Cut Glass Paperweights

Behold the exquisite Glass Bowl Model 1639, a testament to the visionary design of Max Ingrand and the meticulous craftsmanship of Fontana Arte, Italy, in 1960. Crafted from thick br...

The original 1970s cut crystal ball suncatcher paperweight exudes timeless elegance and sophistication. With its mesmerizing facets and sparkling clarity, it adds a touch of charm an...

Midcentury crystal Lucite American knot paperweight sculpture. This wonderful piece was designed by Dorothy Thorpe in America during the 1960s. An amazing item with a unique knot ...

The sculpture evokes the romantic vision of two halves that perfectly complement each other once together and symbolize the indissoluble union. Each crystal is exclusive and unique as it has been entirely hand-worked from a block of crystal. This make impossible to create two identical ones. The crystal has been worked by hand until to a smooth and luminous surface to obtain the shape of a pear. The crystal used...

Intricate hand blown glass shell sculpture with silver specks / Made in Japan by Kurata for retailer Mikasa, circa 1980s Original sticker on the base ...

A gorgeous crystal glass apple form paper weight By Tiffany and Co. USA, Late 20th Century Measures: 3.25"W x 3.25"D x 3"H Very good original vintage condition.

A beautiful Italian travertine marble Obelisk, in the Modern style, circa 1970s, Italy. A great decorative object for a shelf, credenza, office, library, cocktail table, etc. Very go...

Spectacular bowl or vanity tray in a marvelous light turquoise beveled crystal, designed by Max Ingrand and produced by Fontana Arte in Italy during the 1950s. This fantastic piece ...

American brass miniature carriage clock with beveled glass, carrying handle , and signed enamel over copper face with dial. Clock consists of time, strike,...

Each crystal is exclusive and unique as it has been entirely hand-worked from a block of crystal. This makes it impossible to create two perfectly identical ones. Three natural blocks of crystal was used to make this set of decorative objects . The crystal have been processed by hand until they obtain a perfectly smooth and luminous surface. The color of the crystal is aquamarine with high transparency. They present a modern furnishing...

The round paperweight framed in black marble, with porphyry and sienna marble and other marble specimens. The center in sienna marble with carved bea...

This is a superb decorative antique Italian Grand Tour marble Pietra Dura mounted desk paperweight, circa 1880 in date. This splendid rectangular paperweight is exquisitely inlaid with a sumptuous arrangement of semi-precious stones including malachite, agate, onyx and amethyst. It is beautifully inlaid on a slate base. Not only is this desk paperweight very functional, but it is also an exquisite mineralogical wonder that can be admired by all discerning collectors. Condition: In excellent condition, please see photos for confirmation, Dimensions in cm: Height 2 x Width 17 x Depth 10 Dimensions in inches: Height 1 inch x width 7 inches x depth 4 inches. Pietra dura is a term for the inlay technique of using cut and fitted, highly polished coloured stones to create images. It is considered a decorative art. Pietre dure is an Italian plural meaning "hard rocks" or hardstones; the singular pietra dura is also encountered in Italian. In Italian, but not in English, the term embraces all gem engraving and hardstone carving, which is the artistic carving of three-dimensional objects in semi-precious stone, normally from a single piece, for example in Chinese jade. The traditional convention in English has been to use the singular pietra dura just to denote multi-colored inlay work. However, in recent years there has been a trend to use pietre dure as a term for the same thing, but not for all of the techniques it covers, in Italian. But the title of a 2008 exhibition at the Metropolitan Museum of Art, New York, Art of the Royal Court: Treasures in Pietre Dure from the Palaces of Europe used the full Italian sense of the term, probably because they thought that it had greater brand recognition. The material on the website speaks of objects such as a vase in lapis lazuli as being examples of "hardstone carving (pietre dure)" The Victoria & Albert Museum in London uses both versions on its website, but uses pietra dura. "A method of inlaying coloured marbles or semi-precious stones into a stone base, often in geometric or flower patterns...." Giovanni Montelatici...