Composition Clocks

Striking 70s space age clock by Japy France perfectly blending retro futurism with bold visual flair. Featuring a large rectangular frame softened by curvaceous edges, it sports a vi...

A very attractive 18th century Tall Case Clock by Adam Gordon Dunkeld of Scotland. Beautifully proportioned Inlay Mahogany case with a Bro...

1900 pendulum in golden spelter under glass globe. The dimensions are 37 cm high, 32 cm wide and 16 cm deep Additional information: Material: Regulates.

Funky and square shaped design by one of Germanies mid- and late century clock makers Diehl. Made in the late 60s, early 70s. Here a fun design from teak and golden chrome connectors...

FACTORY / HOUSE: TAG Heuer Watch Company STYLE / REFERENCE: Car Rally Clock METAL / MATERIAL: Chrome CIRCA / YEAR: 1960's DIMENSIONS / SIZE: 2 Inch X 2 Inch MOVEMENT / CALIBER: Heuer DIAL / HANDS: Original Dial and Hands WARRANTY: 18 months on the movement I bought this clock many years ago and it was New, Old Stock at the time. In fact somewhere I should have the original box for it. But, do not hold me to it as I have no idea where it actually is. The Heuer Racing Clock...

Exceptional Louis XVI style gilt bronze and malachite grandfather clock French, late 19th century Measures: Height 250cm, width 54cm, depth 33cm This superb longcase clock is a wonderful example of the Belle Époque impetus to draw inspiration from the styles of the past. The clock, crafted during the late nineteenth century—though the malachite finish is later—is inspired by a famous eighteenth-century original. The clock is of traditional form, which a cubic clock case inset with an enamel dial and a gilt bronze bezel cast with signs of the zodiac. The central section of the clock includes a window, which reveals the pendulum inside, while the lower section is in the form of a plinth. The malachite veneer is wonderfully varied, with lighter and darker shades of the stone utilised to add visual interest. The clock is surmounted by a sculpture in gilt bronze of Apollo in his chariot, pulled by a quadriga of horses. The dial is signed for Rosel Bruxelles...

Mid-20th Century Modern golden brass 8-days movement desk clock by Jaeger-LeCoultre, Switzerland By: Jaeger-LeCoultre Material: brass, copper, zinc, metal, glass, crystal Technique:...

Splendid wall clock set in an elegant opening wooden case, with carved frame and golden tablet. The internal finishes of the clock are also in golden tablet and brass. The decoration...

1980's Jean-Michel Basquiat gallery advertisements (set of 2): A set of two historic, 1982 Basquiat gallery advertisements published on the occasion(s) of: Jean-Michel Basquiat Fun...

Time is constant, yet eeting. No sooner has one moment arrived than it’s gone again. And yet, we want to capture it before it passes. Clocks have always been a way to frame the prese...

Keith Haring Cover Art 1982-1989: A set of 3 1980s books featuring original (offset) cover design by Keith Haring during his lifetime: Keith Haring 1982 for The Paris Review. Keith Haring 1986 for Brion Gysin The Last Museum. Keith Haring for AIDS: TRADING FEARS FOR FACTS (Hein). Medium: Set of 3 individual vintage books with offset illustrated cover art. 1982-1989. Measuring approximately: 4 x 7 inches each; soft cover books; the full edition of each; bound. Each in good to very good overall vintage condition. Minor age related wear. Each, unsigned from an edition of unknown. Highly collectible. _ Keith Haring (b. 1958 Reading, PA): Keith Haring’s first major works were his subway drawings. Haring produced a large number of these public works between 1980 and 1985, integrating his motifs outlined figures into everyday public space in a way that directly engaged its viewers. Haring's 1st solo exhibition was held at Westbeth Painters Space in 1981 and a celebrated show debuted at the historic Tony Shafrazi Gallery in New York the following year. Throughout the 1980s, Haring was committed to democratizing the art experience and along with paintings, he also created theater sets, billboards, murals, advertising campaigns and even a line of Swatch watches. In 1986 he opened the Pop Shop in SoHo, selling apparel, posters and toys bearing his drawings. This was a controversial move, as many galleries criticized Haring for “de-valuing” the art object while others, such as Andy Warhol, championed Haring’s insistence on making art accessible and affordable. Pop Shop was highly influential to contemporary crossovers of art and merchandise that are now so dominant, as in the work of Jeff Koons, Yayoi Kusama, KAWS and Takashi Murakami. In addition to this ideology of accessibility, Haring was also very socially engaged and used his striking imagery to promote awareness of various political and social campaigns. His many notable public works included a mural on the western side of the Berlin Wall, the Crack is Wack mural in New York, and a mural for the 100th anniversary of the Statue of Liberty in 1986. Haring was diagnosed with AIDS in 1988 and used his presence in the arts community to raise awareness of the crisis. In 1989, a year before his death, he established the Keith Haring Foundation, whose mission is to raise funds for AIDS organizations and children’s literacy and arts programs. Since his death in 1990, Haring has become one of the most widely-recognized and celebrated artists of the 20th century. Related categories: Keith Haring 1982. Keith Haring book...

Keith Haring The Paris Review: 1982 The Paris Review book, with original cover design by Keith Haring. Offset lithograph on double sided art book. Measures approximately: 5.5 x 9 inches; soft cover. Approximately 50pgs. Minor age related wear; in otherwise very good overall vintage condition. 1st edition, 1st printing 1982. Unsigned from an edition of unknown. Highly collectible. Related categories: Keith Haring 1982. Keith Haring book...