Alabaster Candlesticks

French Restoration Alabaster Candlesticks – A graceful pair of early 19th-century candlesticks, featuring delicate alabaster with a luminous, soft patina. Their neoclassical form and...

An Exceptionally Stylish Pair of French Bronze Dore and Champleve Cloisonne twin arm Cherub or Putti Candelabra of outstanding quality and generous proportions. Third quarter of the ...

A pair of Louis XVI style candlesticks, in gilt metal in the central part of the column that rests on an alabaster base.

An Exceptionally Stylish Pair of French Bronze Dore and Champleve Three branch Candelabra of outstanding possibly Museum quality. Third quarter of the Nineteenth Century.  This magnificent pair of Candelabra are wrought from Gilt Bronze and Champleve enamel in the distinctive, visually striking Renaissance Revival style.  Each central circular tapering support executed in colours of navy, iron red, sea green on a pale-yellow ground and profusely adorned with champleve enamels, holding a loft a three branch Candelabra modelled as scrolling leafy outswept branches and candle holders as urns, all ending on a tripartite base with applied finely cast winged eagles each raised on paw feet.   Condition: Professionally restored. No losses to champleve decoration, nice surface patination, original firm fitting drip pans.   Height: (entire as shown) 14.75” (37.5cm). Width: (at base) 4.5” (11.5cm). Depth: (at base) 4” (10.25cm).  Location: Dublin City, Ireland.  Affordable fixed charge Worldwide Store to door shipping.   History of Champlevé Enamelwork  No one knows exactly when champlevé was first invented, although it is likely that the process first emerged during the phase of Hellenistic Art (c.323-30 BCE) spreading northwards into the Black Sea region of Russia, before being adopted and carried into Europe by migrating Celts. At any rate, champlevé on bronze is closely associated with the La Tene style of Celtic culture. Interestingly, during the era of Roman art, the method was practiced almost exclusively in the northern provinces of the Roman Empire that were formerly occupied by Celtic tribes. (See, for instance, the Staffordshire Moorlands Pan, c.150 CE.) Celtic enameling endured in northwest Europe, especially in Ireland, where it influenced Medieval Christian art up until the 12th century. The main colours seen in Celtic enamelwork included a red, which some experts believe was intended as an imitation of red coral (see, for instance, the Witham Shield); along with bright yellow and blue; while the base was usually bronze. Other specialties of Celtic enamellers were their use of millefiori glass, which they fused into a ground of coloured enamel, and their increasingly ornate penannular brooches...

An exceptionally stylish pair of French bronze dore and Champleve Cassolettes of outstanding quality. Third quarter of the Nineteenth century. This magnificent pair of Vases are wr...

A beautiful, small snow-white matte alabaster marble urn, circa mid to late-20th century, Spain. Urn is small; Piece works as a candlestick holder (as demon...

An exceptionally fine pair of french gilt bronze & light green well veined alabaster twin arm candelabra of medium proportions, made du...

A fine French ormolu-mounted alabaster candlesticks with heavily gilded and three scrolled goat head supports and hoof feet. The alabaster is hand-carved. The decoration is neoclassi...

Very fine pair of Louis XVI gilt bronze and white alabaster cassolettes of ovoid form. A grape vine finial crowns the top, revealing an enclosed gilt bronze cast inverted candlestick...