular box gold brass cigarette case, Italy, 1970s.

Crafted from solid, natural Malachite, this one-of-a-kind hand-carved decorative box is a singular work of art featuring the stone’s signature swirling green banding, contrasting bul...

Elegant, exotic, and unmistakably refined, shagreen has long captivated those with a discerning eye for luxury. Derived from stingray skin, this richly textured material first appear...

Vintage Geometrtic Tesselated Bone Box. This beautiful decorative box is the perfect accessory for a coffee table, dressing area or bookcase.

Vintage French jewellery containers with decorative ceramic lids by Mithé Espelt (circa 1970s). Flower and Bird motifs decorate these five delightful, diminutive wooden boxes. Two of the ceramic lids have golden craqueleur boundaries encircling the inner decoration. The containers would be an attractive grouping on the surface of a vanity or dressing table. Alternatively, they might simply be suitable as a splendid decorative display in the home. The pieces are in good overall condition with some minor natural differences in the colour of the woods. The overall charm is undeniable and they are real collector's items. Please enjoy the many photos accompanying the listing. Upon request, a video will be provided. About the artist: Born in 1923 in Lunel, in the South of France, Mithé Espelt grew up in a family of affluent winegrowers and was very close to her grandfather who passed on his love for the arts and brought her into contact with major intellectuals and artists of the time. She rubbed shoulders with Jean Hugo, Jean Cocteau, Pablo Picasso, Christian Bérard and many others. She graduated from the Beaux-Arts school in Montpellier in 1942, and then studied at the Fontcarrade school where she took a special interest in ceramics. She began by designing buttons for fashion houses in Paris, before managing the entire production of buttons and jewellery at the Lydia Chartier workshop and collaborating with Line Vautrin, amongst others. At the end of the war, she returned to her native south, opened her studio and took advantage of the growing excitement around ceramics, particularly those from the town of Vallauris. To stand out and sustain the workshop business, she started designing gilded jewellery...

The object depicted is a fine English faux tortoiseshell tea caddy, dating to the first quarter of the 19th century, likely c. 1810–1825, during the late Regency to early William IV ...

A wonderful organically shaped Mid-Century hand-carved wooden lidded storage or jewelry box, crafted in France during the 1950s. It is in very good original, unrestored condition. Th...

1920s Antique Moroccan Silver Plated Footed Tea Caddy with hinged lid. This authentic Moroccan brass silver plated box has a beautiful etched geometri...

Anglo Indian rectangular porcupine quill, bone and parquetry box. The box with a hinged lid that opens to reveal embossed red velvet lining and a decorated wood panel...