Driftwood Boxes

A metal framed box with all-over lacquer decoration featuring multi-coloured flowers, leaves, ribbons. The inside of the box is veneered in a light wood. It is stamped China on the u...

Circa 1800 large rectangular tea caddy box, English. George III period. Mahogany. Interior with two hinged tea canisters & a sugar well. Nautilus shell inlaid top, paterae oval inlai...

A wonderful organically shaped Mid-Century hand-carved wooden lidded storage or jewelry box, crafted in France during the 1950s. It is in very good original, unrestored condition. Th...

This is an vintage decorative jewellery case. A Japanese, lacquer and Mother of Pearl lidded box in Art Deco taste, dating to the early 20th century, circa 1930. Appealing example o...

1920s Antique Moroccan Silver Plated Footed Tea Caddy with hinged lid. This authentic Moroccan brass silver plated box has a beautiful etched geometri...

Set of two vintage toleware painted tin tea caddy boxes with paw feet. Yellow one marked “Made in Italy 71.”. Circa 1970s after styles from Italy and...

This is an antique travelling vanity case. An English, leather and silver dressing table box with fitted interior, dating to the early 20th ...

Antique Victorian quality rosewood jewellery box having a quality antique Victorian rosewood jewellery box with a lift up lid opening to...

Vintage French jewellery containers with decorative ceramic lids by Mithé Espelt (circa 1970s). Flower and Bird motifs decorate these five delightful, diminutive wooden boxes. Two of the ceramic lids have golden craqueleur boundaries encircling the inner decoration. The containers would be an attractive grouping on the surface of a vanity or dressing table. Alternatively, they might simply be suitable as a splendid decorative display in the home. The pieces are in good overall condition with some minor natural differences in the colour of the woods. The overall charm is undeniable and they are real collector's items. Please enjoy the many photos accompanying the listing. Upon request, a video will be provided. About the artist: Born in 1923 in Lunel, in the South of France, Mithé Espelt grew up in a family of affluent winegrowers and was very close to her grandfather who passed on his love for the arts and brought her into contact with major intellectuals and artists of the time. She rubbed shoulders with Jean Hugo, Jean Cocteau, Pablo Picasso, Christian Bérard and many others. She graduated from the Beaux-Arts school in Montpellier in 1942, and then studied at the Fontcarrade school where she took a special interest in ceramics. She began by designing buttons for fashion houses in Paris, before managing the entire production of buttons and jewellery at the Lydia Chartier workshop and collaborating with Line Vautrin, amongst others. At the end of the war, she returned to her native south, opened her studio and took advantage of the growing excitement around ceramics, particularly those from the town of Vallauris. To stand out and sustain the workshop business, she started designing gilded jewellery...

Outstanding quality antique Victorian rosewood jewellery and vanity box having a outstanding quality rosewood jewellery and vanity box with a lift up lid opening to reveal a fitted i...

This is an antique travelling jewellery salesman's box. An English, mahogany and cedar secure carry case, dating to the early Victorian period, circa 1850. Delightfully appointed traveller's box with useful storage Displays a desirable aged patina and in good order Select stocks show fine grain interest throughout Rich russet hues beam beneath a wax polish finish Shallow lid dressed with a brass handle and held securely with a pair of rotary hooks Inset diamond to fascia hosts a working lock — key present Interior replete with a segmented storage tray, two compartments dressed with small bone...

Jewellery box with decorative ceramic lid by Mithé Espelt (circa 1960s). Quaint raised sunflower motif with pink, green and white over a neutral dark base backdrop. The decorative surround is in Espelt's trademark gold crackle. The lid tops a small, simple wooden black box with which can be used for small jewellery items or simply as decor for display. The decorative lid is in very good overall condition. The small box reveals some characterful blemishing attesting to its age and usage. It's underside is in Espelt's trademark green felt. The overall charm is undeniable. The work, as is the case for all of the artist's pieces, is unsigned. Please enjoy the many photos accompanying this listing. Upon request, a video will be provided. About the artist: Born in Lunel in the South of France, Mithé Espelt (1923-2020) grew up in a family of affluent winegrowers and was very close to her grandfather who passed on his love for the arts and brought her into contact with major intellectuals and artists of the time. She rubbed shoulders with Jean Hugo, Jean Cocteau, Pablo Picasso, Christian Bérard and many others. She graduated from the Beaux-Arts school in Montpellier in 1942, and then studied at the Fontcarrade school where she took a special interest in ceramics. She began by designing buttons for fashion houses in Paris, before managing the entire production of buttons and jewellery at the Lydia Chartier workshop and collaborating with Line Vautrin, amongst others. At the end of the war, she returned to her native south, opened her studio and took advantage of the growing excitement around ceramics, particularly those from the town of Vallauris. To stand out and sustain the workshop business she started designing gilded jewellery...